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Color name
HEX #FD54DF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD54DF it is the complementary color #02AB20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD54DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD54DF shade: #FF54DA, #FF66ED, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD54DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD54DF shade: #FD54DF, #EC42CC, #DB30B9, #CA1EA6 and #B90C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD54DF shade: #FD53DF, #FD53B1, #FD5383, #FD5356 and #FD5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD54DF shade: #FD53DF, #EE53FD, #C053FD, #9253FD and #6453FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD54DF shade matches the following richer shades: #FD53DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD54DF shade: #FD53DF, #EF61D6, #E16FCD, #D37DC4 and #C58BBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD54DF shade: #BF53FD, #EC53FD, #FD53E1, #FD53B4 and #FD5386

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD54DF shade: #FC03CF, #FD2AD8, #FD53DF, #FE7CE7 and #FEA5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD54DF shade: #FD54DF, #FD9253 and #53FDD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD54DF shade: #FD54DF, #E1FD53 and #53E1FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD54DF shade: #FD54DF, #FD9253, #53FD70 and #53BFFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD54DF shade: #FD54DF, #FDC553, #53FD70 and #538CFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

Complementary color

CMYK 99 / 0 / 81 / 33

HEX #02AB20

RGB 2 171 32

HSL 130.65, 0.98%, 0.34%

LAB 61, -62.59, 55.69

 

CMYK 0 / 67 / 15 / 0

HEX #FF54DA

RGB 255 84 218

HSL 312.98, 1%, 0.66%

LAB 63.89, 77.47, -34.57

 

CMYK 0 / 60 / 7 / 0

HEX #FF66ED

RGB 255 102 237

HSL 307.06, 1%, 0.7%

LAB 67.18, 73.39, -40.01

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

CMYK 0 / 72 / 14 / 7

HEX #EC42CC

RGB 236 66 204

HSL 311.29, 0.82%, 0.59%

LAB 58.12, 77.13, -35.86

 

CMYK 0 / 78 / 16 / 14

HEX #DB30B9

RGB 219 48 185

HSL 311.93, 0.7%, 0.52%

LAB 52.59, 75.97, -33.77

 

CMYK 0 / 85 / 18 / 21

HEX #CA1EA6

RGB 202 30 166

HSL 312.56, 0.74%, 0.45%

LAB 47.29, 73.98, -31.13

 

CMYK 0 / 94 / 21 / 27

HEX #B90C93

RGB 185 12 147

HSL 313.18, 0.88%, 0.39%

LAB 42.28, 70.86, -27.77

 

CMYK 0 / 67 / 12 / 1

HEX #FD53DF

RGB 253 83 223

HSL 310.59, 0.98%, 0.66%

LAB 63.67, 78.05, -37.74

 

CMYK 0 / 67 / 30 / 1

HEX #FD53B1

RGB 253 83 177

HSL 326.82, 0.98%, 0.66%

LAB 61.86, 72.1, -14.41

 

CMYK 0 / 67 / 48 / 1

HEX #FD5383

RGB 253 83 131

HSL 343.06, 0.98%, 0.66%

LAB 60.52, 67.5, 10.29

 

CMYK 0 / 67 / 66 / 1

HEX #FD5356

RGB 253 83 86

HSL 358.94, 0.98%, 0.66%

LAB 59.65, 64.41, 35.16

 

CMYK 0 / 67 / 67 / 1

HEX #FD5353

RGB 253 83 83

HSL 0, 0.98%, 0.66%

LAB 59.61, 64.26, 36.8

 

CMYK 0 / 67 / 12 / 1

HEX #FD53DF

RGB 253 83 223

HSL 310.59, 0.98%, 0.66%

LAB 63.67, 78.05, -37.74

 

CMYK 6 / 67 / 0 / 1

HEX #EE53FD

RGB 238 83 253

HSL 294.71, 0.98%, 0.66%

LAB 62.89, 79.33, -55.79

 

CMYK 24 / 67 / 0 / 1

HEX #C053FD

RGB 192 83 253

HSL 278.47, 0.98%, 0.66%

LAB 56.57, 69.72, -66.27

 

CMYK 42 / 67 / 0 / 1

HEX #9253FD

RGB 146 83 253

HSL 262.24, 0.98%, 0.66%

LAB 51.14, 60.88, -75.32

 

CMYK 60 / 67 / 0 / 1

HEX #6453FD

RGB 100 83 253

HSL 246, 0.98%, 0.66%

LAB 46.96, 53.53, -82.32

 

CMYK 0 / 67 / 12 / 1

HEX #FD53DF

RGB 253 83 223

HSL 310.59, 0.98%, 0.66%

LAB 63.67, 78.05, -37.74

 

CMYK 0 / 67 / 12 / 1

HEX #FD53DF

RGB 253 83 223

HSL 310.59, 0.98%, 0.66%

LAB 63.67, 78.05, -37.74

 

CMYK 0 / 59 / 10 / 6

HEX #EF61D6

RGB 239 97 214

HSL 310.56, 0.82%, 0.66%

LAB 63.14, 67.84, -33.67

 

CMYK 0 / 51 / 9 / 12

HEX #E16FCD

RGB 225 111 205

HSL 310.53, 0.66%, 0.66%

LAB 63.16, 56.27, -28.72

 

CMYK 0 / 41 / 7 / 17

HEX #D37DC4

RGB 211 125 196

HSL 310.47, 0.49%, 0.66%

LAB 63.76, 43.49, -22.89

 

CMYK 0 / 29 / 5 / 23

HEX #C58BBB

RGB 197 139 187

HSL 310.34, 0.33%, 0.66%

LAB 64.9, 29.78, -16.23

 

CMYK 25 / 67 / 0 / 1

HEX #BF53FD

RGB 191 83 253

HSL 278.12, 0.98%, 0.66%

LAB 56.44, 69.52, -66.48

 

CMYK 7 / 67 / 0 / 1

HEX #EC53FD

RGB 236 83 253

HSL 294, 0.98%, 0.66%

LAB 62.6, 78.9, -56.27

 

CMYK 0 / 67 / 11 / 1

HEX #FD53E1

RGB 253 83 225

HSL 309.88, 0.98%, 0.66%

LAB 63.76, 78.33, -38.72

 

CMYK 0 / 67 / 29 / 1

HEX #FD53B4

RGB 253 83 180

HSL 325.76, 0.98%, 0.66%

LAB 61.97, 72.45, -15.98

 

CMYK 0 / 67 / 47 / 1

HEX #FD5386

RGB 253 83 134

HSL 342, 0.98%, 0.66%

LAB 60.6, 67.75, 8.64

 

CMYK 0 / 99 / 18 / 1

HEX #FC03CF

RGB 252 3 207

HSL 310.84, 0.98%, 0.5%

LAB 57.33, 91.37, -38.62

 

CMYK 0 / 83 / 15 / 1

HEX #FD2AD8

RGB 253 42 216

HSL 310.52, 0.98%, 0.58%

LAB 59.43, 88.29, -40.43

 

CMYK 0 / 67 / 12 / 1

HEX #FD53DF

RGB 253 83 223

HSL 310.59, 0.98%, 0.66%

LAB 63.67, 78.05, -37.74

 

CMYK 0 / 51 / 9 / 0

HEX #FE7CE7

RGB 254 124 231

HSL 310.62, 0.98%, 0.74%

LAB 70.35, 62.59, -31.79

 

CMYK 0 / 35 / 6 / 0

HEX #FEA5EE

RGB 254 165 238

HSL 310.79, 0.98%, 0.82%

LAB 78.55, 43.47, -23.04

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

CMYK 0 / 42 / 67 / 1

HEX #FD9253

RGB 253 146 83

HSL 22.24, 0.98%, 0.66%

LAB 70.92, 35.21, 50.02

 

CMYK 67 / 0 / 15 / 1

HEX #53FDD6

RGB 83 253 214

HSL 166.24, 0.98%, 0.66%

LAB 90.3, -52.32, 6.02

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

CMYK 11 / 0 / 67 / 1

HEX #E1FD53

RGB 225 253 83

HSL 69.88, 0.98%, 0.66%

LAB 94.69, -30.49, 74.59

 

CMYK 67 / 11 / 0 / 1

HEX #53E1FD

RGB 83 225 253

HSL 189.88, 0.98%, 0.66%

LAB 83.33, -29.35, -24.76

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

CMYK 0 / 42 / 67 / 1

HEX #FD9253

RGB 253 146 83

HSL 22.24, 0.98%, 0.66%

LAB 70.92, 35.21, 50.02

 

CMYK 67 / 0 / 56 / 1

HEX #53FD70

RGB 83 253 112

HSL 130.24, 0.98%, 0.66%

LAB 88.57, -71.06, 54.22

 

CMYK 67 / 25 / 0 / 1

HEX #53BFFD

RGB 83 191 253

HSL 201.88, 0.98%, 0.66%

LAB 73.67, -12.04, -39.63

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DF

RGB 253 84 223

HSL 310.65, 0.98%, 0.66%

LAB 63.8, 77.69, -37.54

 

CMYK 0 / 22 / 67 / 1

HEX #FDC553

RGB 253 197 83

HSL 40.24, 0.98%, 0.66%

LAB 82.61, 8.65, 62.81

 

CMYK 67 / 0 / 56 / 1

HEX #53FD70

RGB 83 253 112

HSL 130.24, 0.98%, 0.66%

LAB 88.57, -71.06, 54.22

 

CMYK 67 / 45 / 0 / 1

HEX #538CFD

RGB 83 140 253

HSL 219.88, 0.98%, 0.66%

LAB 59.6, 17.08, -61.86

 

Description

Color code: HEX #FD54DF | qconv.com Color code: HEX #FD54DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 84 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 84 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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