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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5E33 it is the complementary color #02A1CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5E33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5E33 shade: #FF5E2E, #FF7041, #FF8254, #FF9467 and #FFA67A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5E33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5E33 shade: #FD5E33, #EC4C20, #DB3A0D, #CA2800 and #B91600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5E33 shade: #FC5F35 and #FC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5E33 shade: #FC5F35, #FC9535, #FCCB35, #F8FC35 and #C2FC35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5E33 shade matches the following richer shades: #FC5F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5E33 shade: #FC5F35, #EC6945, #DB7256, #CB7C66 and #BA8577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5E33 shade: #FC3577, #FC3542, #FC5D35, #FC9235 and #FCC735

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5E33 shade: #DD3002, #FC3F0C, #FC5F35, #FD7F5D and #FDA086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5E33 shade: #FD5E33, #ACFC35 and #355DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5E33 shade: #FD5E33, #35FC5D and #5D35FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5E33 shade: #FD5E33, #ACFC35, #35D4FC and #8535FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5E33 shade: #FD5E33, #71FC35, #35D4FC and #C035FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

Complementary color

CMYK 99 / 21 / 0 / 20

HEX #02A1CC

RGB 2 161 204

HSL 192.77, 0.98%, 0.4%

LAB 61.54, -19.63, -31.77

 

CMYK 0 / 63 / 82 / 0

HEX #FF5E2E

RGB 255 94 46

HSL 13.78, 1%, 0.59%

LAB 61.19, 59.1, 57.57

 

CMYK 0 / 56 / 75 / 0

HEX #FF7041

RGB 255 112 65

HSL 14.84, 1%, 0.63%

LAB 64.35, 51.82, 51.78

 

CMYK 0 / 49 / 67 / 0

HEX #FF8254

RGB 255 130 84

HSL 16.14, 1%, 0.66%

LAB 67.92, 44.1, 46.17

 

CMYK 0 / 42 / 60 / 0

HEX #FF9467

RGB 255 148 103

HSL 17.76, 1%, 0.7%

LAB 71.84, 36.21, 40.97

 

CMYK 0 / 35 / 52 / 0

HEX #FFA67A

RGB 255 166 122

HSL 19.85, 1%, 0.74%

LAB 76.03, 28.36, 36.25

 

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

CMYK 0 / 68 / 86 / 7

HEX #EC4C20

RGB 236 76 32

HSL 12.94, 0.84%, 0.53%

LAB 55.18, 59.7, 57.06

 

CMYK 0 / 74 / 94 / 14

HEX #DB3A0D

RGB 219 58 13

HSL 13.11, 0.89%, 0.45%

LAB 49.64, 60.52, 58.25

 

CMYK 0 / 80 / 100 / 21

HEX #CA2800

RGB 202 40 0

HSL 11.88, 1%, 0.4%

LAB 44.34, 60.77, 57.26

 

CMYK 0 / 88 / 100 / 27

HEX #B91600

RGB 185 22 0

HSL 7.14, 1%, 0.36%

LAB 39.39, 60.09, 53.18

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F35

RGB 252 95 53

HSL 12.66, 0.97%, 0.6%

LAB 60.9, 57.88, 53.92

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F35

RGB 252 95 53

HSL 12.66, 0.97%, 0.6%

LAB 60.9, 57.88, 53.92

 

CMYK 0 / 41 / 79 / 1

HEX #FC9535

RGB 252 149 53

HSL 28.94, 0.97%, 0.6%

LAB 71.18, 31.95, 63.69

 

CMYK 0 / 19 / 79 / 1

HEX #FCCB35

RGB 252 203 53

HSL 45.23, 0.97%, 0.6%

LAB 83.79, 3.83, 75.16

 

CMYK 2 / 0 / 79 / 1

HEX #F8FC35

RGB 248 252 53

HSL 61.21, 0.97%, 0.6%

LAB 95.93, -22.13, 85.71

 

CMYK 23 / 0 / 79 / 1

HEX #C2FC35

RGB 194 252 53

HSL 77.49, 0.97%, 0.6%

LAB 92.29, -43.38, 81.1

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F35

RGB 252 95 53

HSL 12.66, 0.97%, 0.6%

LAB 60.9, 57.88, 53.92

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F35

RGB 252 95 53

HSL 12.66, 0.97%, 0.6%

LAB 60.9, 57.88, 53.92

 

CMYK 0 / 56 / 71 / 7

HEX #EC6945

RGB 236 105 69

HSL 12.93, 0.81%, 0.6%

LAB 60.22, 48.4, 44.42

 

CMYK 0 / 48 / 61 / 14

HEX #DB7256

RGB 219 114 86

HSL 12.63, 0.65%, 0.6%

LAB 59.68, 38.59, 34.01

 

CMYK 0 / 39 / 50 / 20

HEX #CB7C66

RGB 203 124 102

HSL 13.07, 0.49%, 0.6%

LAB 59.95, 28.37, 25.01

 

CMYK 0 / 28 / 36 / 27

HEX #BA8577

RGB 186 133 119

HSL 12.54, 0.33%, 0.6%

LAB 60.38, 18.5, 15.63

 

CMYK 0 / 79 / 53 / 1

HEX #FC3577

RGB 252 53 119

HSL 340.1, 0.97%, 0.6%

LAB 56.66, 75.79, 11.89

 

CMYK 0 / 79 / 74 / 1

HEX #FC3542

RGB 252 53 66

HSL 356.08, 0.97%, 0.6%

LAB 55.72, 72.91, 41.74

 

CMYK 0 / 63 / 79 / 1

HEX #FC5D35

RGB 252 93 53

HSL 12.06, 0.97%, 0.6%

LAB 60.59, 58.71, 53.61

 

CMYK 0 / 42 / 79 / 1

HEX #FC9235

RGB 252 146 53

HSL 28.04, 0.97%, 0.6%

LAB 70.53, 33.49, 63.09

 

CMYK 0 / 21 / 79 / 1

HEX #FCC735

RGB 252 199 53

HSL 44.02, 0.97%, 0.6%

LAB 82.81, 5.89, 74.28

 

CMYK 0 / 78 / 99 / 13

HEX #DD3002

RGB 221 48 2

HSL 12.6, 0.98%, 0.44%

LAB 48.87, 64.13, 60.85

 

CMYK 0 / 75 / 95 / 1

HEX #FC3F0C

RGB 252 63 12

HSL 12.75, 0.98%, 0.52%

LAB 56.36, 68.89, 65.59

 

CMYK 0 / 62 / 79 / 1

HEX #FC5F35

RGB 252 95 53

HSL 12.66, 0.97%, 0.6%

LAB 60.9, 57.88, 53.92

 

CMYK 0 / 50 / 63 / 1

HEX #FD7F5D

RGB 253 127 93

HSL 12.75, 0.98%, 0.68%

LAB 67.17, 45.35, 40.49

 

CMYK 0 / 37 / 47 / 1

HEX #FDA086

RGB 253 160 134

HSL 13.11, 0.97%, 0.76%

LAB 74.66, 31.79, 28.02

 

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

CMYK 32 / 0 / 79 / 1

HEX #ACFC35

RGB 172 252 53

HSL 84.12, 0.97%, 0.6%

LAB 91.08, -51.37, 79.55

 

CMYK 79 / 63 / 0 / 1

HEX #355DFC

RGB 53 93 252

HSL 227.94, 0.97%, 0.6%

LAB 46.46, 42.13, -82.67

 

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

CMYK 79 / 0 / 63 / 1

HEX #35FC5D

RGB 53 252 93

HSL 132.06, 0.97%, 0.6%

LAB 87.57, -77.25, 61.07

 

CMYK 63 / 79 / 0 / 1

HEX #5D35FC

RGB 93 53 252

HSL 252.06, 0.97%, 0.6%

LAB 41.06, 67.24, -91.49

 

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

CMYK 32 / 0 / 79 / 1

HEX #ACFC35

RGB 172 252 53

HSL 84.12, 0.97%, 0.6%

LAB 91.08, -51.37, 79.55

 

CMYK 79 / 16 / 0 / 1

HEX #35D4FC

RGB 53 212 252

HSL 192.06, 0.97%, 0.6%

LAB 78.97, -26.75, -30.96

 

CMYK 47 / 79 / 0 / 1

HEX #8535FC

RGB 133 53 252

HSL 264.12, 0.97%, 0.6%

LAB 45.03, 71.68, -84.81

 

CMYK 0 / 63 / 80 / 1

HEX #FD5E33

RGB 253 94 51

HSL 12.77, 0.98%, 0.6%

LAB 60.89, 58.57, 54.91

 

CMYK 55 / 0 / 79 / 1

HEX #71FC35

RGB 113 252 53

HSL 101.91, 0.97%, 0.6%

LAB 88.63, -69.37, 76.41

 

CMYK 79 / 16 / 0 / 1

HEX #35D4FC

RGB 53 212 252

HSL 192.06, 0.97%, 0.6%

LAB 78.97, -26.75, -30.96

 

CMYK 24 / 79 / 0 / 1

HEX #C035FC

RGB 192 53 252

HSL 281.91, 0.97%, 0.6%

LAB 52.71, 80.34, -71.95

 

Description

Color code: HEX #FD5E33 | qconv.com Color code: HEX #FD5E33 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 94 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 94 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 80% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - 퍼펙트월드 코리아
Link: http://www.pwrd.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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