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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5CF6 it is the complementary color #02A309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5CF6 shade: #FF5CF1, #FF6EFF, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5CF6 shade: #FD5CF6, #EC4AE3, #DB38D0, #CA26BD and #B914AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5CF6 shade: #FD5DF6, #FD5DCB, #FD5DA0, #FD5D75 and #FD5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5CF6 shade: #FD5DF6, #D95DFD, #AE5DFD, #835DFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5CF6 shade matches the following richer shades: #FD5DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5CF6 shade: #FD5DF6, #F06BEA, #E378DE, #D685D2 and #C992C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5CF6 shade: #AD5DFD, #D85DFD, #FD5DF8, #FD5DCD and #FD5DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5CF6 shade: #FD0CF2, #FD35F4, #FD5DF6, #FE86F9 and #FEAFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5CF6 shade: #FD5CF6, #FD835D and #5DFDC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5CF6 shade: #FD5CF6, #F8FD5D and #5DF8FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5CF6 shade: #FD5CF6, #FD835D, #5DFD63 and #5DD8FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5CF6 shade: #FD5CF6, #FDB35D, #5DFD63 and #5DA8FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

Complementary color

CMYK 99 / 0 / 94 / 36

HEX #02A309

RGB 2 163 9

HSL 122.61, 0.98%, 0.32%

LAB 58.25, -61.31, 58.23

 

CMYK 0 / 64 / 5 / 0

HEX #FF5CF1

RGB 255 92 241

HSL 305.15, 1%, 0.68%

LAB 65.95, 77.9, -44.15

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

CMYK 0 / 69 / 4 / 7

HEX #EC4AE3

RGB 236 74 227

HSL 303.33, 0.81%, 0.61%

LAB 60.14, 77.87, -45.71

 

CMYK 0 / 74 / 5 / 14

HEX #DB38D0

RGB 219 56 208

HSL 304.05, 0.69%, 0.54%

LAB 54.49, 77.03, -44.04

 

CMYK 0 / 81 / 6 / 21

HEX #CA26BD

RGB 202 38 189

HSL 304.76, 0.68%, 0.47%

LAB 49.03, 75.46, -41.91

 

CMYK 0 / 89 / 8 / 27

HEX #B914AA

RGB 185 20 170

HSL 305.45, 0.8%, 0.4%

LAB 43.82, 72.89, -39.17

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF6

RGB 253 93 246

HSL 302.63, 0.98%, 0.68%

LAB 66.03, 77.84, -46.81

 

CMYK 0 / 63 / 20 / 1

HEX #FD5DCB

RGB 253 93 203

HSL 318.75, 0.98%, 0.68%

LAB 64.18, 71.56, -25.7

 

CMYK 0 / 63 / 37 / 1

HEX #FD5DA0

RGB 253 93 160

HSL 334.88, 0.98%, 0.68%

LAB 62.72, 66.38, -3.36

 

CMYK 0 / 63 / 54 / 1

HEX #FD5D75

RGB 253 93 117

HSL 351, 0.98%, 0.68%

LAB 61.65, 62.46, 19.98

 

CMYK 0 / 63 / 63 / 1

HEX #FD5D5D

RGB 253 93 93

HSL 0, 0.98%, 0.68%

LAB 61.22, 60.84, 33.15

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF6

RGB 253 93 246

HSL 302.63, 0.98%, 0.68%

LAB 66.03, 77.84, -46.81

 

CMYK 14 / 63 / 0 / 1

HEX #D95DFD

RGB 217 93 253

HSL 286.5, 0.98%, 0.68%

LAB 61.37, 70.83, -58.39

 

CMYK 31 / 63 / 0 / 1

HEX #AE5DFD

RGB 174 93 253

HSL 270.38, 0.98%, 0.68%

LAB 56.01, 61.49, -67.29

 

CMYK 48 / 63 / 0 / 1

HEX #835DFD

RGB 131 93 253

HSL 254.25, 0.98%, 0.68%

LAB 51.55, 53.03, -74.72

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF6

RGB 253 93 246

HSL 302.63, 0.98%, 0.68%

LAB 66.03, 77.84, -46.81

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF6

RGB 253 93 246

HSL 302.63, 0.98%, 0.68%

LAB 66.03, 77.84, -46.81

 

CMYK 0 / 55 / 3 / 6

HEX #F06BEA

RGB 240 107 234

HSL 302.71, 0.82%, 0.68%

LAB 65.73, 66.97, -40.77

 

CMYK 0 / 47 / 2 / 11

HEX #E378DE

RGB 227 120 222

HSL 302.8, 0.66%, 0.68%

LAB 65.78, 55.34, -34.17

 

CMYK 0 / 38 / 2 / 16

HEX #D685D2

RGB 214 133 210

HSL 302.96, 0.5%, 0.68%

LAB 66.31, 42.71, -26.79

 

CMYK 0 / 27 / 1 / 21

HEX #C992C6

RGB 201 146 198

HSL 303.27, 0.34%, 0.68%

LAB 67.32, 29.3, -18.69

 

CMYK 32 / 63 / 0 / 1

HEX #AD5DFD

RGB 173 93 253

HSL 270, 0.98%, 0.68%

LAB 55.89, 61.28, -67.48

 

CMYK 15 / 63 / 0 / 1

HEX #D85DFD

RGB 216 93 253

HSL 286.13, 0.98%, 0.68%

LAB 61.24, 70.61, -58.61

 

CMYK 0 / 63 / 2 / 1

HEX #FD5DF8

RGB 253 93 248

HSL 301.88, 0.98%, 0.68%

LAB 66.13, 78.15, -47.77

 

CMYK 0 / 63 / 19 / 1

HEX #FD5DCD

RGB 253 93 205

HSL 318, 0.98%, 0.68%

LAB 64.26, 71.83, -26.71

 

CMYK 0 / 63 / 36 / 1

HEX #FD5DA3

RGB 253 93 163

HSL 333.75, 0.98%, 0.68%

LAB 62.81, 66.7, -4.95

 

CMYK 0 / 95 / 4 / 1

HEX #FD0CF2

RGB 253 12 242

HSL 302.74, 0.98%, 0.52%

LAB 59.49, 95.45, -54.97

 

CMYK 0 / 79 / 4 / 1

HEX #FD35F4

RGB 253 53 244

HSL 302.7, 0.98%, 0.6%

LAB 61.62, 89.8, -52.69

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF6

RGB 253 93 246

HSL 302.63, 0.98%, 0.68%

LAB 66.03, 77.84, -46.81

 

CMYK 0 / 47 / 2 / 0

HEX #FE86F9

RGB 254 134 249

HSL 302.5, 0.98%, 0.76%

LAB 72.87, 60.83, -37.76

 

CMYK 0 / 31 / 1 / 0

HEX #FEAFFB

RGB 254 175 251

HSL 302.28, 0.98%, 0.84%

LAB 81.12, 40.54, -26.12

 

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

CMYK 0 / 48 / 63 / 1

HEX #FD835D

RGB 253 131 93

HSL 14.25, 0.98%, 0.68%

LAB 67.95, 43.38, 41.44

 

CMYK 63 / 0 / 23 / 1

HEX #5DFDC3

RGB 93 253 195

HSL 158.25, 0.98%, 0.68%

LAB 90.1, -55.07, 15.58

 

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

CMYK 2 / 0 / 63 / 1

HEX #F8FD5D

RGB 248 253 93

HSL 61.88, 0.98%, 0.68%

LAB 96.41, -20.82, 73.12

 

CMYK 63 / 2 / 0 / 1

HEX #5DF8FD

RGB 93 248 253

HSL 181.88, 0.98%, 0.68%

LAB 90.12, -38.7, -14.49

 

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

CMYK 0 / 48 / 63 / 1

HEX #FD835D

RGB 253 131 93

HSL 14.25, 0.98%, 0.68%

LAB 67.95, 43.38, 41.44

 

CMYK 63 / 0 / 61 / 1

HEX #5DFD63

RGB 93 253 99

HSL 122.25, 0.98%, 0.68%

LAB 88.68, -70.68, 60.03

 

CMYK 63 / 15 / 0 / 1

HEX #5DD8FD

RGB 93 216 253

HSL 193.88, 0.98%, 0.68%

LAB 81.03, -23.42, -28.24

 

CMYK 0 / 64 / 3 / 1

HEX #FD5CF6

RGB 253 92 246

HSL 302.61, 0.98%, 0.68%

LAB 65.9, 78.21, -47.03

 

CMYK 0 / 29 / 63 / 1

HEX #FDB35D

RGB 253 179 93

HSL 32.25, 0.98%, 0.68%

LAB 78.41, 18.62, 53.68

 

CMYK 63 / 0 / 61 / 1

HEX #5DFD63

RGB 93 253 99

HSL 122.25, 0.98%, 0.68%

LAB 88.68, -70.68, 60.03

 

CMYK 63 / 34 / 0 / 1

HEX #5DA8FD

RGB 93 168 253

HSL 211.88, 0.98%, 0.68%

LAB 67.59, 2.27, -49.13

 

Description

Color code: HEX #FD5CF6 | qconv.com Color code: HEX #FD5CF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 92 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 92 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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