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Color name
HEX #FD338C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD338C it is the complementary color #02CC73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD338C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD338C shade: #FF3387, #FF459A, #FF57AD, #FF69C0 and #FF7BD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD338C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD338C shade: #FD338C, #EC2179, #DB0F66, #CA0053 and #B90040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD338C shade: #FD358D, #FD3557 and #FD3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD338C shade: #FD358D, #FD35C3, #FD35F9, #CB35FD and #9535FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD338C shade matches the following richer shades: #FD358D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD338C shade: #FD358D, #EC468F, #DC5691, #CB6793 and #BB7795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD338C shade: #FD35FA, #FD35C4, #FD358F, #FD355A and #FD4635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD338C shade: #DD0263, #FD0C76, #FD358D, #FD5EA4 and #FE87BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD338C shade: #FD338C, #FDCB35 and #35DFFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD338C shade: #FD338C, #8FFD35 and #358FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD338C shade: #FD338C, #FDCB35, #35FDA3 and #3567FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD338C shade: #FD338C, #F3FD35, #35FDA3 and #3F35FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

Complementary color

CMYK 99 / 0 / 44 / 20

HEX #02CC73

RGB 2 204 115

HSL 153.56, 0.98%, 0.4%

LAB 72.52, -62.42, 32.66

 

CMYK 0 / 80 / 47 / 0

HEX #FF3387

RGB 255 51 135

HSL 335.29, 1%, 0.6%

LAB 57.44, 78.26, 3.58

 

CMYK 0 / 73 / 40 / 0

HEX #FF459A

RGB 255 69 154

HSL 332.58, 1%, 0.64%

LAB 59.75, 74.95, -4.21

 

CMYK 0 / 66 / 32 / 0

HEX #FF57AD

RGB 255 87 173

HSL 329.29, 1%, 0.67%

LAB 62.59, 70.7, -11

 

CMYK 0 / 59 / 25 / 0

HEX #FF69C0

RGB 255 105 192

HSL 325.2, 1%, 0.71%

LAB 65.88, 65.75, -16.86

 

CMYK 0 / 52 / 17 / 0

HEX #FF7BD3

RGB 255 123 211

HSL 320, 1%, 0.74%

LAB 69.56, 60.31, -21.92

 

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

CMYK 0 / 86 / 49 / 7

HEX #EC2179

RGB 236 33 121

HSL 333.99, 0.84%, 0.53%

LAB 52.18, 76.37, 3.9

 

CMYK 0 / 93 / 53 / 14

HEX #DB0F66

RGB 219 15 102

HSL 334.41, 0.87%, 0.46%

LAB 47.44, 73.58, 8.31

 

CMYK 0 / 100 / 59 / 21

HEX #CA0053

RGB 202 0 83

HSL 335.35, 1%, 0.4%

LAB 43.03, 69.77, 13.51

 

CMYK 0 / 100 / 65 / 27

HEX #B90040

RGB 185 0 64

HSL 339.24, 1%, 0.36%

LAB 39.04, 64.69, 19.61

 

CMYK 0 / 79 / 44 / 1

HEX #FD358D

RGB 253 53 141

HSL 333.6, 0.98%, 0.6%

LAB 57.42, 77.78, -0.05

 

CMYK 0 / 79 / 66 / 1

HEX #FD3557

RGB 253 53 87

HSL 349.8, 0.98%, 0.6%

LAB 56.2, 74.1, 30.28

 

CMYK 0 / 79 / 79 / 1

HEX #FD3535

RGB 253 53 53

HSL 0, 0.98%, 0.6%

LAB 55.77, 72.75, 48.91

 

CMYK 0 / 79 / 44 / 1

HEX #FD358D

RGB 253 53 141

HSL 333.6, 0.98%, 0.6%

LAB 57.42, 77.78, -0.05

 

CMYK 0 / 79 / 23 / 1

HEX #FD35C3

RGB 253 53 195

HSL 317.4, 0.98%, 0.6%

LAB 59.31, 83.34, -28.64

 

CMYK 0 / 79 / 2 / 1

HEX #FD35F9

RGB 253 53 249

HSL 301.2, 0.98%, 0.6%

LAB 61.89, 90.52, -55.04

 

CMYK 20 / 79 / 0 / 1

HEX #CB35FD

RGB 203 53 253

HSL 285, 0.98%, 0.6%

LAB 54.38, 82.34, -69.72

 

CMYK 41 / 79 / 0 / 1

HEX #9535FD

RGB 149 53 253

HSL 268.8, 0.98%, 0.6%

LAB 47.01, 74.04, -82.05

 

CMYK 0 / 79 / 44 / 1

HEX #FD358D

RGB 253 53 141

HSL 333.6, 0.98%, 0.6%

LAB 57.42, 77.78, -0.05

 

CMYK 0 / 79 / 44 / 1

HEX #FD358D

RGB 253 53 141

HSL 333.6, 0.98%, 0.6%

LAB 57.42, 77.78, -0.05

 

CMYK 0 / 70 / 39 / 7

HEX #EC468F

RGB 236 70 143

HSL 333.61, 0.81%, 0.6%

LAB 56.28, 68.48, -3.24

 

CMYK 0 / 61 / 34 / 14

HEX #DC5691

RGB 220 86 145

HSL 333.58, 0.66%, 0.6%

LAB 56, 57.83, -5.13

 

CMYK 0 / 49 / 28 / 20

HEX #CB6793

RGB 203 103 147

HSL 333.6, 0.49%, 0.6%

LAB 56.59, 44.63, -5.71

 

CMYK 0 / 36 / 20 / 27

HEX #BB7795

RGB 187 119 149

HSL 333.53, 0.33%, 0.6%

LAB 57.97, 30.86, -5.06

 

CMYK 0 / 79 / 1 / 1

HEX #FD35FA

RGB 253 53 250

HSL 300.9, 0.98%, 0.6%

LAB 61.94, 90.67, -55.51

 

CMYK 0 / 79 / 23 / 1

HEX #FD35C4

RGB 253 53 196

HSL 317.1, 0.98%, 0.6%

LAB 59.36, 83.46, -29.15

 

CMYK 0 / 79 / 43 / 1

HEX #FD358F

RGB 253 53 143

HSL 333, 0.98%, 0.6%

LAB 57.47, 77.95, -1.15

 

CMYK 0 / 79 / 64 / 1

HEX #FD355A

RGB 253 53 90

HSL 348.9, 0.98%, 0.6%

LAB 56.25, 74.25, 28.59

 

CMYK 0 / 72 / 79 / 1

HEX #FD4635

RGB 253 70 53

HSL 5.1, 0.98%, 0.6%

LAB 57.58, 67.7, 50.71

 

CMYK 0 / 99 / 55 / 13

HEX #DD0263

RGB 221 2 99

HSL 333.42, 0.98%, 0.44%

LAB 47.39, 74.95, 10.15

 

CMYK 0 / 95 / 53 / 1

HEX #FD0C76

RGB 253 12 118

HSL 333.61, 0.98%, 0.52%

LAB 54.51, 82.62, 9.49

 

CMYK 0 / 79 / 44 / 1

HEX #FD358D

RGB 253 53 141

HSL 333.6, 0.98%, 0.6%

LAB 57.42, 77.78, -0.05

 

CMYK 0 / 63 / 35 / 1

HEX #FD5EA4

RGB 253 94 164

HSL 333.58, 0.98%, 0.68%

LAB 62.98, 66.41, -5.27

 

CMYK 0 / 47 / 26 / 0

HEX #FE87BB

RGB 254 135 187

HSL 333.78, 0.98%, 0.76%

LAB 70.86, 50.93, -6.6

 

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

CMYK 0 / 20 / 79 / 1

HEX #FDCB35

RGB 253 203 53

HSL 45, 0.98%, 0.6%

LAB 83.89, 4.26, 75.28

 

CMYK 79 / 12 / 0 / 1

HEX #35DFFD

RGB 53 223 253

HSL 189, 0.98%, 0.6%

LAB 82.18, -31.79, -26.57

 

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

CMYK 43 / 0 / 79 / 1

HEX #8FFD35

RGB 143 253 53

HSL 93, 0.98%, 0.6%

LAB 90.02, -61.33, 78.09

 

CMYK 79 / 43 / 0 / 1

HEX #358FFD

RGB 53 143 253

HSL 213, 0.98%, 0.6%

LAB 59.43, 11.56, -62.2

 

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

CMYK 0 / 20 / 79 / 1

HEX #FDCB35

RGB 253 203 53

HSL 45, 0.98%, 0.6%

LAB 83.89, 4.26, 75.28

 

CMYK 79 / 0 / 36 / 1

HEX #35FDA3

RGB 53 253 163

HSL 153, 0.98%, 0.6%

LAB 88.76, -67.1, 29.91

 

CMYK 79 / 59 / 0 / 1

HEX #3567FD

RGB 53 103 253

HSL 225, 0.98%, 0.6%

LAB 48.94, 36.31, -79.17

 

CMYK 0 / 80 / 45 / 1

HEX #FD338C

RGB 253 51 140

HSL 333.56, 0.98%, 0.6%

LAB 57.22, 78.19, 0.25

 

CMYK 4 / 0 / 79 / 1

HEX #F3FD35

RGB 243 253 53

HSL 63, 0.98%, 0.6%

LAB 95.81, -24.63, 85.47

 

CMYK 79 / 0 / 36 / 1

HEX #35FDA3

RGB 53 253 163

HSL 153, 0.98%, 0.6%

LAB 88.76, -67.1, 29.91

 

CMYK 75 / 79 / 0 / 1

HEX #3F35FD

RGB 63 53 253

HSL 243, 0.98%, 0.6%

LAB 39.06, 65.19, -95.42

 

Description

Color code: HEX #FD338C | qconv.com Color code: HEX #FD338C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 51 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 51 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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