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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD618D it is the complementary color #029E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD618D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD618D shade: #FF6188, #FF739B, #FF85AE, #FF97C1 and #FFA9D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD618D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD618D shade: #FD618D, #EC4F7A, #DB3D67, #CA2B54 and #B91941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD618D shade: #FD628E, #FD6264 and #FD6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD618D shade: #FD628E, #FD62B8, #FD62E2, #EF62FD and #C662FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD618D shade matches the following richer shades: #FD628E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD618D shade: #FD628E, #F16F94, #E47C99, #D7899F and #CA96A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD618D shade: #FD62E1, #FD62B8, #FD628E, #FD6265 and #FD8962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD618D shade: #FD1153, #FD3A71, #FD628E, #FE8BAC and #FEB4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD618D shade: #FD618D, #FDF162 and #62CCFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD618D shade: #FD618D, #8EFD62 and #628EFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD618D shade: #FD618D, #FDF162, #62FDD2 and #626FFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD618D shade: #FD618D, #DCFD62, #62FDD2 and #8462FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

Complementary color

CMYK 99 / 0 / 28 / 38

HEX #029E72

RGB 2 158 114

HSL 163.08, 0.98%, 0.31%

LAB 57.73, -45.89, 13.3

 

CMYK 0 / 62 / 47 / 0

HEX #FF6188

RGB 255 97 136

HSL 345.19, 1%, 0.69%

LAB 63, 63, 10.94

 

CMYK 0 / 55 / 39 / 0

HEX #FF739B

RGB 255 115 155

HSL 342.86, 1%, 0.73%

LAB 66.43, 56.97, 4.96

 

CMYK 0 / 48 / 32 / 0

HEX #FF85AE

RGB 255 133 174

HSL 339.84, 1%, 0.76%

LAB 70.24, 50.58, -0.24

 

CMYK 0 / 41 / 24 / 0

HEX #FF97C1

RGB 255 151 193

HSL 335.77, 1%, 0.8%

LAB 74.35, 44.05, -4.77

 

CMYK 0 / 34 / 17 / 0

HEX #FFA9D4

RGB 255 169 212

HSL 330, 1%, 0.83%

LAB 78.69, 37.54, -8.73

 

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

CMYK 0 / 67 / 48 / 7

HEX #EC4F7A

RGB 236 79 122

HSL 343.57, 0.81%, 0.62%

LAB 56.91, 63.22, 10.06

 

CMYK 0 / 72 / 53 / 14

HEX #DB3D67

RGB 219 61 103

HSL 344.05, 0.69%, 0.55%

LAB 51.13, 63.26, 12.86

 

CMYK 0 / 79 / 58 / 21

HEX #CA2B54

RGB 202 43 84

HSL 344.53, 0.65%, 0.48%

LAB 45.53, 62.74, 16.29

 

CMYK 0 / 86 / 65 / 27

HEX #B91941

RGB 185 25 65

HSL 345, 0.76%, 0.41%

LAB 40.23, 61.37, 20.52

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 61 / 60 / 1

HEX #FD6264

RGB 253 98 100

HSL 359.23, 0.97%, 0.69%

LAB 62.12, 59.17, 30.33

 

CMYK 0 / 61 / 61 / 1

HEX #FD6262

RGB 253 98 98

HSL 0, 0.97%, 0.69%

LAB 62.08, 59.05, 31.42

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 61 / 27 / 1

HEX #FD62B8

RGB 253 98 184

HSL 326.71, 0.97%, 0.69%

LAB 64.22, 67.11, -14.85

 

CMYK 0 / 61 / 11 / 1

HEX #FD62E2

RGB 253 98 226

HSL 310.45, 0.97%, 0.69%

LAB 65.83, 72.83, -36.04

 

CMYK 6 / 61 / 0 / 1

HEX #EF62FD

RGB 239 98 253

HSL 294.58, 0.97%, 0.69%

LAB 65.1, 73.77, -52.27

 

CMYK 22 / 61 / 0 / 1

HEX #C662FD

RGB 198 98 253

HSL 278.71, 0.97%, 0.69%

LAB 59.74, 64.35, -61.14

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 54 / 39 / 5

HEX #F16F94

RGB 241 111 148

HSL 342.92, 0.82%, 0.69%

LAB 63.51, 53.51, 4.48

 

CMYK 0 / 46 / 33 / 11

HEX #E47C99

RGB 228 124 153

HSL 343.27, 0.66%, 0.69%

LAB 64.33, 43.31, 2.58

 

CMYK 0 / 36 / 26 / 16

HEX #D7899F

RGB 215 137 159

HSL 343.08, 0.49%, 0.69%

LAB 65.63, 32.68, 0.86

 

CMYK 0 / 26 / 19 / 21

HEX #CA96A4

RGB 202 150 164

HSL 343.85, 0.33%, 0.69%

LAB 67.31, 21.62, 0.33

 

CMYK 0 / 61 / 11 / 1

HEX #FD62E1

RGB 253 98 225

HSL 310.84, 0.97%, 0.69%

LAB 65.79, 72.68, -35.55

 

CMYK 0 / 61 / 27 / 1

HEX #FD62B8

RGB 253 98 184

HSL 326.71, 0.97%, 0.69%

LAB 64.22, 67.11, -14.85

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 61 / 60 / 1

HEX #FD6265

RGB 253 98 101

HSL 358.84, 0.97%, 0.69%

LAB 62.13, 59.24, 29.79

 

CMYK 0 / 46 / 61 / 1

HEX #FD8962

RGB 253 137 98

HSL 15.1, 0.97%, 0.69%

LAB 69.22, 40.7, 40.34

 

CMYK 0 / 93 / 67 / 1

HEX #FD1153

RGB 253 17 83

HSL 343.22, 0.98%, 0.53%

LAB 53.93, 80.23, 29.78

 

CMYK 0 / 77 / 55 / 1

HEX #FD3A71

RGB 253 58 113

HSL 343.08, 0.98%, 0.61%

LAB 57.17, 74.3, 16.2

 

CMYK 0 / 61 / 44 / 1

HEX #FD628E

RGB 253 98 142

HSL 342.97, 0.97%, 0.69%

LAB 62.99, 62.52, 7.41

 

CMYK 0 / 45 / 32 / 0

HEX #FE8BAC

RGB 254 139 172

HSL 342.78, 0.98%, 0.77%

LAB 71.22, 47.04, 2.3

 

CMYK 0 / 29 / 21 / 0

HEX #FEB4C9

RGB 254 180 201

HSL 342.97, 0.97%, 0.85%

LAB 80.7, 29.8, 0.18

 

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

CMYK 0 / 5 / 61 / 1

HEX #FDF162

RGB 253 241 98

HSL 55.35, 0.97%, 0.69%

LAB 93.74, -12.71, 68.42

 

CMYK 61 / 19 / 0 / 1

HEX #62CCFD

RGB 98 204 253

HSL 198.97, 0.97%, 0.69%

LAB 77.8, -16.47, -33.2

 

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

CMYK 44 / 0 / 61 / 1

HEX #8EFD62

RGB 142 253 98

HSL 102.97, 0.97%, 0.69%

LAB 90.27, -58.54, 62.68

 

CMYK 61 / 44 / 0 / 1

HEX #628EFD

RGB 98 142 253

HSL 222.97, 0.97%, 0.69%

LAB 60.81, 18.33, -59.89

 

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

CMYK 0 / 5 / 61 / 1

HEX #FDF162

RGB 253 241 98

HSL 55.35, 0.97%, 0.69%

LAB 93.74, -12.71, 68.42

 

CMYK 61 / 0 / 17 / 1

HEX #62FDD2

RGB 98 253 210

HSL 163.35, 0.97%, 0.69%

LAB 90.55, -50.87, 8.5

 

CMYK 61 / 56 / 0 / 1

HEX #626FFD

RGB 98 111 253

HSL 234.97, 0.97%, 0.69%

LAB 53.01, 37, -72.45

 

CMYK 0 / 62 / 44 / 1

HEX #FD618D

RGB 253 97 141

HSL 343.08, 0.98%, 0.69%

LAB 62.81, 62.84, 7.73

 

CMYK 13 / 0 / 61 / 1

HEX #DCFD62

RGB 220 253 98

HSL 72.77, 0.97%, 0.69%

LAB 94.46, -31.48, 68.48

 

CMYK 61 / 0 / 17 / 1

HEX #62FDD2

RGB 98 253 210

HSL 163.35, 0.97%, 0.69%

LAB 90.55, -50.87, 8.5

 

CMYK 48 / 61 / 0 / 1

HEX #8462FD

RGB 132 98 253

HSL 253.16, 0.97%, 0.69%

LAB 52.66, 50.5, -72.92

 

Description

Color code: HEX #FD618D | qconv.com Color code: HEX #FD618D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 97 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 97 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 44% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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