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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4A9C it is the complementary color #02B563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4A9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4A9C shade: #FF4A97, #FF5CAA, #FF6EBD, #FF80D0 and #FF92E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4A9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4A9C shade: #FD4A9C, #EC3889, #DB2676, #CA1463 and #B90250

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4A9C shade: #FD499B, #FD496B and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4A9C shade: #FD499B, #FD49CC, #FD49FC, #CD49FD and #9C49FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4A9C shade matches the following richer shades: #FD499B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4A9C shade: #FD499B, #EE589C, #DF669E, #D0759F and #C184A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4A9C shade: #FD49FD, #FD49CD, #FD499D, #FD496D and #FD5549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4A9C shade: #F1026F, #FC2085, #FD499B, #FD72B1 and #FD9AC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4A9C shade: #FD4A9C, #FDCD49 and #49E5FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4A9C shade: #FD4A9C, #9DFD49 and #499DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4A9C shade: #FD4A9C, #FDCD49, #49FDA9 and #4979FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4A9C shade: #FD4A9C, #F7FD49, #49FDA9 and #4F49FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

Complementary color

CMYK 99 / 0 / 45 / 29

HEX #02B563

RGB 2 181 99

HSL 152.51, 0.98%, 0.36%

LAB 64.93, -57.52, 31.07

 

CMYK 0 / 71 / 41 / 0

HEX #FF4A97

RGB 255 74 151

HSL 334.48, 1%, 0.65%

LAB 60.24, 73.04, -1.74

 

CMYK 0 / 64 / 33 / 0

HEX #FF5CAA

RGB 255 92 170

HSL 331.29, 1%, 0.68%

LAB 63.19, 68.44, -8.37

 

CMYK 0 / 57 / 26 / 0

HEX #FF6EBD

RGB 255 110 189

HSL 327.31, 1%, 0.72%

LAB 66.59, 63.2, -14.1

 

CMYK 0 / 50 / 18 / 0

HEX #FF80D0

RGB 255 128 208

HSL 322.2, 1%, 0.75%

LAB 70.35, 57.53, -19.05

 

CMYK 0 / 43 / 11 / 0

HEX #FF92E3

RGB 255 146 227

HSL 315.41, 1%, 0.79%

LAB 74.42, 51.63, -23.34

 

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

CMYK 0 / 76 / 42 / 7

HEX #EC3889

RGB 236 56 137

HSL 333, 0.83%, 0.57%

LAB 54.52, 72.35, -2.28

 

CMYK 0 / 83 / 46 / 14

HEX #DB2676

RGB 219 38 118

HSL 333.48, 0.72%, 0.5%

LAB 49.2, 71.03, 1

 

CMYK 0 / 90 / 51 / 21

HEX #CA1463

RGB 202 20 99

HSL 333.96, 0.82%, 0.44%

LAB 44.17, 68.75, 5.05

 

CMYK 0 / 99 / 57 / 27

HEX #B90250

RGB 185 2 80

HSL 334.43, 0.98%, 0.37%

LAB 39.47, 65.43, 9.94

 

CMYK 0 / 71 / 39 / 1

HEX #FD499B

RGB 253 73 155

HSL 332.67, 0.98%, 0.64%

LAB 59.9, 73.23, -4.62

 

CMYK 0 / 71 / 58 / 1

HEX #FD496B

RGB 253 73 107

HSL 348.67, 0.98%, 0.64%

LAB 58.7, 69.26, 21.82

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 71 / 39 / 1

HEX #FD499B

RGB 253 73 155

HSL 332.67, 0.98%, 0.64%

LAB 59.9, 73.23, -4.62

 

CMYK 0 / 71 / 19 / 1

HEX #FD49CC

RGB 253 73 204

HSL 316.33, 0.98%, 0.64%

LAB 61.66, 78.83, -30.15

 

CMYK 0 / 71 / 0 / 1

HEX #FD49FC

RGB 253 73 252

HSL 300.33, 0.98%, 0.64%

LAB 63.9, 85.63, -53.5

 

CMYK 19 / 71 / 0 / 1

HEX #CD49FD

RGB 205 73 253

HSL 284, 0.98%, 0.64%

LAB 56.92, 76.24, -65.62

 

CMYK 38 / 71 / 0 / 1

HEX #9C49FD

RGB 156 73 253

HSL 267.67, 0.98%, 0.64%

LAB 50.6, 67.25, -76.15

 

CMYK 0 / 71 / 39 / 1

HEX #FD499B

RGB 253 73 155

HSL 332.67, 0.98%, 0.64%

LAB 59.9, 73.23, -4.62

 

CMYK 0 / 71 / 39 / 1

HEX #FD499B

RGB 253 73 155

HSL 332.67, 0.98%, 0.64%

LAB 59.9, 73.23, -4.62

 

CMYK 0 / 63 / 34 / 7

HEX #EE589C

RGB 238 88 156

HSL 332.8, 0.82%, 0.64%

LAB 59.49, 63.6, -6.08

 

CMYK 0 / 54 / 29 / 13

HEX #DF669E

RGB 223 102 158

HSL 332.23, 0.65%, 0.64%

LAB 59.58, 53.1, -7.35

 

CMYK 0 / 44 / 24 / 18

HEX #D0759F

RGB 208 117 159

HSL 332.31, 0.49%, 0.64%

LAB 60.46, 40.81, -6.84

 

CMYK 0 / 32 / 17 / 24

HEX #C184A0

RGB 193 132 160

HSL 332.46, 0.33%, 0.64%

LAB 61.98, 27.61, -5.36

 

CMYK 0 / 71 / 0 / 1

HEX #FD49FD

RGB 253 73 253

HSL 300, 0.98%, 0.64%

LAB 63.95, 85.78, -53.97

 

CMYK 0 / 71 / 19 / 1

HEX #FD49CD

RGB 253 73 205

HSL 316, 0.98%, 0.64%

LAB 61.7, 78.96, -30.65

 

CMYK 0 / 71 / 38 / 1

HEX #FD499D

RGB 253 73 157

HSL 332, 0.98%, 0.64%

LAB 59.96, 73.43, -5.69

 

CMYK 0 / 71 / 57 / 1

HEX #FD496D

RGB 253 73 109

HSL 348, 0.98%, 0.64%

LAB 58.74, 69.4, 20.7

 

CMYK 0 / 66 / 71 / 1

HEX #FD5549

RGB 253 85 73

HSL 4, 0.98%, 0.64%

LAB 59.76, 63.02, 42.51

 

CMYK 0 / 99 / 54 / 5

HEX #F1026F

RGB 241 2 111

HSL 332.64, 0.98%, 0.48%

LAB 51.71, 80.2, 9.45

 

CMYK 0 / 87 / 47 / 1

HEX #FC2085

RGB 252 32 133

HSL 332.45, 0.97%, 0.56%

LAB 55.5, 81.19, 1.89

 

CMYK 0 / 71 / 39 / 1

HEX #FD499B

RGB 253 73 155

HSL 332.67, 0.98%, 0.64%

LAB 59.9, 73.23, -4.62

 

CMYK 0 / 55 / 30 / 1

HEX #FD72B1

RGB 253 114 177

HSL 332.81, 0.97%, 0.72%

LAB 66.59, 59.3, -7.34

 

CMYK 0 / 39 / 21 / 1

HEX #FD9AC8

RGB 253 154 200

HSL 332.12, 0.96%, 0.8%

LAB 74.93, 42.84, -7.78

 

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

CMYK 0 / 19 / 71 / 1

HEX #FDCD49

RGB 253 205 73

HSL 44, 0.98%, 0.64%

LAB 84.5, 4.02, 68.83

 

CMYK 71 / 9 / 0 / 1

HEX #49E5FD

RGB 73 229 253

HSL 188, 0.98%, 0.64%

LAB 84.25, -32.57, -23.38

 

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

CMYK 38 / 0 / 71 / 1

HEX #9DFD49

RGB 157 253 73

HSL 92, 0.98%, 0.64%

LAB 90.73, -55.81, 72.87

 

CMYK 71 / 38 / 0 / 1

HEX #499DFD

RGB 73 157 253

HSL 212, 0.98%, 0.64%

LAB 63.85, 5.56, -55.1

 

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

CMYK 0 / 19 / 71 / 1

HEX #FDCD49

RGB 253 205 73

HSL 44, 0.98%, 0.64%

LAB 84.5, 4.02, 68.83

 

CMYK 71 / 0 / 33 / 1

HEX #49FDA9

RGB 73 253 169

HSL 152, 0.98%, 0.64%

LAB 89.17, -63.54, 27.5

 

CMYK 71 / 52 / 0 / 1

HEX #4979FD

RGB 73 121 253

HSL 224, 0.98%, 0.64%

LAB 54.22, 27.28, -70.56

 

CMYK 0 / 71 / 38 / 1

HEX #FD4A9C

RGB 253 74 156

HSL 332.51, 0.98%, 0.64%

LAB 60.05, 72.99, -4.98

 

CMYK 2 / 0 / 71 / 1

HEX #F7FD49

RGB 247 253 73

HSL 62, 0.98%, 0.64%

LAB 96.21, -22.26, 80.08

 

CMYK 71 / 0 / 33 / 1

HEX #49FDA9

RGB 73 253 169

HSL 152, 0.98%, 0.64%

LAB 89.17, -63.54, 27.5

 

CMYK 69 / 71 / 0 / 1

HEX #4F49FD

RGB 79 73 253

HSL 242, 0.98%, 0.64%

LAB 43.54, 56.47, -88

 

Description

Color code: HEX #FD4A9C | qconv.com Color code: HEX #FD4A9C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 74 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 74 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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