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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4D9D it is the complementary color #02B262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4D9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4D9D shade: #FF4D98, #FF5FAB, #FF71BE, #FF83D1 and #FF95E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4D9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4D9D shade: #FD4D9D, #EC3B8A, #DB2977, #CA1764 and #B90551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4D9D shade: #FD4E9E, #FD4E6F and #FD4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4D9D shade: #FD4E9E, #FD4ECD, #FD4EFC, #CF4EFD and #A04EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4D9D shade matches the following richer shades: #FD4E9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4D9D shade: #FD4E9E, #EF5D9F, #E06BA0, #D27AA2 and #C388A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4D9D shade: #FD4EFD, #FD4ECF, #FD4EA0, #FD4E71 and #FD5A4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4D9D shade: #F60271, #FD2587, #FD4E9E, #FE77B4 and #FEA0CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4D9D shade: #FD4D9D, #FDCF4E and #4EE6FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4D9D shade: #FD4D9D, #A0FD4E and #4EA0FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4D9D shade: #FD4D9D, #FDCF4E, #4EFDAC and #4E7DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4D9D shade: #FD4D9D, #F7FD4E, #4EFDAC and #544EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

Complementary color

CMYK 99 / 0 / 45 / 30

HEX #02B262

RGB 2 178 98

HSL 152.73, 0.98%, 0.35%

LAB 63.95, -56.67, 30.32

 

CMYK 0 / 70 / 40 / 0

HEX #FF4D98

RGB 255 77 152

HSL 334.72, 1%, 0.65%

LAB 60.64, 72.12, -1.75

 

CMYK 0 / 63 / 33 / 0

HEX #FF5FAB

RGB 255 95 171

HSL 331.5, 1%, 0.69%

LAB 63.66, 67.36, -8.25

 

CMYK 0 / 56 / 25 / 0

HEX #FF71BE

RGB 255 113 190

HSL 327.46, 1%, 0.72%

LAB 67.12, 61.99, -13.86

 

CMYK 0 / 49 / 18 / 0

HEX #FF83D1

RGB 255 131 209

HSL 322.26, 1%, 0.76%

LAB 70.94, 56.24, -18.72

 

CMYK 0 / 42 / 11 / 0

HEX #FF95E4

RGB 255 149 228

HSL 315.28, 1%, 0.79%

LAB 75.05, 50.29, -22.93

 

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

CMYK 0 / 75 / 42 / 7

HEX #EC3B8A

RGB 236 59 138

HSL 333.22, 0.82%, 0.58%

LAB 54.86, 71.56, -2.38

 

CMYK 0 / 81 / 46 / 14

HEX #DB2977

RGB 219 41 119

HSL 333.71, 0.71%, 0.51%

LAB 49.47, 70.42, 0.79

 

CMYK 0 / 89 / 50 / 21

HEX #CA1764

RGB 202 23 100

HSL 334.19, 0.8%, 0.44%

LAB 44.36, 68.36, 4.7

 

CMYK 0 / 97 / 56 / 27

HEX #B90551

RGB 185 5 81

HSL 334.67, 0.95%, 0.37%

LAB 39.61, 65.18, 9.49

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9E

RGB 253 78 158

HSL 332.57, 0.98%, 0.65%

LAB 60.6, 71.82, -5.32

 

CMYK 0 / 69 / 56 / 1

HEX #FD4E6F

RGB 253 78 111

HSL 348.69, 0.98%, 0.65%

LAB 59.42, 67.79, 20.44

 

CMYK 0 / 69 / 69 / 1

HEX #FD4E4E

RGB 253 78 78

HSL 0, 0.98%, 0.65%

LAB 58.86, 65.87, 38.71

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9E

RGB 253 78 158

HSL 332.57, 0.98%, 0.65%

LAB 60.6, 71.82, -5.32

 

CMYK 0 / 69 / 19 / 1

HEX #FD4ECD

RGB 253 78 205

HSL 316.46, 0.98%, 0.65%

LAB 62.29, 77.32, -29.75

 

CMYK 0 / 69 / 0 / 1

HEX #FD4EFC

RGB 253 78 252

HSL 300.34, 0.98%, 0.65%

LAB 64.45, 84.05, -52.62

 

CMYK 18 / 69 / 0 / 1

HEX #CF4EFD

RGB 207 78 253

HSL 284.23, 0.98%, 0.65%

LAB 57.85, 74.76, -64.1

 

CMYK 37 / 69 / 0 / 1

HEX #A04EFD

RGB 160 78 253

HSL 268.11, 0.98%, 0.65%

LAB 51.85, 65.74, -74.09

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9E

RGB 253 78 158

HSL 332.57, 0.98%, 0.65%

LAB 60.6, 71.82, -5.32

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9E

RGB 253 78 158

HSL 332.57, 0.98%, 0.65%

LAB 60.6, 71.82, -5.32

 

CMYK 0 / 61 / 33 / 6

HEX #EF5D9F

RGB 239 93 159

HSL 332.88, 0.82%, 0.65%

LAB 60.5, 62.16, -6.3

 

CMYK 0 / 52 / 29 / 12

HEX #E06BA0

RGB 224 107 160

HSL 332.82, 0.65%, 0.65%

LAB 60.69, 51.3, -6.84

 

CMYK 0 / 42 / 23 / 18

HEX #D27AA2

RGB 210 122 162

HSL 332.73, 0.49%, 0.65%

LAB 61.85, 39.31, -6.47

 

CMYK 0 / 30 / 16 / 24

HEX #C388A3

RGB 195 136 163

HSL 332.54, 0.33%, 0.65%

LAB 63.22, 26.61, -5.2

 

CMYK 0 / 69 / 0 / 1

HEX #FD4EFD

RGB 253 78 253

HSL 300, 0.98%, 0.65%

LAB 64.5, 84.21, -53.09

 

CMYK 0 / 69 / 18 / 1

HEX #FD4ECF

RGB 253 78 207

HSL 315.77, 0.98%, 0.65%

LAB 62.37, 77.58, -30.75

 

CMYK 0 / 69 / 37 / 1

HEX #FD4EA0

RGB 253 78 160

HSL 331.89, 0.98%, 0.65%

LAB 60.67, 72.03, -6.39

 

CMYK 0 / 69 / 55 / 1

HEX #FD4E71

RGB 253 78 113

HSL 348, 0.98%, 0.65%

LAB 59.46, 67.93, 19.32

 

CMYK 0 / 64 / 69 / 1

HEX #FD5A4E

RGB 253 90 78

HSL 4.11, 0.98%, 0.65%

LAB 60.56, 61.27, 40.7

 

CMYK 0 / 99 / 54 / 4

HEX #F60271

RGB 246 2 113

HSL 332.7, 0.98%, 0.49%

LAB 52.76, 81.43, 9.85

 

CMYK 0 / 85 / 47 / 1

HEX #FD2587

RGB 253 37 135

HSL 332.78, 0.98%, 0.57%

LAB 56.04, 80.73, 1.51

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9E

RGB 253 78 158

HSL 332.57, 0.98%, 0.65%

LAB 60.6, 71.82, -5.32

 

CMYK 0 / 53 / 29 / 0

HEX #FE77B4

RGB 254 119 180

HSL 332.89, 0.99%, 0.73%

LAB 67.69, 57.68, -7.38

 

CMYK 0 / 37 / 20 / 0

HEX #FEA0CB

RGB 254 160 203

HSL 332.55, 0.98%, 0.81%

LAB 76.39, 40.52, -7.25

 

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

CMYK 0 / 18 / 69 / 1

HEX #FDCF4E

RGB 253 207 78

HSL 44.23, 0.98%, 0.65%

LAB 85.03, 3.23, 67.39

 

CMYK 69 / 9 / 0 / 1

HEX #4EE6FD

RGB 78 230 253

HSL 187.89, 0.98%, 0.65%

LAB 84.64, -32.42, -22.78

 

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

CMYK 37 / 0 / 69 / 1

HEX #A0FD4E

RGB 160 253 78

HSL 91.89, 0.98%, 0.65%

LAB 90.9, -54.5, 71.34

 

CMYK 69 / 37 / 0 / 1

HEX #4EA0FD

RGB 78 160 253

HSL 211.89, 0.98%, 0.65%

LAB 64.85, 4.51, -53.51

 

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

CMYK 0 / 18 / 69 / 1

HEX #FDCF4E

RGB 253 207 78

HSL 44.23, 0.98%, 0.65%

LAB 85.03, 3.23, 67.39

 

CMYK 69 / 0 / 32 / 1

HEX #4EFDAC

RGB 78 253 172

HSL 152.23, 0.98%, 0.65%

LAB 89.32, -62.23, 26.2

 

CMYK 69 / 51 / 0 / 1

HEX #4E7DFD

RGB 78 125 253

HSL 223.89, 0.98%, 0.65%

LAB 55.46, 25.48, -68.54

 

CMYK 0 / 70 / 38 / 1

HEX #FD4D9D

RGB 253 77 157

HSL 332.73, 0.98%, 0.65%

LAB 60.45, 72.07, -4.97

 

CMYK 2 / 0 / 69 / 1

HEX #F7FD4E

RGB 247 253 78

HSL 62.06, 0.98%, 0.65%

LAB 96.23, -22.02, 78.42

 

CMYK 69 / 0 / 32 / 1

HEX #4EFDAC

RGB 78 253 172

HSL 152.23, 0.98%, 0.65%

LAB 89.32, -62.23, 26.2

 

CMYK 67 / 69 / 0 / 1

HEX #544EFD

RGB 84 78 253

HSL 242.06, 0.98%, 0.65%

LAB 44.84, 54.28, -85.84

 

Description

Color code: HEX #FD4D9D | qconv.com Color code: HEX #FD4D9D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 77 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 77 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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