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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD6EF0 it is the complementary color #02910F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD6EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD6EF0 shade: #FF6EEB, #FF80FE, #FF92FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD6EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD6EF0 shade: #FD6EF0, #EC5CDD, #DB4ACA, #CA38B7 and #B926A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD6EF0 shade: #FC6DEF, #FC6DC9, #FC6DA2, #FC6D7B and #FC6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD6EF0 shade: #FC6DEF, #E36DFC, #BC6DFC, #956DFC and #6F6DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD6EF0 shade matches the following richer shades: #FC6DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD6EF0 shade: #FC6DEF, #F079E5, #E485DC, #D891D2 and #CC9DC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD6EF0 shade: #BC6DFC, #E26DFC, #FC6DF0, #FC6DCA and #FC6DA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD6EF0 shade: #FB1CE7, #FC44EB, #FC6DEF, #FD95F4 and #FEBEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD6EF0 shade: #FD6EF0, #FC956D and #6DFCCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD6EF0 shade: #FD6EF0, #F0FC6D and #6DF0FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD6EF0 shade: #FD6EF0, #FC956D, #6DFC79 and #6DD4FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD6EF0 shade: #FD6EF0, #FCC16D, #6DFC79 and #6DA9FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

Complementary color

CMYK 99 / 0 / 90 / 43

HEX #02910F

RGB 2 145 15

HSL 125.45, 0.97%, 0.29%

LAB 52.17, -55.96, 52.01

 

CMYK 0 / 57 / 8 / 0

HEX #FF6EEB

RGB 255 110 235

HSL 308.28, 1%, 0.72%

LAB 68.32, 69.74, -37.14

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FE

RGB 255 128 254

HSL 300.47, 1%, 0.75%

LAB 72.13, 64.78, -41.62

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

CMYK 0 / 61 / 6 / 7

HEX #EC5CDD

RGB 236 92 221

HSL 306.25, 0.79%, 0.64%

LAB 62.26, 70.22, -39.01

 

CMYK 0 / 66 / 8 / 14

HEX #DB4ACA

RGB 219 74 202

HSL 307.03, 0.67%, 0.57%

LAB 56.31, 70.13, -37.75

 

CMYK 0 / 72 / 9 / 21

HEX #CA38B7

RGB 202 56 183

HSL 307.81, 0.58%, 0.51%

LAB 50.46, 69.59, -36.16

 

CMYK 0 / 79 / 11 / 27

HEX #B926A4

RGB 185 38 164

HSL 308.57, 0.66%, 0.44%

LAB 44.77, 68.35, -34.09

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DEF

RGB 252 109 239

HSL 305.45, 0.96%, 0.71%

LAB 67.92, 70.02, -40

 

CMYK 0 / 57 / 20 / 1

HEX #FC6DC9

RGB 252 109 201

HSL 321.4, 0.96%, 0.71%

LAB 66.4, 64.36, -21.18

 

CMYK 0 / 57 / 36 / 1

HEX #FC6DA2

RGB 252 109 162

HSL 337.76, 0.96%, 0.71%

LAB 65.15, 59.49, -0.95

 

CMYK 0 / 57 / 51 / 1

HEX #FC6D7B

RGB 252 109 123

HSL 354.13, 0.96%, 0.71%

LAB 64.21, 55.69, 20.01

 

CMYK 0 / 57 / 57 / 1

HEX #FC6D6D

RGB 252 109 109

HSL 0, 0.96%, 0.71%

LAB 63.95, 54.6, 27.59

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DEF

RGB 252 109 239

HSL 305.45, 0.96%, 0.71%

LAB 67.92, 70.02, -40

 

CMYK 10 / 57 / 0 / 1

HEX #E36DFC

RGB 227 109 252

HSL 289.51, 0.96%, 0.71%

LAB 65.2, 65.95, -51.67

 

CMYK 25 / 57 / 0 / 1

HEX #BC6DFC

RGB 188 109 252

HSL 273.15, 0.96%, 0.71%

LAB 60.48, 56.49, -59.47

 

CMYK 41 / 57 / 0 / 1

HEX #956DFC

RGB 149 109 252

HSL 256.78, 0.96%, 0.71%

LAB 56.44, 47.61, -66.16

 

CMYK 56 / 57 / 0 / 1

HEX #6F6DFC

RGB 111 109 252

HSL 240.84, 0.96%, 0.71%

LAB 53.33, 40.08, -71.35

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DEF

RGB 252 109 239

HSL 305.45, 0.96%, 0.71%

LAB 67.92, 70.02, -40

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DEF

RGB 252 109 239

HSL 305.45, 0.96%, 0.71%

LAB 67.92, 70.02, -40

 

CMYK 0 / 50 / 5 / 6

HEX #F079E5

RGB 240 121 229

HSL 305.55, 0.8%, 0.71%

LAB 67.92, 59.73, -34.61

 

CMYK 0 / 42 / 4 / 11

HEX #E485DC

RGB 228 133 220

HSL 305.05, 0.64%, 0.71%

LAB 68.34, 48.78, -29.08

 

CMYK 0 / 33 / 3 / 15

HEX #D891D2

RGB 216 145 210

HSL 305.07, 0.48%, 0.71%

LAB 69.11, 36.96, -22.48

 

CMYK 0 / 23 / 2 / 20

HEX #CC9DC8

RGB 204 157 200

HSL 305.11, 0.32%, 0.71%

LAB 70.26, 24.65, -15.32

 

CMYK 25 / 57 / 0 / 1

HEX #BC6DFC

RGB 188 109 252

HSL 273.15, 0.96%, 0.71%

LAB 60.48, 56.49, -59.47

 

CMYK 10 / 57 / 0 / 1

HEX #E26DFC

RGB 226 109 252

HSL 289.09, 0.96%, 0.71%

LAB 65.07, 65.71, -51.88

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DF0

RGB 252 109 240

HSL 305.03, 0.96%, 0.71%

LAB 67.96, 70.18, -40.48

 

CMYK 0 / 57 / 20 / 1

HEX #FC6DCA

RGB 252 109 202

HSL 320.98, 0.96%, 0.71%

LAB 66.44, 64.5, -21.68

 

CMYK 0 / 57 / 35 / 1

HEX #FC6DA4

RGB 252 109 164

HSL 336.92, 0.96%, 0.71%

LAB 65.21, 59.72, -2

 

CMYK 0 / 89 / 8 / 2

HEX #FB1CE7

RGB 251 28 231

HSL 305.38, 0.97%, 0.55%

LAB 59.08, 92.1, -49.48

 

CMYK 0 / 73 / 7 / 1

HEX #FC44EB

RGB 252 68 235

HSL 305.54, 0.97%, 0.63%

LAB 62.36, 84.39, -46.51

 

CMYK 0 / 57 / 5 / 1

HEX #FC6DEF

RGB 252 109 239

HSL 305.45, 0.96%, 0.71%

LAB 67.92, 70.02, -40

 

CMYK 0 / 41 / 4 / 1

HEX #FD95F4

RGB 253 149 244

HSL 305.19, 0.96%, 0.79%

LAB 75.39, 52.34, -31.13

 

CMYK 0 / 25 / 2 / 0

HEX #FEBEF8

RGB 254 190 248

HSL 305.63, 0.97%, 0.87%

LAB 84.32, 32.15, -19.66

 

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

CMYK 0 / 41 / 57 / 1

HEX #FC956D

RGB 252 149 109

HSL 16.78, 0.96%, 0.71%

LAB 71.75, 34.97, 37.62

 

CMYK 57 / 0 / 18 / 1

HEX #6DFCCF

RGB 109 252 207

HSL 161.12, 0.96%, 0.71%

LAB 90.49, -49.1, 10.01

 

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

CMYK 5 / 0 / 57 / 1

HEX #F0FC6D

RGB 240 252 109

HSL 65.03, 0.96%, 0.71%

LAB 95.68, -22.45, 65.65

 

CMYK 57 / 5 / 0 / 1

HEX #6DF0FC

RGB 109 240 252

HSL 185.03, 0.96%, 0.71%

LAB 88.26, -32.63, -16.71

 

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

CMYK 0 / 41 / 57 / 1

HEX #FC956D

RGB 252 149 109

HSL 16.78, 0.96%, 0.71%

LAB 71.75, 34.97, 37.62

 

CMYK 57 / 0 / 52 / 1

HEX #6DFC79

RGB 109 252 121

HSL 125.03, 0.96%, 0.71%

LAB 89.04, -64.32, 50.86

 

CMYK 57 / 16 / 0 / 1

HEX #6DD4FC

RGB 109 212 252

HSL 196.78, 0.96%, 0.71%

LAB 80.39, -18.89, -28.66

 

CMYK 0 / 57 / 5 / 1

HEX #FD6EF0

RGB 253 110 240

HSL 305.45, 0.97%, 0.71%

LAB 68.26, 70, -40.01

 

CMYK 0 / 23 / 57 / 1

HEX #FCC16D

RGB 252 193 109

HSL 35.24, 0.96%, 0.71%

LAB 81.81, 12, 49.92

 

CMYK 57 / 0 / 52 / 1

HEX #6DFC79

RGB 109 252 121

HSL 125.03, 0.96%, 0.71%

LAB 89.04, -64.32, 50.86

 

CMYK 57 / 33 / 0 / 1

HEX #6DA9FC

RGB 109 169 252

HSL 214.83, 0.96%, 0.71%

LAB 68.5, 4.33, -47.11

 

Description

Color code: HEX #FD6EF0 | qconv.com Color code: HEX #FD6EF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 110 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 110 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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