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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD661F3F it is the complementary color #0299E03F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD661F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD661F3F shade: #FF661A3F, #FF782D3F, #FF8A403F, #FF9C533F and #FFAE663F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD661F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD661F3F shade: #FD661F3F, #EC540C3F, #DB42003F, #CA30003F and #B91E003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD661F3F shade: #FD6721, #FD2C21 and #FD2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD661F3F shade: #FD6721, #FDA221, #FDDE21, #E0FD21 and #A5FD21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD661F3F shade matches the following richer shades: #FD6721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD661F3F shade: #FD6721, #EB6E33, #D87445, #C67B57 and #B48169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD661F3F shade: #FD2150, #FD2C21, #FD6621, #FDA121 and #FDDC21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD661F3F shade: #C94202, #F24F02, #FD6721, #FD834A and #FE9F73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD661F3F shade: #FD661F, #8BFD21 and #2133FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD661F3F shade: #FD661F, #21FD66 and #6621FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD661F3F shade: #FD661F, #8BFD21, #21B7FD and #9221FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD661F3F shade: #FD661F, #49FD21, #21B7FD and #D421FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 22 / 0

HEX #FD661F3F

RGBA 253 102 31 0.25

HSLA 19.19, 0.98%, 0.56%, 0.25

LABA 62.07, 54.65, 64.04, 0.25

 

Complementary color

CMYK 25 / 8 / 0 / 3

HEX #0299E03F

RGBA 2 153 224 0.25

HSLA 199.19, 0.98%, 0.44%, 0.25

LABA 60.05, -7.99, -45.24, 0.25

 

CMYK 0 / 15 / 22 / 0

HEX #FF661A3F

RGBA 255 102 26 0.25

HSLA 19.91, 1%, 0.55%, 0.25

LABA 62.37, 55.27, 65.99, 0.25

 

CMYK 0 / 13 / 21 / 0

HEX #FF782D3F

RGBA 255 120 45 0.25

HSLA 21.43, 1%, 0.59%, 0.25

LABA 65.66, 47.39, 61.97, 0.25

 

CMYK 0 / 11 / 19 / 0

HEX #FF8A403F

RGBA 255 138 64 0.25

HSLA 23.25, 1%, 0.63%, 0.25

LABA 69.33, 39.16, 57.39, 0.25

 

CMYK 0 / 10 / 17 / 0

HEX #FF9C533F

RGBA 255 156 83 0.25

HSLA 25.47, 1%, 0.66%, 0.25

LABA 73.33, 30.85, 52.79, 0.25

 

CMYK 0 / 8 / 15 / 0

HEX #FFAE663F

RGBA 255 174 102 0.25

HSLA 28.24, 1%, 0.7%, 0.25

LABA 77.57, 22.64, 48.4, 0.25

 

CMYK 0 / 15 / 22 / 0

HEX #FD661F3F

RGBA 253 102 31 0.25

HSLA 19.19, 0.98%, 0.56%, 0.25

LABA 62.07, 54.65, 64.04, 0.25

 

CMYK 0 / 16 / 24 / 2

HEX #EC540C3F

RGBA 236 84 12 0.25

HSLA 19.29, 0.9%, 0.49%, 0.25

LABA 56.29, 56.2, 64.06, 0.25

 

CMYK 0 / 17 / 25 / 4

HEX #DB42003F

RGBA 219 66 0 0.25

HSLA 18.08, 1%, 0.43%, 0.25

LABA 50.64, 57.55, 61.97, 0.25

 

CMYK 0 / 19 / 25 / 5

HEX #CA30003F

RGBA 202 48 0 0.25

HSLA 14.26, 1%, 0.4%, 0.25

LABA 45.18, 58.41, 57.62, 0.25

 

CMYK 0 / 21 / 25 / 7

HEX #B91E003F

RGBA 185 30 0 0.25

HSLA 9.73, 1%, 0.36%, 0.25

LABA 39.99, 58.39, 53.41, 0.25

 

CMYK 0 / 59 / 87 / 1

HEX #FD6721

RGB 253 103 33

HSL 19.09, 0.98%, 0.56%

LAB 62.25, 54.24, 63.49

 

CMYK 0 / 83 / 87 / 1

HEX #FD2C21

RGB 253 44 33

HSL 3, 0.98%, 0.56%

LAB 54.86, 74.45, 57.73

 

CMYK 0 / 87 / 87 / 1

HEX #FD2121

RGB 253 33 33

HSL 0, 0.98%, 0.56%

LAB 54.11, 76.58, 57.15

 

CMYK 0 / 59 / 87 / 1

HEX #FD6721

RGB 253 103 33

HSL 19.09, 0.98%, 0.56%

LAB 62.25, 54.24, 63.49

 

CMYK 0 / 36 / 87 / 1

HEX #FDA221

RGB 253 162 33

HSL 35.18, 0.98%, 0.56%

LAB 74.08, 25.07, 72.8

 

CMYK 0 / 12 / 87 / 1

HEX #FDDE21

RGB 253 222 33

HSL 51.55, 0.98%, 0.56%

LAB 88.56, -5.91, 84.26

 

CMYK 11 / 0 / 87 / 1

HEX #E0FD21

RGB 224 253 33

HSL 67.91, 0.98%, 0.56%

LAB 94.4, -32.79, 88

 

CMYK 35 / 0 / 87 / 1

HEX #A5FD21

RGB 165 253 33

HSL 84, 0.98%, 0.56%

LAB 90.94, -54.89, 83.73

 

CMYK 0 / 59 / 87 / 1

HEX #FD6721

RGB 253 103 33

HSL 19.09, 0.98%, 0.56%

LAB 62.25, 54.24, 63.49

 

CMYK 0 / 59 / 87 / 1

HEX #FD6721

RGB 253 103 33

HSL 19.09, 0.98%, 0.56%

LAB 62.25, 54.24, 63.49

 

CMYK 0 / 53 / 78 / 8

HEX #EB6E33

RGB 235 110 51

HSL 19.24, 0.82%, 0.56%

LAB 60.83, 44.89, 53.86

 

CMYK 0 / 46 / 68 / 15

HEX #D87445

RGB 216 116 69

HSL 19.18, 0.65%, 0.56%

LAB 59.45, 35.32, 42.76

 

CMYK 0 / 38 / 56 / 22

HEX #C67B57

RGB 198 123 87

HSL 19.46, 0.49%, 0.56%

LAB 58.84, 25.56, 31.81

HEX #C67B57

CMYK 0 / 28 / 42 / 29

HEX #B48169

RGB 180 129 105

HSL 19.2, 0.33%, 0.56%

LAB 58.44, 16.62, 20.8

HEX #B48169

CMYK 0 / 87 / 68 / 1

HEX #FD2150

RGB 253 33 80

HSL 347.18, 0.98%, 0.56%

LAB 54.61, 78.01, 32.4

 

CMYK 0 / 83 / 87 / 1

HEX #FD2C21

RGB 253 44 33

HSL 3, 0.98%, 0.56%

LAB 54.86, 74.45, 57.73

 

CMYK 0 / 60 / 87 / 1

HEX #FD6621

RGB 253 102 33

HSL 18.82, 0.98%, 0.56%

LAB 62.08, 54.68, 63.36

 

CMYK 0 / 36 / 87 / 1

HEX #FDA121

RGB 253 161 33

HSL 34.91, 0.98%, 0.56%

LAB 73.86, 25.59, 72.62

 

CMYK 0 / 13 / 87 / 1

HEX #FDDC21

RGB 253 220 33

HSL 51, 0.98%, 0.56%

LAB 88.05, -4.91, 83.86

 

CMYK 0 / 67 / 99 / 21

HEX #C94202

RGB 201 66 2

HSL 19.3, 0.98%, 0.4%

LAB 47.39, 51.54, 58.02

 

CMYK 0 / 67 / 99 / 5

HEX #F24F02

RGB 242 79 2

HSL 19.25, 0.98%, 0.48%

LAB 56.56, 60.14, 66.76

 

CMYK 0 / 59 / 87 / 1

HEX #FD6721

RGB 253 103 33

HSL 19.09, 0.98%, 0.56%

LAB 62.25, 54.24, 63.49

 

CMYK 0 / 48 / 71 / 1

HEX #FD834A

RGB 253 131 74

HSL 19.11, 0.98%, 0.64%

LAB 67.73, 42.34, 50.91

 

CMYK 0 / 37 / 55 / 0

HEX #FE9F73

RGB 254 159 115

HSL 18.99, 0.99%, 0.72%

LAB 74.26, 31.04, 37.65

 

CMYK 0 / 60 / 88 / 1

HEX #FD661F

RGB 253 102 31

HSL 19.19, 0.98%, 0.56%

LAB 62.07, 54.65, 64.04

 

CMYK 45 / 0 / 87 / 1

HEX #8BFD21

RGB 139 253 33

HSL 91.09, 0.98%, 0.56%

LAB 89.79, -63.29, 82.29

 

CMYK 87 / 80 / 0 / 1

HEX #2133FD

RGB 33 51 253

HSL 235.09, 0.98%, 0.56%

LAB 37.45, 64.71, -98.14

 

CMYK 0 / 60 / 88 / 1

HEX #FD661F

RGB 253 102 31

HSL 19.19, 0.98%, 0.56%

LAB 62.07, 54.65, 64.04

 

CMYK 87 / 0 / 60 / 1

HEX #21FD66

RGB 33 253 102

HSL 138.82, 0.98%, 0.56%

LAB 87.74, -78.34, 57.44

 

CMYK 60 / 87 / 0 / 1

HEX #6621FD

RGB 102 33 253

HSL 258.82, 0.98%, 0.56%

LAB 39.59, 75.34, -94.46

 

CMYK 0 / 60 / 88 / 1

HEX #FD661F

RGB 253 102 31

HSL 19.19, 0.98%, 0.56%

LAB 62.07, 54.65, 64.04

 

CMYK 45 / 0 / 87 / 1

HEX #8BFD21

RGB 139 253 33

HSL 91.09, 0.98%, 0.56%

LAB 89.79, -63.29, 82.29

 

CMYK 87 / 28 / 0 / 1

HEX #21B7FD

RGB 33 183 253

HSL 199.09, 0.98%, 0.56%

LAB 70.37, -12.93, -44.86

 

CMYK 42 / 87 / 0 / 1

HEX #9221FD

RGB 146 33 253

HSL 270.82, 0.98%, 0.56%

LAB 44.65, 79.51, -85.94

 

CMYK 0 / 60 / 88 / 1

HEX #FD661F

RGB 253 102 31

HSL 19.19, 0.98%, 0.56%

LAB 62.07, 54.65, 64.04

 

CMYK 71 / 0 / 87 / 1

HEX #49FD21

RGB 73 253 33

HSL 109.09, 0.98%, 0.56%

LAB 87.86, -78.86, 79.88

 

CMYK 87 / 28 / 0 / 1

HEX #21B7FD

RGB 33 183 253

HSL 199.09, 0.98%, 0.56%

LAB 70.37, -12.93, -44.86

 

CMYK 16 / 87 / 0 / 1

HEX #D421FD

RGB 212 33 253

HSL 288.82, 0.98%, 0.56%

LAB 54.21, 88.27, -69.93

 

Description

Color code: HEX #FD661F3F | qconv.com Color code: HEX #FD661F3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 102 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 102 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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