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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD2AF2 it is the complementary color #02D50D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD2AF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD2AF2 shade: #FF2AED, #FF3CFF, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD2AF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD2AF2 shade: #FD2AF2, #EC18DF, #DB06CC, #CA00B9 and #B900A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD2AF2 shade: #FC2AF1, #FC2AB9, #FC2A80, #FC2A48 and #FC2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD2AF2 shade: #FC2AF1, #CF2AFC, #962AFC, #5D2AFC and #2A2AFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD2AF2 shade matches the following richer shades: #FC2AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD2AF2 shade: #FC2AF1, #EB3CE2, #DA4DD2, #C85EC3 and #B770B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD2AF2 shade: #972AFC, #CF2AFC, #FC2AF2, #FC2ABA and #FC2A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD2AF2 shade: #D302C8, #FB02EE, #FC2AF1, #FD53F4 and #FD7CF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD2AF2 shade: #FD2AF2, #FC5F2A and #2AFCB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD2AF2 shade: #FD2AF2, #F2FC2A and #2AF2FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD2AF2 shade: #FD2AF2, #FC5F2A, #2AFC35 and #2AC8FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD2AF2 shade: #FD2AF2, #FC9E2A, #2AFC35 and #2A89FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

Complementary color

CMYK 99 / 0 / 94 / 16

HEX #02D50D

RGB 2 213 13

HSL 123.13, 0.98%, 0.42%

LAB 74.59, -74.93, 71.34

 

CMYK 0 / 84 / 7 / 0

HEX #FF2AED

RGB 255 42 237

HSL 305.07, 1%, 0.58%

LAB 60.81, 91.45, -50.05

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

CMYK 0 / 90 / 6 / 7

HEX #EC18DF

RGB 236 24 223

HSL 303.68, 0.85%, 0.51%

LAB 55.9, 88.91, -50.17

 

CMYK 0 / 97 / 7 / 14

HEX #DB06CC

RGB 219 6 204

HSL 304.23, 0.95%, 0.44%

LAB 51.32, 85.06, -46.78

 

CMYK 0 / 100 / 8 / 21

HEX #CA00B9

RGB 202 0 185

HSL 305.05, 1%, 0.4%

LAB 47.05, 80.05, -42.71

 

CMYK 0 / 100 / 10 / 27

HEX #B900A6

RGB 185 0 166

HSL 306.16, 1%, 0.36%

LAB 42.86, 74.51, -38.3

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF1

RGB 252 42 241

HSL 303.14, 0.97%, 0.58%

LAB 60.52, 91.46, -52.78

 

CMYK 0 / 83 / 27 / 1

HEX #FC2AB9

RGB 252 42 185

HSL 319.14, 0.97%, 0.58%

LAB 57.9, 84.37, -25.09

 

CMYK 0 / 83 / 49 / 1

HEX #FC2A80

RGB 252 42 128

HSL 335.43, 0.97%, 0.58%

LAB 56, 78.99, 5.59

 

CMYK 0 / 83 / 71 / 1

HEX #FC2A48

RGB 252 42 72

HSL 351.43, 0.97%, 0.58%

LAB 54.89, 75.73, 37.37

 

CMYK 0 / 83 / 83 / 1

HEX #FC2A2A

RGB 252 42 42

HSL 0, 0.97%, 0.58%

LAB 54.57, 74.79, 53.28

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF1

RGB 252 42 241

HSL 303.14, 0.97%, 0.58%

LAB 60.52, 91.46, -52.78

 

CMYK 18 / 83 / 0 / 1

HEX #CF2AFC

RGB 207 42 252

HSL 287.14, 0.97%, 0.58%

LAB 53.97, 85.56, -69.8

 

CMYK 40 / 83 / 0 / 1

HEX #962AFC

RGB 150 42 252

HSL 270.86, 0.97%, 0.58%

LAB 45.86, 77.43, -83.36

 

CMYK 63 / 83 / 0 / 1

HEX #5D2AFC

RGB 93 42 252

HSL 254.57, 0.97%, 0.58%

LAB 39.6, 71.53, -93.91

 

CMYK 83 / 83 / 0 / 1

HEX #2A2AFC

RGB 42 42 252

HSL 240, 0.97%, 0.58%

LAB 36.32, 68.63, -99.45

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF1

RGB 252 42 241

HSL 303.14, 0.97%, 0.58%

LAB 60.52, 91.46, -52.78

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF1

RGB 252 42 241

HSL 303.14, 0.97%, 0.58%

LAB 60.52, 91.46, -52.78

 

CMYK 0 / 74 / 4 / 8

HEX #EB3CE2

RGB 235 60 226

HSL 303.09, 0.81%, 0.58%

LAB 58.4, 81.87, -47.9

 

CMYK 0 / 65 / 4 / 15

HEX #DA4DD2

RGB 218 77 210

HSL 303.4, 0.66%, 0.58%

LAB 56.94, 70.01, -41.33

 

CMYK 0 / 53 / 3 / 22

HEX #C85EC3

RGB 200 94 195

HSL 302.83, 0.49%, 0.58%

LAB 56.31, 55.59, -33.95

 

CMYK 0 / 39 / 2 / 28

HEX #B770B3

RGB 183 112 179

HSL 303.38, 0.33%, 0.58%

LAB 56.99, 38.44, -23.89

 

CMYK 40 / 83 / 0 / 1

HEX #972AFC

RGB 151 42 252

HSL 271.14, 0.97%, 0.58%

LAB 45.99, 77.56, -83.15

 

CMYK 18 / 83 / 0 / 1

HEX #CF2AFC

RGB 207 42 252

HSL 287.14, 0.97%, 0.58%

LAB 53.97, 85.56, -69.8

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF2

RGB 252 42 242

HSL 302.86, 0.97%, 0.58%

LAB 60.57, 91.6, -53.25

 

CMYK 0 / 83 / 26 / 1

HEX #FC2ABA

RGB 252 42 186

HSL 318.86, 0.97%, 0.58%

LAB 57.94, 84.48, -25.6

 

CMYK 0 / 83 / 48 / 1

HEX #FC2A82

RGB 252 42 130

HSL 334.86, 0.97%, 0.58%

LAB 56.05, 79.14, 4.47

 

CMYK 0 / 99 / 5 / 17

HEX #D302C8

RGB 211 2 200

HSL 303.16, 0.98%, 0.42%

LAB 49.57, 83.47, -47.34

 

CMYK 0 / 99 / 5 / 2

HEX #FB02EE

RGB 251 2 238

HSL 303.13, 0.98%, 0.5%

LAB 58.72, 95.19, -53.97

 

CMYK 0 / 83 / 4 / 1

HEX #FC2AF1

RGB 252 42 241

HSL 303.14, 0.97%, 0.58%

LAB 60.52, 91.46, -52.78

 

CMYK 0 / 67 / 4 / 1

HEX #FD53F4

RGB 253 83 244

HSL 303.18, 0.98%, 0.66%

LAB 64.64, 81.15, -47.9

 

CMYK 0 / 51 / 3 / 1

HEX #FD7CF6

RGB 253 124 246

HSL 303.26, 0.97%, 0.74%

LAB 70.84, 64.74, -39.28

 

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

CMYK 0 / 62 / 83 / 1

HEX #FC5F2A

RGB 252 95 42

HSL 15.14, 0.97%, 0.58%

LAB 60.82, 57.57, 58.78

 

CMYK 83 / 0 / 29 / 1

HEX #2AFCB3

RGB 42 252 179

HSL 159.14, 0.97%, 0.58%

LAB 88.62, -64.46, 21.59

 

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

CMYK 4 / 0 / 83 / 1

HEX #F2FC2A

RGB 242 252 42

HSL 62.86, 0.97%, 0.58%

LAB 95.44, -24.88, 87.67

 

CMYK 83 / 4 / 0 / 1

HEX #2AF2FC

RGB 42 242 252

HSL 182.86, 0.97%, 0.58%

LAB 87.5, -41.73, -17.99

 

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

CMYK 0 / 62 / 83 / 1

HEX #FC5F2A

RGB 252 95 42

HSL 15.14, 0.97%, 0.58%

LAB 60.82, 57.57, 58.78

 

CMYK 83 / 0 / 79 / 1

HEX #2AFC35

RGB 42 252 53

HSL 123.14, 0.97%, 0.58%

LAB 87.18, -81.61, 74.53

 

CMYK 83 / 21 / 0 / 1

HEX #2AC8FC

RGB 42 200 252

HSL 194.86, 0.97%, 0.58%

LAB 75.34, -21.61, -36.56

 

CMYK 0 / 83 / 4 / 1

HEX #FD2AF2

RGB 253 42 242

HSL 303.13, 0.98%, 0.58%

LAB 60.74, 91.78, -52.98

 

CMYK 0 / 37 / 83 / 1

HEX #FC9E2A

RGB 252 158 42

HSL 33.14, 0.97%, 0.58%

LAB 73.1, 26.95, 69.32

 

CMYK 83 / 0 / 79 / 1

HEX #2AFC35

RGB 42 252 53

HSL 123.14, 0.97%, 0.58%

LAB 87.18, -81.61, 74.53

 

CMYK 83 / 46 / 0 / 1

HEX #2A89FC

RGB 42 137 252

HSL 212.86, 0.97%, 0.58%

LAB 57.47, 13.88, -64.8

 

Description

Color code: HEX #FD2AF2 | qconv.com Color code: HEX #FD2AF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 42 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 42 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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