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Color name
HEX #FD2FD7

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD2FD7 it is the complementary color #02D028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD2FD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD2FD7 shade: #FF2FD2, #FF41E5, #FF53F8, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD2FD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD2FD7 shade: #FD2FD7, #EC1DC4, #DB0BB1, #CA009E and #B9008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD2FD7 shade: #FD30D7, #FD30A0, #FD3069, #FD3031 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD2FD7 shade: #FD30D7, #EB30FD, #B430FD, #7D30FD and #4630FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD2FD7 shade matches the following richer shades: #FD30D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD2FD7 shade: #FD30D7, #EC41CC, #DB52C2, #CA63B7 and #B974AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD2FD7 shade: #B530FD, #EC30FD, #FD30D7, #FD30A1 and #FD306A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD2FD7 shade: #D802B1, #FC07CF, #FD30D7, #FD59DF and #FE82E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD2FD7 shade: #FD2FD7, #FD7F30 and #30FDD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD2FD7 shade: #FD2FD7, #D7FD30 and #30D7FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD2FD7 shade: #FD2FD7, #FD7F30, #30FD56 and #30AEFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD2FD7 shade: #FD2FD7, #FDBC30, #30FD56 and #3071FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

Complementary color

CMYK 99 / 0 / 81 / 18

HEX #02D028

RGB 2 208 40

HSL 131.07, 0.98%, 0.41%

LAB 73.07, -72.53, 64.76

 

CMYK 0 / 82 / 18 / 0

HEX #FF2FD2

RGB 255 47 210

HSL 312.98, 1%, 0.59%

LAB 59.84, 86.94, -36.36

 

CMYK 0 / 75 / 10 / 0

HEX #FF41E5

RGB 255 65 229

HSL 308.21, 1%, 0.63%

LAB 62.25, 85.03, -43.3

 

CMYK 0 / 67 / 3 / 0

HEX #FF53F8

RGB 255 83 248

HSL 302.44, 1%, 0.66%

LAB 65.14, 82.2, -49.31

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

CMYK 0 / 88 / 17 / 7

HEX #EC1DC4

RGB 236 29 196

HSL 311.59, 0.84%, 0.52%

LAB 54.76, 84.69, -36.54

 

CMYK 0 / 95 / 19 / 14

HEX #DB0BB1

RGB 219 11 177

HSL 312.12, 0.9%, 0.45%

LAB 50.07, 81.2, -33.05

 

CMYK 0 / 100 / 22 / 21

HEX #CA009E

RGB 202 0 158

HSL 313.07, 1%, 0.4%

LAB 45.67, 76.61, -28.88

 

CMYK 0 / 100 / 25 / 27

HEX #B9008B

RGB 185 0 139

HSL 314.92, 1%, 0.36%

LAB 41.5, 71.1, -24.11

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 0 / 81 / 37 / 1

HEX #FD30A0

RGB 253 48 160

HSL 327.22, 0.98%, 0.59%

LAB 57.59, 80.71, -10.98

 

CMYK 0 / 81 / 58 / 1

HEX #FD3069

RGB 253 48 105

HSL 343.32, 0.98%, 0.59%

LAB 56.1, 76.33, 19.5

 

CMYK 0 / 81 / 81 / 1

HEX #FD3031

RGB 253 48 49

HSL 359.71, 0.98%, 0.59%

LAB 55.3, 73.89, 50.51

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 7 / 81 / 0 / 1

HEX #EB30FD

RGB 235 48 253

HSL 294.73, 0.98%, 0.59%

LAB 58.85, 89.03, -62.27

 

CMYK 29 / 81 / 0 / 1

HEX #B430FD

RGB 180 48 253

HSL 278.63, 0.98%, 0.59%

LAB 50.58, 80.09, -76.05

 

CMYK 51 / 81 / 0 / 1

HEX #7D30FD

RGB 125 48 253

HSL 262.54, 0.98%, 0.59%

LAB 43.6, 72.76, -87.75

 

CMYK 72 / 81 / 0 / 1

HEX #4630FD

RGB 70 48 253

HSL 246.44, 0.98%, 0.59%

LAB 38.74, 67.82, -95.95

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 0 / 72 / 14 / 7

HEX #EC41CC

RGB 236 65 204

HSL 311.23, 0.82%, 0.59%

LAB 58.01, 77.44, -36.04

 

CMYK 0 / 63 / 11 / 14

HEX #DB52C2

RGB 219 82 194

HSL 310.95, 0.66%, 0.59%

LAB 57.07, 65.81, -31.99

 

CMYK 0 / 51 / 9 / 21

HEX #CA63B7

RGB 202 99 183

HSL 311.07, 0.49%, 0.59%

LAB 56.98, 51.73, -26.01

 

CMYK 0 / 37 / 7 / 27

HEX #B974AC

RGB 185 116 172

HSL 311.3, 0.33%, 0.59%

LAB 57.83, 35.65, -18.56

 

CMYK 28 / 81 / 0 / 1

HEX #B530FD

RGB 181 48 253

HSL 278.93, 0.98%, 0.59%

LAB 50.72, 80.24, -75.81

 

CMYK 7 / 81 / 0 / 1

HEX #EC30FD

RGB 236 48 253

HSL 295.02, 0.98%, 0.59%

LAB 59.01, 89.2, -62.01

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 0 / 81 / 36 / 1

HEX #FD30A1

RGB 253 48 161

HSL 326.93, 0.98%, 0.59%

LAB 57.63, 80.81, -11.51

 

CMYK 0 / 81 / 58 / 1

HEX #FD306A

RGB 253 48 106

HSL 343.02, 0.98%, 0.59%

LAB 56.12, 76.39, 18.93

 

CMYK 0 / 99 / 18 / 15

HEX #D802B1

RGB 216 2 177

HSL 310.93, 0.98%, 0.43%

LAB 49.27, 81.34, -34.33

 

CMYK 0 / 97 / 18 / 1

HEX #FC07CF

RGB 252 7 207

HSL 311.02, 0.98%, 0.51%

LAB 57.42, 91.13, -38.48

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D7

RGB 253 48 215

HSL 311.12, 0.98%, 0.59%

LAB 59.8, 86.95, -39.28

 

CMYK 0 / 65 / 12 / 1

HEX #FD59DF

RGB 253 89 223

HSL 310.98, 0.98%, 0.67%

LAB 64.45, 75.87, -36.52

 

CMYK 0 / 49 / 9 / 0

HEX #FE82E7

RGB 254 130 231

HSL 311.13, 0.98%, 0.75%

LAB 71.42, 59.77, -30.14

 

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

CMYK 0 / 50 / 81 / 1

HEX #FD7F30

RGB 253 127 48

HSL 23.12, 0.98%, 0.59%

LAB 66.73, 43.32, 61.63

 

CMYK 81 / 0 / 17 / 1

HEX #30FDD1

RGB 48 253 209

HSL 167.12, 0.98%, 0.59%

LAB 89.62, -57.49, 7.56

 

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

CMYK 15 / 0 / 81 / 1

HEX #D7FD30

RGB 215 253 48

HSL 71.12, 0.98%, 0.59%

LAB 93.84, -35.95, 84.22

 

CMYK 81 / 15 / 0 / 1

HEX #30D7FD

RGB 48 215 253

HSL 191.12, 0.98%, 0.59%

LAB 79.8, -28.34, -30.22

 

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

CMYK 0 / 50 / 81 / 1

HEX #FD7F30

RGB 253 127 48

HSL 23.12, 0.98%, 0.59%

LAB 66.73, 43.32, 61.63

 

CMYK 81 / 0 / 66 / 1

HEX #30FD56

RGB 48 253 86

HSL 131.12, 0.98%, 0.59%

LAB 87.75, -78.79, 64.05

 

CMYK 81 / 31 / 0 / 1

HEX #30AEFD

RGB 48 174 253

HSL 203.12, 0.98%, 0.59%

LAB 68.01, -6.9, -48.55

 

CMYK 0 / 81 / 15 / 1

HEX #FD2FD7

RGB 253 47 215

HSL 311.07, 0.98%, 0.59%

LAB 59.73, 87.17, -39.4

 

CMYK 0 / 26 / 81 / 1

HEX #FDBC30

RGB 253 188 48

HSL 40.98, 0.98%, 0.59%

LAB 80.21, 11.86, 73.6

 

CMYK 81 / 0 / 66 / 1

HEX #30FD56

RGB 48 253 86

HSL 131.12, 0.98%, 0.59%

LAB 87.75, -78.79, 64.05

 

CMYK 81 / 55 / 0 / 1

HEX #3071FD

RGB 48 113 253

HSL 220.98, 0.98%, 0.59%

LAB 51.3, 29.64, -75.33

 

Description

Color code: HEX #FD2FD7 | qconv.com Color code: HEX #FD2FD7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 47 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 47 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 1% C M Y K

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Provide designers and agencies with accurate color values.

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