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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3E3E it is the complementary color #02C1C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3E3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3E3E shade: #FF3E39, #FF504C, #FF625F, #FF7472 and #FF8685

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3E3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3E3E shade: #FD3E3E, #EC2C2B, #DB1A18, #CA0805 and #B90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3E3E shade: #FD3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3E3E shade: #FD3F3F, #FD723F, #FDA63F, #FDD93F and #EEFD3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3E3E shade matches the following richer shades: #FD3F3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3E3E shade: #FD3F3F, #ED4F4F, #DE5E5E, #CE6E6E and #BE7E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3E3E shade: #FD3FA4, #FD3F72, #FD3F3F, #FD723F and #FDA43F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3E3E shade: #E70202, #FD1616, #FD3F3F, #FD6868 and #FE9191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3E3E shade: #FD3E3E, #D7FD3F and #3F8BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3E3E shade: #FD3E3E, #3FFD3F and #3F3FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3E3E shade: #FD3E3E, #D7FD3F, #3FFDFD and #653FFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3E3E shade: #FD3E3E, #9EFD3F, #3FFDFD and #9E3FFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 75 / 1

HEX #FD3E3E

RGB 253 62 62

HSL 0, 0.98%, 0.62%

LAB 56.76, 70.52, 45.14

 

Complementary color

CMYK 99 / 0 / 0 / 24

HEX #02C1C1

RGB 2 193 193

HSL 180, 0.98%, 0.38%

LAB 70.87, -38.93, -11.45

 

CMYK 0 / 76 / 78 / 0

HEX #FF3E39

RGB 255 62 57

HSL 1.52, 1%, 0.61%

LAB 57.08, 70.93, 48.26

 

CMYK 0 / 69 / 70 / 0

HEX #FF504C

RGB 255 80 76

HSL 1.34, 1%, 0.65%

LAB 59.45, 65.66, 40.59

 

CMYK 0 / 62 / 63 / 0

HEX #FF625F

RGB 255 98 95

HSL 1.13, 1%, 0.69%

LAB 62.36, 59.52, 33.52

 

CMYK 0 / 55 / 55 / 0

HEX #FF7472

RGB 255 116 114

HSL 0.85, 1%, 0.72%

LAB 65.72, 52.78, 27.2

 

CMYK 0 / 47 / 48 / 0

HEX #FF8685

RGB 255 134 133

HSL 0.49, 1%, 0.76%

LAB 69.47, 45.7, 21.61

 

CMYK 0 / 75 / 75 / 1

HEX #FD3E3E

RGB 253 62 62

HSL 0, 0.98%, 0.62%

LAB 56.76, 70.52, 45.14

 

CMYK 0 / 81 / 82 / 7

HEX #EC2C2B

RGB 236 44 43

HSL 0.31, 0.84%, 0.55%

LAB 51.62, 70.06, 48.93

 

CMYK 0 / 88 / 89 / 14

HEX #DB1A18

RGB 219 26 24

HSL 0.62, 0.8%, 0.48%

LAB 46.8, 68.8, 52.52

 

CMYK 0 / 96 / 98 / 21

HEX #CA0805

RGB 202 8 5

HSL 0.91, 0.95%, 0.41%

LAB 42.37, 66.49, 54.77

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 55 / 75 / 1

HEX #FD723F

RGB 253 114 63

HSL 16.11, 0.98%, 0.62%

LAB 64.38, 50.09, 52.7

 

CMYK 0 / 34 / 75 / 1

HEX #FDA63F

RGB 253 166 63

HSL 32.53, 0.98%, 0.62%

LAB 75.15, 23.88, 63.54

 

CMYK 0 / 14 / 75 / 1

HEX #FDD93F

RGB 253 217 63

HSL 48.63, 0.98%, 0.62%

LAB 87.42, -2.53, 75.27

 

CMYK 6 / 0 / 75 / 1

HEX #EEFD3F

RGB 238 253 63

HSL 64.74, 0.98%, 0.62%

LAB 95.49, -26.29, 82.29

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 67 / 67 / 7

HEX #ED4F4F

RGB 237 79 79

HSL 0, 0.81%, 0.62%

LAB 56.25, 60.55, 34.34

 

CMYK 0 / 58 / 58 / 13

HEX #DE5E5E

RGB 222 94 94

HSL 0, 0.66%, 0.62%

LAB 56.43, 50.06, 25.44

 

CMYK 0 / 47 / 47 / 19

HEX #CE6E6E

RGB 206 110 110

HSL 0, 0.49%, 0.62%

LAB 57.46, 37.74, 17.16

 

CMYK 0 / 34 / 34 / 25

HEX #BE7E7E

RGB 190 126 126

HSL 0, 0.33%, 0.62%

LAB 59.32, 24.85, 10.22

 

CMYK 0 / 75 / 35 / 1

HEX #FD3FA4

RGB 253 63 164

HSL 328.11, 0.98%, 0.62%

LAB 59.08, 77.25, -11.08

 

CMYK 0 / 75 / 55 / 1

HEX #FD3F72

RGB 253 63 114

HSL 343.89, 0.98%, 0.62%

LAB 57.71, 72.93, 16.34

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 55 / 75 / 1

HEX #FD723F

RGB 253 114 63

HSL 16.11, 0.98%, 0.62%

LAB 64.38, 50.09, 52.7

 

CMYK 0 / 35 / 75 / 1

HEX #FDA43F

RGB 253 164 63

HSL 31.89, 0.98%, 0.62%

LAB 74.69, 24.93, 63.09

 

CMYK 0 / 99 / 99 / 9

HEX #E70202

RGB 231 2 2

HSL 0, 0.98%, 0.46%

LAB 48.31, 74.2, 61.81

 

CMYK 0 / 91 / 91 / 1

HEX #FD1616

RGB 253 22 22

HSL 0, 0.98%, 0.54%

LAB 53.51, 78, 61.13

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 59 / 59 / 1

HEX #FD6868

RGB 253 104 104

HSL 0, 0.97%, 0.7%

LAB 63.16, 56.83, 29.42

 

CMYK 0 / 43 / 43 / 0

HEX #FE9191

RGB 254 145 145

HSL 0, 0.98%, 0.78%

LAB 71.8, 40.98, 18.13

 

Description

Color code: HEX #FD3E3E | qconv.com Color code: HEX #FD3E3E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 62 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 62 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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