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Color name
HEX #FD4D1DBF

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4D1DBF it is the complementary color #02B2E2BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #FD4D1DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4D1DBF shade: #FF4D18BF, #FF5F2BBF, #FF713EBF, #FF8351BF and #FF9564BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #FD4D1DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4D1DBF shade: #FD4D1DBF, #EC3B0ABF, #DB2900BF, #CA1700BF and #B90500BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4D1DBF shade: #FD4C1C and #FD1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4D1DBF shade: #FD4C1C, #FD891C, #FDC51C, #F7FD1C and #BBFD1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4D1DBF shade matches the following richer shades: #FD4C1C

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4D1DBF shade: #FD4C1C, #EA572E, #D86141, #C56C53 and #B27666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4D1DBF shade: #FD1C67, #FD1C2B, #FD491C, #FD851C and #FDC11C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4D1DBF shade: #C42C02, #ED3502, #FD4C1C, #FD6C45 and #FE8C6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4D1DBF shade: #FD4D1D, #A3FD1C and #1C49FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4D1DBF shade: #FD4D1D, #1CFD49 and #491CFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4D1DBF shade: #FD4D1D, #A3FD1C, #1CD0FD and #761CFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4D1DBF shade: #FD4D1D, #5FFD1C, #1CD0FD and #B91CFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 66 / 1

RGBA 253 77 29 0.75

HSLA 12.86, 0.98%, 0.55%, 0.75

LABA 58.3, 64.71, 61.91, 0.75

Complementary color

CMYK 74 / 16 / 0 / 9

RGBA 2 178 226 0.75

HSLA 192.86, 0.98%, 0.45%, 0.75

LABA 67.53, -20.87, -34.62, 0.75

Lighter colors

CMYK 0 / 52 / 68 / 0

RGBA 255 77 24 0.75

HSLA 13.77, 1%, 0.55%, 0.75

LABA 58.63, 65.26, 64, 0.75

CMYK 0 / 47 / 62 / 0

RGBA 255 95 43 0.75

HSLA 14.72, 1%, 0.58%, 0.75

LABA 61.32, 58.61, 58.98, 0.75

CMYK 0 / 42 / 57 / 0

RGBA 255 113 62 0.75

HSLA 15.85, 1%, 0.62%, 0.75

LABA 64.5, 51.24, 53.39, 0.75

CMYK 0 / 36 / 51 / 0

RGBA 255 131 81 0.75

HSLA 17.24, 1%, 0.66%, 0.75

LABA 68.08, 43.45, 47.88, 0.75

CMYK 0 / 31 / 46 / 0

RGBA 255 149 100 0.75

HSLA 18.97, 1%, 0.7%, 0.75

LABA 72.01, 35.49, 42.74, 0.75

Darker colors

CMYK 0 / 52 / 66 / 1

RGBA 253 77 29 0.75

HSLA 12.86, 0.98%, 0.55%, 0.75

LABA 58.3, 64.71, 61.91, 0.75

CMYK 0 / 56 / 72 / 6

RGBA 236 59 10 0.75

HSLA 13.01, 0.92%, 0.48%, 0.75

LABA 52.93, 65.35, 62.55, 0.75

CMYK 0 / 61 / 75 / 11

RGBA 219 41 0 0.75

HSLA 11.23, 1%, 0.43%, 0.75

LABA 47.81, 65.41, 60.71, 0.75

CMYK 0 / 66 / 75 / 16

RGBA 202 23 0 0.75

HSLA 6.83, 1%, 0.4%, 0.75

LABA 43.02, 64.53, 56.73, 0.75

CMYK 0 / 73 / 75 / 21

RGBA 185 5 0 0.75

HSLA 1.62, 1%, 0.36%, 0.75

LABA 38.59, 62.4, 52.88, 0.75

Warmer colors

CMYK 0 / 70 / 89 / 1

HSL 12.8, 0.98%, 0.55%

LAB 58.17, 65.06, 62.16

CMYK 0 / 89 / 89 / 1

HSL 0, 0.98%, 0.55%

LAB 53.81, 77.29, 59.05

Colder colors

CMYK 0 / 70 / 89 / 1

HSL 12.8, 0.98%, 0.55%

LAB 58.17, 65.06, 62.16

CMYK 0 / 46 / 89 / 1

HSL 29.07, 0.98%, 0.55%

LAB 68.65, 37.86, 69.92

CMYK 0 / 22 / 89 / 1

HSL 45.07, 0.98%, 0.55%

LAB 82.32, 6.73, 80.34

CMYK 2 / 0 / 89 / 1

HSL 61.6, 0.98%, 0.55%

LAB 96.04, -23.6, 90.79

CMYK 26 / 0 / 89 / 1

HSL 77.6, 0.98%, 0.55%

LAB 92.09, -47.15, 85.96

Richer colors

CMYK 0 / 70 / 89 / 1

HSL 12.8, 0.98%, 0.55%

LAB 58.17, 65.06, 62.16

Paler colors

CMYK 0 / 70 / 89 / 1

HSL 12.8, 0.98%, 0.55%

LAB 58.17, 65.06, 62.16

CMYK 0 / 63 / 80 / 8

HSL 13.09, 0.82%, 0.55%

LAB 56.59, 54.91, 52.04

CMYK 0 / 55 / 70 / 15

HSL 12.72, 0.66%, 0.55%

LAB 55.61, 44.67, 40.5

CMYK 0 / 45 / 58 / 23

HSL 13.16, 0.5%, 0.55%

LAB 55.3, 32.92, 29.53

CMYK 0 / 34 / 43 / 30

RGB 178 118 102

HSL 12.63, 0.33%, 0.55%

LAB 55.46, 21.61, 18.45

Analogue colors

CMYK 0 / 89 / 59 / 1

HSL 340, 0.98%, 0.55%

LAB 54.75, 79.96, 18.87

CMYK 0 / 89 / 83 / 1

HSL 356, 0.98%, 0.55%

LAB 53.91, 77.57, 52.26

CMYK 0 / 71 / 89 / 1

HSL 12, 0.98%, 0.55%

LAB 57.78, 66.11, 61.89

CMYK 0 / 47 / 89 / 1

HSL 28, 0.98%, 0.55%

LAB 67.83, 39.87, 69.3

CMYK 0 / 24 / 89 / 1

HSL 44, 0.98%, 0.55%

LAB 81.35, 8.8, 79.59

Monochromatic colors

CMYK 0 / 78 / 99 / 23

HSL 12.99, 0.98%, 0.39%

LAB 43.57, 57.84, 55.59

CMYK 0 / 78 / 99 / 7

HSL 13.02, 0.98%, 0.47%

LAB 52.46, 67.38, 64.26

CMYK 0 / 70 / 89 / 1

HSL 12.8, 0.98%, 0.55%

LAB 58.17, 65.06, 62.16

CMYK 0 / 57 / 73 / 1

HSL 12.72, 0.98%, 0.63%

LAB 63.37, 53.1, 48.65

CMYK 0 / 45 / 57 / 0

RGB 254 140 109

HSL 12.83, 0.99%, 0.71%

LAB 70.13, 40.33, 35.62

Partial complementary colors

CMYK 0 / 70 / 89 / 1

HSL 12.86, 0.98%, 0.55%

LAB 58.3, 64.71, 61.91

CMYK 36 / 0 / 89 / 1

HSL 84, 0.98%, 0.55%

LAB 90.84, -55.69, 84.42

CMYK 89 / 71 / 0 / 1

HSL 228, 0.98%, 0.55%

LAB 41.38, 52.97, -91.63

Triadic colors

CMYK 0 / 70 / 89 / 1

HSL 12.86, 0.98%, 0.55%

LAB 58.3, 64.71, 61.91

CMYK 89 / 0 / 71 / 1

HSL 132, 0.98%, 0.55%

LAB 87.47, -81.57, 68.51

CMYK 71 / 89 / 0 / 1

HSL 252, 0.98%, 0.55%

LAB 36.63, 74.91, -99.45

Rectangular (tetradic) colors

CMYK 0 / 70 / 89 / 1

HSL 12.86, 0.98%, 0.55%

LAB 58.3, 64.71, 61.91

CMYK 36 / 0 / 89 / 1

HSL 84, 0.98%, 0.55%

LAB 90.84, -55.69, 84.42

CMYK 89 / 18 / 0 / 1

HSL 192, 0.98%, 0.55%

LAB 77.55, -26.16, -33.7

CMYK 53 / 89 / 0 / 1

HSL 264, 0.98%, 0.55%

LAB 40.85, 77.91, -92.31

Square colors

CMYK 0 / 70 / 89 / 1

HSL 12.86, 0.98%, 0.55%

LAB 58.3, 64.71, 61.91

CMYK 62 / 0 / 89 / 1

HSL 102.13, 0.98%, 0.55%

LAB 88.34, -74.86, 81.33

CMYK 89 / 18 / 0 / 1

HSL 192, 0.98%, 0.55%

LAB 77.55, -26.16, -33.7

CMYK 27 / 89 / 0 / 1

HSL 281.87, 0.98%, 0.55%

LAB 49.78, 85.29, -77.32

Description

Color code: HEX #FD4D1DBF | qconv.com

Color code: HEX #FD4D1DBF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 77 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 66 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

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