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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD513D it is the complementary color #02AEC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD513D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD513D shade: #FF5138, #FF634B, #FF755E, #FF8771 and #FF9984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD513D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD513D shade: #FD513D, #EC3F2A, #DB2D17, #CA1B04 and #B90900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD513D shade: #FD533F and #FD3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD513D shade: #FD533F, #FD863F, #FDB93F, #FDED3F and #DAFD3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD513D shade matches the following richer shades: #FD533F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD513D shade: #FD533F, #ED5F4F, #DE6C5E, #CE786E and #BE857E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD513D shade: #FD3F91, #FD3F5F, #FD523F, #FD853F and #FDB73F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD513D shade: #E71A02, #FD2E16, #FD533F, #FD7868 and #FE9C91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD513D shade: #FD513D, #C4FD3F and #3F78FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD513D shade: #FD513D, #3FFD52 and #523FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD513D shade: #FD513D, #C4FD3F, #3FEAFD and #783FFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD513D shade: #FD513D, #8BFD3F, #3FEAFD and #B13FFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

Complementary color

CMYK 99 / 10 / 0 / 24

HEX #02AEC2

RGB 2 174 194

HSL 186.25, 0.98%, 0.38%

LAB 65.11, -29.67, -20.71

 

CMYK 0 / 68 / 78 / 0

HEX #FF5138

RGB 255 81 56

HSL 7.54, 1%, 0.61%

LAB 59.37, 64.52, 51.11

 

CMYK 0 / 61 / 71 / 0

HEX #FF634B

RGB 255 99 75

HSL 8, 1%, 0.65%

LAB 62.25, 58.04, 44.36

 

CMYK 0 / 54 / 63 / 0

HEX #FF755E

RGB 255 117 94

HSL 8.57, 1%, 0.68%

LAB 65.59, 50.95, 38.09

 

CMYK 0 / 47 / 56 / 0

HEX #FF8771

RGB 255 135 113

HSL 9.3, 1%, 0.72%

LAB 69.31, 43.52, 32.44

 

CMYK 0 / 40 / 48 / 0

HEX #FF9984

RGB 255 153 132

HSL 10.24, 1%, 0.76%

LAB 73.36, 35.99, 27.4

 

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

CMYK 0 / 73 / 82 / 7

HEX #EC3F2A

RGB 236 63 42

HSL 6.49, 0.84%, 0.55%

LAB 53.55, 64.59, 51.22

 

CMYK 0 / 79 / 89 / 14

HEX #DB2D17

RGB 219 45 23

HSL 6.73, 0.81%, 0.47%

LAB 48.26, 64.61, 53.99

 

CMYK 0 / 87 / 98 / 21

HEX #CA1B04

RGB 202 27 4

HSL 6.97, 0.96%, 0.4%

LAB 43.28, 63.84, 55.52

 

CMYK 0 / 95 / 100 / 27

HEX #B90900

RGB 185 9 0

HSL 2.92, 1%, 0.36%

LAB 38.74, 61.96, 52.94

 

CMYK 0 / 67 / 75 / 1

HEX #FD533F

RGB 253 83 63

HSL 6.32, 0.98%, 0.62%

LAB 59.37, 63.38, 47.41

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 67 / 75 / 1

HEX #FD533F

RGB 253 83 63

HSL 6.32, 0.98%, 0.62%

LAB 59.37, 63.38, 47.41

 

CMYK 0 / 47 / 75 / 1

HEX #FD863F

RGB 253 134 63

HSL 22.42, 0.98%, 0.62%

LAB 68.24, 40.36, 56.65

 

CMYK 0 / 27 / 75 / 1

HEX #FDB93F

RGB 253 185 63

HSL 38.53, 0.98%, 0.62%

LAB 79.58, 13.95, 67.84

 

CMYK 0 / 6 / 75 / 1

HEX #FDED3F

RGB 253 237 63

HSL 54.95, 0.98%, 0.62%

LAB 92.49, -12.5, 79.96

 

CMYK 14 / 0 / 75 / 1

HEX #DAFD3F

RGB 218 253 63

HSL 71.05, 0.98%, 0.62%

LAB 94.1, -34.22, 80.51

 

CMYK 0 / 67 / 75 / 1

HEX #FD533F

RGB 253 83 63

HSL 6.32, 0.98%, 0.62%

LAB 59.37, 63.38, 47.41

 

CMYK 0 / 67 / 75 / 1

HEX #FD533F

RGB 253 83 63

HSL 6.32, 0.98%, 0.62%

LAB 59.37, 63.38, 47.41

 

CMYK 0 / 60 / 67 / 7

HEX #ED5F4F

RGB 237 95 79

HSL 6.08, 0.81%, 0.62%

LAB 58.75, 53.85, 37.36

 

CMYK 0 / 51 / 58 / 13

HEX #DE6C5E

RGB 222 108 94

HSL 6.56, 0.66%, 0.62%

LAB 59.03, 43.33, 28.82

 

CMYK 0 / 42 / 47 / 19

HEX #CE786E

RGB 206 120 110

HSL 6.25, 0.49%, 0.62%

LAB 59.6, 32.47, 20.07

 

CMYK 0 / 30 / 34 / 25

HEX #BE857E

RGB 190 133 126

HSL 6.56, 0.33%, 0.62%

LAB 60.98, 20.97, 12.56

 

CMYK 0 / 75 / 43 / 1

HEX #FD3F91

RGB 253 63 145

HSL 334.11, 0.98%, 0.62%

LAB 58.49, 75.41, -0.84

 

CMYK 0 / 75 / 62 / 1

HEX #FD3F5F

RGB 253 63 95

HSL 349.89, 0.98%, 0.62%

LAB 57.33, 71.73, 27.04

 

CMYK 0 / 68 / 75 / 1

HEX #FD523F

RGB 253 82 63

HSL 6, 0.98%, 0.62%

LAB 59.23, 63.76, 47.26

 

CMYK 0 / 47 / 75 / 1

HEX #FD853F

RGB 253 133 63

HSL 22.11, 0.98%, 0.62%

LAB 68.03, 40.86, 56.44

 

CMYK 0 / 28 / 75 / 1

HEX #FDB73F

RGB 253 183 63

HSL 37.89, 0.98%, 0.62%

LAB 79.1, 14.99, 67.38

 

CMYK 0 / 89 / 99 / 9

HEX #E71A02

RGB 231 26 2

HSL 6.29, 0.98%, 0.46%

LAB 49.17, 71.7, 62.15

 

CMYK 0 / 82 / 91 / 1

HEX #FD2E16

RGB 253 46 22

HSL 6.23, 0.98%, 0.54%

LAB 54.96, 73.84, 62.05

 

CMYK 0 / 67 / 75 / 1

HEX #FD533F

RGB 253 83 63

HSL 6.32, 0.98%, 0.62%

LAB 59.37, 63.38, 47.41

 

CMYK 0 / 53 / 59 / 1

HEX #FD7868

RGB 253 120 104

HSL 6.44, 0.97%, 0.7%

LAB 65.99, 49.46, 33.06

 

CMYK 0 / 39 / 43 / 0

HEX #FE9C91

RGB 254 156 145

HSL 6.06, 0.98%, 0.78%

LAB 74.12, 35.34, 21.32

 

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

CMYK 23 / 0 / 75 / 1

HEX #C4FD3F

RGB 196 253 63

HSL 78, 0.98%, 0.62%

LAB 92.73, -42.64, 78.72

 

CMYK 75 / 53 / 0 / 1

HEX #3F78FD

RGB 63 120 253

HSL 222, 0.98%, 0.62%

LAB 53.58, 26.71, -71.61

 

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

CMYK 75 / 0 / 68 / 1

HEX #3FFD52

RGB 63 253 82

HSL 126, 0.98%, 0.62%

LAB 87.93, -77.38, 65.83

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

CMYK 23 / 0 / 75 / 1

HEX #C4FD3F

RGB 196 253 63

HSL 78, 0.98%, 0.62%

LAB 92.73, -42.64, 78.72

 

CMYK 75 / 8 / 0 / 1

HEX #3FEAFD

RGB 63 234 253

HSL 186, 0.98%, 0.62%

LAB 85.5, -36.04, -21.5

 

CMYK 53 / 75 / 0 / 1

HEX #783FFD

RGB 120 63 253

HSL 258, 0.98%, 0.62%

LAB 45.14, 66.19, -85.24

 

CMYK 0 / 68 / 76 / 1

HEX #FD513D

RGB 253 81 61

HSL 6.25, 0.98%, 0.62%

LAB 59.07, 64.06, 48.14

 

CMYK 45 / 0 / 75 / 1

HEX #8BFD3F

RGB 139 253 63

HSL 96, 0.98%, 0.62%

LAB 89.91, -62.03, 75.05

 

CMYK 75 / 8 / 0 / 1

HEX #3FEAFD

RGB 63 234 253

HSL 186, 0.98%, 0.62%

LAB 85.5, -36.04, -21.5

 

CMYK 30 / 75 / 0 / 1

HEX #B13FFD

RGB 177 63 253

HSL 276, 0.98%, 0.62%

LAB 51.83, 74.8, -74.03

 

Description

Color code: HEX #FD513D | qconv.com Color code: HEX #FD513D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 81 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 81 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 76 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 76% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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