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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3A8D it is the complementary color #02C572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3A8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3A8D shade: #FF3A88, #FF4C9B, #FF5EAE, #FF70C1 and #FF82D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3A8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3A8D shade: #FD3A8D, #EC287A, #DB1667, #CA0454 and #B90041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3A8D shade: #FD3A8D, #FD3A58 and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3A8D shade: #FD3A8D, #FD3AC2, #FD3AF6, #CF3AFD and #9B3AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3A8D shade matches the following richer shades: #FD3A8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3A8D shade: #FD3A8D, #ED4A8F, #DD5A92, #CD6A94 and #BD7A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3A8D shade: #FD3AF7, #FD3AC3, #FD3A8F, #FD3A5B and #FD4E3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3A8D shade: #E20262, #FD1175, #FD3A8D, #FD63A5 and #FE8CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3A8D shade: #FD3A8D, #FDD03A and #3ADDFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3A8D shade: #FD3A8D, #8FFD3A and #3A8FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3A8D shade: #FD3A8D, #FDD03A, #3AFDA9 and #3A68FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3A8D shade: #FD3A8D, #F0FD3A, #3AFDA9 and #473AFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

Complementary color

CMYK 99 / 0 / 42 / 23

HEX #02C572

RGB 2 197 114

HSL 154.46, 0.98%, 0.39%

LAB 70.29, -60.22, 30.27

 

CMYK 0 / 77 / 47 / 0

HEX #FF3A88

RGB 255 58 136

HSL 336.24, 1%, 0.61%

LAB 58.1, 76.55, 3.94

 

CMYK 0 / 70 / 39 / 0

HEX #FF4C9B

RGB 255 76 155

HSL 333.52, 1%, 0.65%

LAB 60.6, 72.75, -3.55

 

CMYK 0 / 63 / 32 / 0

HEX #FF5EAE

RGB 255 94 174

HSL 330.19, 1%, 0.68%

LAB 63.61, 68.1, -10.04

 

CMYK 0 / 56 / 24 / 0

HEX #FF70C1

RGB 255 112 193

HSL 326.01, 1%, 0.72%

LAB 67.05, 62.83, -15.65

 

CMYK 0 / 49 / 17 / 0

HEX #FF82D4

RGB 255 130 212

HSL 320.64, 1%, 0.75%

LAB 70.86, 57.16, -20.5

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 83 / 48 / 7

HEX #EC287A

RGB 236 40 122

HSL 334.9, 0.84%, 0.54%

LAB 52.68, 75.07, 4.03

 

CMYK 0 / 90 / 53 / 14

HEX #DB1667

RGB 219 22 103

HSL 335.33, 0.82%, 0.47%

LAB 47.77, 72.78, 8.16

 

CMYK 0 / 98 / 58 / 21

HEX #CA0454

RGB 202 4 84

HSL 335.76, 0.96%, 0.4%

LAB 43.19, 69.46, 13.09

 

CMYK 0 / 100 / 65 / 27

HEX #B90041

RGB 185 0 65

HSL 338.92, 1%, 0.36%

LAB 39.06, 64.74, 19

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 77 / 65 / 1

HEX #FD3A58

RGB 253 58 88

HSL 350.77, 0.98%, 0.61%

LAB 56.7, 72.8, 30.32

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 77 / 23 / 1

HEX #FD3AC2

RGB 253 58 194

HSL 318.15, 0.98%, 0.61%

LAB 59.71, 81.96, -27.46

 

CMYK 0 / 77 / 3 / 1

HEX #FD3AF6

RGB 253 58 246

HSL 302.15, 0.98%, 0.61%

LAB 62.14, 88.89, -52.98

 

CMYK 18 / 77 / 0 / 1

HEX #CF3AFD

RGB 207 58 253

HSL 285.85, 0.98%, 0.61%

LAB 55.47, 81.59, -67.94

 

CMYK 39 / 77 / 0 / 1

HEX #9B3AFD

RGB 155 58 253

HSL 269.85, 0.98%, 0.61%

LAB 48.37, 73.12, -79.79

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 69 / 40 / 7

HEX #ED4A8F

RGB 237 74 143

HSL 334.6, 0.82%, 0.61%

LAB 56.96, 67.34, -2.22

 

CMYK 0 / 59 / 34 / 13

HEX #DD5A92

RGB 221 90 146

HSL 334.35, 0.66%, 0.61%

LAB 56.84, 56.5, -4.46

 

CMYK 0 / 48 / 28 / 20

HEX #CD6A94

RGB 205 106 148

HSL 334.55, 0.5%, 0.61%

LAB 57.49, 43.92, -4.93

 

CMYK 0 / 35 / 20 / 26

HEX #BD7A97

RGB 189 122 151

HSL 334.03, 0.34%, 0.61%

LAB 58.95, 30.24, -4.74

 

CMYK 0 / 77 / 2 / 1

HEX #FD3AF7

RGB 253 58 247

HSL 301.85, 0.98%, 0.61%

LAB 62.19, 89.04, -53.45

 

CMYK 0 / 77 / 23 / 1

HEX #FD3AC3

RGB 253 58 195

HSL 317.85, 0.98%, 0.61%

LAB 59.75, 82.08, -27.97

 

CMYK 0 / 77 / 43 / 1

HEX #FD3A8F

RGB 253 58 143

HSL 333.85, 0.98%, 0.61%

LAB 57.93, 76.65, -0.47

 

CMYK 0 / 77 / 64 / 1

HEX #FD3A5B

RGB 253 58 91

HSL 349.85, 0.98%, 0.61%

LAB 56.75, 72.96, 28.63

 

CMYK 0 / 69 / 77 / 1

HEX #FD4E3A

RGB 253 78 58

HSL 6.15, 0.98%, 0.61%

LAB 58.64, 65.07, 49.23

 

CMYK 0 / 99 / 57 / 11

HEX #E20262

RGB 226 2 98

HSL 334.29, 0.98%, 0.45%

LAB 48.38, 76.01, 12.3

 

CMYK 0 / 93 / 54 / 1

HEX #FD1175

RGB 253 17 117

HSL 334.58, 0.98%, 0.53%

LAB 54.62, 82.14, 10.26

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 61 / 35 / 1

HEX #FD63A5

RGB 253 99 165

HSL 334.29, 0.97%, 0.69%

LAB 63.77, 64.46, -4.67

 

CMYK 0 / 45 / 26 / 0

HEX #FE8CBC

RGB 254 140 188

HSL 334.74, 0.98%, 0.77%

LAB 71.86, 48.58, -5.68

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 18 / 77 / 1

HEX #FDD03A

RGB 253 208 58

HSL 46.15, 0.98%, 0.61%

LAB 85.15, 1.86, 74.82

 

CMYK 77 / 13 / 0 / 1

HEX #3ADDFD

RGB 58 221 253

HSL 189.85, 0.98%, 0.61%

LAB 81.68, -30.37, -27.33

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 43 / 0 / 77 / 1

HEX #8FFD3A

RGB 143 253 58

HSL 93.85, 0.98%, 0.61%

LAB 90.04, -61.09, 76.72

 

CMYK 77 / 43 / 0 / 1

HEX #3A8FFD

RGB 58 143 253

HSL 213.85, 0.98%, 0.61%

LAB 59.56, 12.07, -61.98

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 0 / 18 / 77 / 1

HEX #FDD03A

RGB 253 208 58

HSL 46.15, 0.98%, 0.61%

LAB 85.15, 1.86, 74.82

 

CMYK 77 / 0 / 33 / 1

HEX #3AFDA9

RGB 58 253 169

HSL 154.15, 0.98%, 0.61%

LAB 88.93, -65.4, 27.13

 

CMYK 77 / 59 / 0 / 1

HEX #3A68FD

RGB 58 104 253

HSL 225.85, 0.98%, 0.61%

LAB 49.36, 36.14, -78.48

 

CMYK 0 / 77 / 44 / 1

HEX #FD3A8D

RGB 253 58 141

HSL 334.46, 0.98%, 0.61%

LAB 57.88, 76.47, 0.62

 

CMYK 5 / 0 / 77 / 1

HEX #F0FD3A

RGB 240 253 58

HSL 64, 0.98%, 0.61%

LAB 95.61, -25.67, 83.88

 

CMYK 77 / 0 / 33 / 1

HEX #3AFDA9

RGB 58 253 169

HSL 154.15, 0.98%, 0.61%

LAB 88.93, -65.4, 27.13

 

CMYK 72 / 77 / 0 / 1

HEX #473AFD

RGB 71 58 253

HSL 244, 0.98%, 0.61%

LAB 40.34, 63.41, -93.29

 

Description

Color code: HEX #FD3A8D | qconv.com Color code: HEX #FD3A8D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 58 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 58 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 44% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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