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Color name
HEX #FD5A803F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5A803F it is the complementary color #02A57F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #FD5A803F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5A803F shade: #FF5A7B3F, #FF6C8E3F, #FF7EA13F, #FF90B43F and #FFA2C73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #FD5A803F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5A803F shade: #FD5A803F, #EC486D3F, #DB365A3F, #CA24473F and #B912343F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5A803F shade: #FD587F and #FD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5A803F shade: #FD587F, #FD58AB, #FD58D8, #F658FD and #CA58FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5A803F shade matches the following richer shades: #FD587F

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5A803F shade: #FD587F, #F06686, #E2748D, #D48195 and #C78F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5A803F shade: #FD58D7, #FD58AB, #FD587F, #FD5E58 and #FD8A58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5A803F shade: #FC0740, #FD305F, #FD587F, #FE819E and #FEAABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5A803F shade: #FD5A80, #FDF858 and #58C1FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5A803F shade: #FD5A80, #7FFD58 and #587FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5A803F shade: #FD5A80, #FDF858, #58FDD7 and #585EFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5A803F shade: #FD5A80, #D1FD58, #58FDD7 and #8458FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 12 / 0

RGBA 253 90 128 0.25

HSLA 346.01, 0.98%, 0.67%, 0.25

LABA 61.44, 64.54, 13.33, 0.25

Complementary color

CMYK 25 / 0 / 6 / 9

RGBA 2 165 127 0.25

HSLA 166.01, 0.98%, 0.33%, 0.25

LABA 60.3, -45.45, 9.64, 0.25

Lighter colors

CMYK 0 / 16 / 13 / 0

RGBA 255 90 123 0.25

HSLA 348, 1%, 0.68%, 0.25

LABA 61.66, 64.75, 16.57, 0.25

CMYK 0 / 14 / 11 / 0

RGBA 255 108 142 0.25

HSLA 346.12, 1%, 0.71%, 0.25

LABA 64.91, 58.82, 10.2, 0.25

CMYK 0 / 13 / 9 / 0

RGBA 255 126 161 0.25

HSLA 343.72, 1%, 0.75%, 0.25

LABA 68.57, 52.45, 4.64, 0.25

CMYK 0 / 11 / 7 / 0

RGBA 255 144 180 0.25

HSLA 340.54, 1%, 0.78%, 0.25

LABA 72.56, 45.87, -0.19, 0.25

CMYK 0 / 9 / 5 / 0

RGBA 255 162 199 0.25

HSLA 336.13, 1%, 0.82%, 0.25

LABA 76.81, 39.25, -4.42, 0.25

Darker colors

CMYK 0 / 16 / 12 / 0

RGBA 253 90 128 0.25

HSLA 346.01, 0.98%, 0.67%, 0.25

LABA 61.44, 64.54, 13.33, 0.25

CMYK 0 / 17 / 13 / 2

RGBA 236 72 109 0.25

HSLA 346.46, 0.81%, 0.6%, 0.25

LABA 55.66, 64.8, 16.01, 0.25

CMYK 0 / 19 / 15 / 4

RGBA 219 54 90 0.25

HSLA 346.91, 0.7%, 0.54%, 0.25

LABA 50.02, 64.62, 19.22, 0.25

CMYK 0 / 21 / 16 / 5

RGBA 202 36 71 0.25

HSLA 347.35, 0.7%, 0.47%, 0.25

LABA 44.62, 63.79, 23.13, 0.25

CMYK 0 / 23 / 18 / 7

RGBA 185 18 52 0.25

HSLA 347.78, 0.82%, 0.4%, 0.25

LABA 39.57, 61.99, 27.85, 0.25

Warmer colors

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

CMYK 0 / 65 / 65 / 1

HSL 0, 0.98%, 0.67%

LAB 60.4, 62.58, 34.95

Colder colors

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

CMYK 0 / 65 / 32 / 1

HSL 329.82, 0.98%, 0.67%

LAB 62.34, 69.55, -10.25

CMYK 0 / 65 / 15 / 1

HSL 313.45, 0.98%, 0.67%

LAB 64.01, 75.25, -33.27

CMYK 3 / 65 / 0 / 1

HSL 297.45, 0.98%, 0.67%

LAB 64.7, 79.24, -52.85

CMYK 20 / 65 / 0 / 1

HSL 281.45, 0.98%, 0.67%

LAB 58.63, 69.68, -62.89

Richer colors

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

Paler colors

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

CMYK 0 / 58 / 44 / 6

RGB 240 102 134

HSL 346.09, 0.82%, 0.67%

LAB 61.44, 55.89, 9.55

CMYK 0 / 49 / 38 / 11

RGB 226 116 141

HSL 346.36, 0.65%, 0.67%

LAB 62.15, 45.23, 6.27

CMYK 0 / 39 / 30 / 17

RGB 212 129 149

HSL 345.54, 0.49%, 0.67%

LAB 63.23, 34.5, 3.01

CMYK 0 / 28 / 22 / 22

RGB 199 143 156

HSL 346.07, 0.33%, 0.67%

LAB 65.11, 23.12, 1.58

Analogue colors

CMYK 0 / 65 / 15 / 1

HSL 313.82, 0.98%, 0.67%

LAB 63.97, 75.11, -32.78

CMYK 0 / 65 / 32 / 1

HSL 329.82, 0.98%, 0.67%

LAB 62.34, 69.55, -10.25

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

CMYK 0 / 63 / 65 / 1

HSL 2.18, 0.98%, 0.67%

LAB 61.3, 60.14, 36.06

CMYK 0 / 45 / 65 / 1

HSL 18.18, 0.98%, 0.67%

LAB 69.3, 39.57, 45.65

Monochromatic colors

CMYK 0 / 97 / 75 / 1

HSL 346.04, 0.98%, 0.51%

LAB 53.19, 80.02, 40.03

CMYK 0 / 81 / 62 / 1

HSL 346.24, 0.98%, 0.59%

LAB 55.91, 75.75, 25.19

CMYK 0 / 65 / 50 / 1

HSL 345.82, 0.98%, 0.67%

LAB 61.13, 65.25, 13.47

CMYK 0 / 49 / 38 / 0

RGB 254 129 158

HSL 346.08, 0.98%, 0.75%

LAB 68.92, 50.34, 6.82

CMYK 0 / 33 / 25 / 0

RGB 254 170 190

HSL 345.71, 0.98%, 0.83%

LAB 78.19, 33.48, 2.5

Partial complementary colors

CMYK 0 / 64 / 49 / 1

HSL 346.01, 0.98%, 0.67%

LAB 61.44, 64.54, 13.33

CMYK 0 / 2 / 65 / 1

HSL 58.18, 0.98%, 0.67%

LAB 95.46, -16.7, 74.18

CMYK 65 / 24 / 0 / 1

HSL 201.82, 0.98%, 0.67%

LAB 74.39, -12.34, -38.51

Triadic colors

CMYK 0 / 64 / 49 / 1

HSL 346.01, 0.98%, 0.67%

LAB 61.44, 64.54, 13.33

CMYK 50 / 0 / 65 / 1

HSL 105.82, 0.98%, 0.67%

LAB 89.61, -63.69, 65.82

CMYK 65 / 50 / 0 / 1

HSL 225.82, 0.98%, 0.67%

LAB 56.43, 25.72, -66.95

Rectangular (tetradic) colors

CMYK 0 / 64 / 49 / 1

HSL 346.01, 0.98%, 0.67%

LAB 61.44, 64.54, 13.33

CMYK 0 / 2 / 65 / 1

HSL 58.18, 0.98%, 0.67%

LAB 95.46, -16.7, 74.18

CMYK 65 / 0 / 15 / 1

HSL 166.18, 0.98%, 0.67%

LAB 90.43, -51.34, 5.71

CMYK 65 / 63 / 0 / 1

HSL 237.82, 0.98%, 0.67%

LAB 48.48, 45.65, -79.87

Square colors

CMYK 0 / 64 / 49 / 1

HSL 346.01, 0.98%, 0.67%

LAB 61.44, 64.54, 13.33

CMYK 17 / 0 / 65 / 1

HSL 76, 0.98%, 0.67%

LAB 93.67, -36.35, 71.35

CMYK 65 / 0 / 15 / 1

HSL 166.18, 0.98%, 0.67%

LAB 90.43, -51.34, 5.71

CMYK 48 / 65 / 0 / 1

HSL 256, 0.98%, 0.67%

LAB 50.66, 55.86, -76.16

Description

Color code: HEX #FD5A803F | qconv.com

Color code: HEX #FD5A803F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 90 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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