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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD2FCB it is the complementary color #02D034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD2FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD2FCB shade: #FF2FC6, #FF41D9, #FF53EC, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD2FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD2FCB shade: #FD2FCB, #EC1DB8, #DB0BA5, #CA0092 and #B9007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD2FCB shade: #FD30CB, #FD3094, #FD305D and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD2FCB shade: #FD30CB, #F730FD, #C030FD, #8930FD and #5230FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD2FCB shade matches the following richer shades: #FD30CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD2FCB shade: #FD30CB, #EC41C2, #DB52BA, #CA63B1 and #B974A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD2FCB shade: #BF30FD, #F630FD, #FD30CD, #FD3096 and #FD3060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD2FCB shade: #D802A4, #FC07C1, #FD30CB, #FD59D5 and #FE82E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD2FCB shade: #FD2FCB, #FD8930 and #30FDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD2FCB shade: #FD2FCB, #CDFD30 and #30CDFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD2FCB shade: #FD2FCB, #FD8930, #30FD60 and #30A4FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD2FCB shade: #FD2FCB, #FDC630, #30FD60 and #3067FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

Complementary color

CMYK 99 / 0 / 75 / 18

HEX #02D034

RGB 2 208 52

HSL 134.56, 0.98%, 0.41%

LAB 73.14, -71.73, 61.15

 

CMYK 0 / 82 / 22 / 0

HEX #FF2FC6

RGB 255 47 198

HSL 316.44, 1%, 0.59%

LAB 59.32, 85.48, -30.33

 

CMYK 0 / 75 / 15 / 0

HEX #FF41D9

RGB 255 65 217

HSL 312, 1%, 0.63%

LAB 61.7, 83.4, -37.42

 

CMYK 0 / 67 / 7 / 0

HEX #FF53EC

RGB 255 83 236

HSL 306.63, 1%, 0.66%

LAB 64.57, 80.39, -43.56

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

CMYK 0 / 88 / 22 / 7

HEX #EC1DB8

RGB 236 29 184

HSL 315.07, 0.84%, 0.52%

LAB 54.21, 83.23, -30.45

 

CMYK 0 / 95 / 25 / 14

HEX #DB0BA5

RGB 219 11 165

HSL 315.58, 0.9%, 0.45%

LAB 49.52, 79.79, -26.82

 

CMYK 0 / 100 / 28 / 21

HEX #CA0092

RGB 202 0 146

HSL 316.63, 1%, 0.4%

LAB 45.13, 75.23, -22.49

 

CMYK 0 / 100 / 31 / 27

HEX #B9007F

RGB 185 0 127

HSL 318.81, 1%, 0.36%

LAB 40.97, 69.75, -17.53

 

CMYK 0 / 81 / 20 / 1

HEX #FD30CB

RGB 253 48 203

HSL 314.63, 0.98%, 0.59%

LAB 59.26, 85.45, -33.31

 

CMYK 0 / 81 / 42 / 1

HEX #FD3094

RGB 253 48 148

HSL 330.73, 0.98%, 0.59%

LAB 57.21, 79.59, -4.49

 

CMYK 0 / 81 / 63 / 1

HEX #FD305D

RGB 253 48 93

HSL 346.83, 0.98%, 0.59%

LAB 55.87, 75.64, 26.32

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 81 / 20 / 1

HEX #FD30CB

RGB 253 48 203

HSL 314.63, 0.98%, 0.59%

LAB 59.26, 85.45, -33.31

 

CMYK 2 / 81 / 0 / 1

HEX #F730FD

RGB 247 48 253

HSL 298.24, 0.98%, 0.59%

LAB 60.76, 91.12, -59.1

 

CMYK 24 / 81 / 0 / 1

HEX #C030FD

RGB 192 48 253

HSL 282.15, 0.98%, 0.59%

LAB 52.3, 81.93, -73.17

 

CMYK 46 / 81 / 0 / 1

HEX #8930FD

RGB 137 48 253

HSL 266.05, 0.98%, 0.59%

LAB 44.98, 74.18, -85.44

 

CMYK 68 / 81 / 0 / 1

HEX #5230FD

RGB 82 48 253

HSL 249.95, 0.98%, 0.59%

LAB 39.58, 68.66, -94.53

 

CMYK 0 / 81 / 20 / 1

HEX #FD30CB

RGB 253 48 203

HSL 314.63, 0.98%, 0.59%

LAB 59.26, 85.45, -33.31

 

CMYK 0 / 81 / 20 / 1

HEX #FD30CB

RGB 253 48 203

HSL 314.63, 0.98%, 0.59%

LAB 59.26, 85.45, -33.31

 

CMYK 0 / 72 / 18 / 7

HEX #EC41C2

RGB 236 65 194

HSL 314.74, 0.82%, 0.59%

LAB 57.57, 76.09, -31.01

 

CMYK 0 / 63 / 15 / 14

HEX #DB52BA

RGB 219 82 186

HSL 314.45, 0.66%, 0.59%

LAB 56.72, 64.62, -27.93

 

CMYK 0 / 51 / 12 / 21

HEX #CA63B1

RGB 202 99 177

HSL 314.56, 0.49%, 0.59%

LAB 56.74, 50.75, -22.92

 

CMYK 0 / 37 / 9 / 27

HEX #B974A8

RGB 185 116 168

HSL 314.78, 0.33%, 0.59%

LAB 57.69, 34.94, -16.48

 

CMYK 25 / 81 / 0 / 1

HEX #BF30FD

RGB 191 48 253

HSL 281.85, 0.98%, 0.59%

LAB 52.15, 81.77, -73.41

 

CMYK 3 / 81 / 0 / 1

HEX #F630FD

RGB 246 48 253

HSL 297.95, 0.98%, 0.59%

LAB 60.6, 90.95, -59.37

 

CMYK 0 / 81 / 19 / 1

HEX #FD30CD

RGB 253 48 205

HSL 314.05, 0.98%, 0.59%

LAB 59.35, 85.69, -34.31

 

CMYK 0 / 81 / 41 / 1

HEX #FD3096

RGB 253 48 150

HSL 330.15, 0.98%, 0.59%

LAB 57.27, 79.77, -5.58

 

CMYK 0 / 81 / 62 / 1

HEX #FD3060

RGB 253 48 96

HSL 345.95, 0.98%, 0.59%

LAB 55.93, 75.8, 24.62

 

CMYK 0 / 99 / 24 / 15

HEX #D802A4

RGB 216 2 164

HSL 314.58, 0.98%, 0.43%

LAB 48.66, 79.8, -27.59

 

CMYK 0 / 97 / 23 / 1

HEX #FC07C1

RGB 252 7 193

HSL 314.45, 0.98%, 0.51%

LAB 56.78, 89.51, -31.44

 

CMYK 0 / 81 / 20 / 1

HEX #FD30CB

RGB 253 48 203

HSL 314.63, 0.98%, 0.59%

LAB 59.26, 85.45, -33.31

 

CMYK 0 / 65 / 16 / 1

HEX #FD59D5

RGB 253 89 213

HSL 314.63, 0.98%, 0.67%

LAB 64.02, 74.46, -31.57

 

CMYK 0 / 49 / 12 / 0

HEX #FE82E0

RGB 254 130 224

HSL 314.52, 0.98%, 0.75%

LAB 71.16, 58.67, -26.69

 

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

CMYK 0 / 46 / 81 / 1

HEX #FD8930

RGB 253 137 48

HSL 26.05, 0.98%, 0.59%

LAB 68.74, 38.33, 63.45

 

CMYK 81 / 0 / 13 / 1

HEX #30FDDB

RGB 48 253 219

HSL 170.05, 0.98%, 0.59%

LAB 89.86, -55, 2.72

 

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

CMYK 19 / 0 / 81 / 1

HEX #CDFD30

RGB 205 253 48

HSL 74.05, 0.98%, 0.59%

LAB 93.21, -39.82, 83.42

 

CMYK 81 / 19 / 0 / 1

HEX #30CDFD

RGB 48 205 253

HSL 194.05, 0.98%, 0.59%

LAB 76.91, -23.36, -34.67

 

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

CMYK 0 / 46 / 81 / 1

HEX #FD8930

RGB 253 137 48

HSL 26.05, 0.98%, 0.59%

LAB 68.74, 38.33, 63.45

 

CMYK 81 / 0 / 62 / 1

HEX #30FD60

RGB 48 253 96

HSL 134.05, 0.98%, 0.59%

LAB 87.84, -77.76, 60.12

 

CMYK 81 / 35 / 0 / 1

HEX #30A4FD

RGB 48 164 253

HSL 206.05, 0.98%, 0.59%

LAB 65.18, -1.26, -53.04

 

CMYK 0 / 81 / 20 / 1

HEX #FD2FCB

RGB 253 47 203

HSL 314.56, 0.98%, 0.59%

LAB 59.18, 85.66, -33.42

 

CMYK 0 / 22 / 81 / 1

HEX #FDC630

RGB 253 198 48

HSL 43.9, 0.98%, 0.59%

LAB 82.64, 6.68, 75.7

 

CMYK 81 / 0 / 62 / 1

HEX #30FD60

RGB 48 253 96

HSL 134.05, 0.98%, 0.59%

LAB 87.84, -77.76, 60.12

 

CMYK 81 / 59 / 0 / 1

HEX #3067FD

RGB 48 103 253

HSL 223.9, 0.98%, 0.59%

LAB 48.79, 35.89, -79.44

 

Description

Color code: HEX #FD2FCB | qconv.com Color code: HEX #FD2FCB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 47 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 47 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 20 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 20% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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