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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD206B it is the complementary color #02DF94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD206B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD206B shade: #FF2066, #FF3279, #FF448C, #FF569F and #FF68B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD206B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD206B shade: #FD206B, #EC0E58, #DB0045, #CA0032 and #B9001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD206B shade: #FD216B, #FD2130 and #FD2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD206B shade: #FD216B, #FD21A7, #FD21E2, #DC21FD and #A121FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD206B shade matches the following richer shades: #FD216B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD206B shade: #FD216B, #EB3371, #D84577, #C6577D and #B46983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD206B shade: #FD21E3, #FD21A8, #FD216E, #FD2133 and #FD4921

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD206B shade: #C90246, #F20254, #FD216B, #FD4A87 and #FE73A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD206B shade: #FD206B, #FDDC21 and #21C6FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD206B shade: #FD206B, #6EFD21 and #216EFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD206B shade: #FD206B, #FDDC21, #21FDB0 and #2142FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD206B shade: #FD206B, #DCFD21, #21FDB0 and #4221FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

Complementary color

CMYK 99 / 0 / 34 / 13

HEX #02DF94

RGB 2 223 148

HSL 159.64, 0.98%, 0.44%

LAB 79, -62.52, 24.3

 

CMYK 0 / 87 / 60 / 0

HEX #FF2066

RGB 255 32 102

HSL 341.17, 1%, 0.56%

LAB 55.33, 79.78, 20.31

 

CMYK 0 / 80 / 53 / 0

HEX #FF3279

RGB 255 50 121

HSL 339.22, 1%, 0.6%

LAB 57, 77.43, 11.26

 

CMYK 0 / 73 / 45 / 0

HEX #FF448C

RGB 255 68 140

HSL 336.9, 1%, 0.63%

LAB 59.24, 73.98, 3.23

 

CMYK 0 / 66 / 38 / 0

HEX #FF569F

RGB 255 86 159

HSL 334.08, 1%, 0.67%

LAB 62.01, 69.57, -3.78

 

CMYK 0 / 59 / 30 / 0

HEX #FF68B2

RGB 255 104 178

HSL 330.6, 1%, 0.7%

LAB 65.26, 64.44, -9.86

 

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

CMYK 0 / 94 / 63 / 7

HEX #EC0E58

RGB 236 14 88

HSL 340, 0.89%, 0.49%

LAB 50.51, 76.77, 21.68

 

CMYK 0 / 100 / 68 / 14

HEX #DB0045

RGB 219 0 69

HSL 341.1, 1%, 0.43%

LAB 46.3, 72.99, 27.2

 

CMYK 0 / 100 / 75 / 21

HEX #CA0032

RGB 202 0 50

HSL 345.15, 1%, 0.4%

LAB 42.44, 68.17, 33.34

 

CMYK 0 / 100 / 83 / 27

HEX #B9001F

RGB 185 0 31

HSL 349.95, 1%, 0.36%

LAB 38.57, 63.42, 39.3

 

CMYK 0 / 87 / 58 / 1

HEX #FD216B

RGB 253 33 107

HSL 339.82, 0.98%, 0.56%

LAB 55.11, 79.44, 16.94

 

CMYK 0 / 87 / 81 / 1

HEX #FD2130

RGB 253 33 48

HSL 355.91, 0.98%, 0.56%

LAB 54.22, 76.9, 50

 

CMYK 0 / 87 / 87 / 1

HEX #FD2121

RGB 253 33 33

HSL 0, 0.98%, 0.56%

LAB 54.11, 76.58, 57.15

 

CMYK 0 / 87 / 58 / 1

HEX #FD216B

RGB 253 33 107

HSL 339.82, 0.98%, 0.56%

LAB 55.11, 79.44, 16.94

 

CMYK 0 / 87 / 34 / 1

HEX #FD21A7

RGB 253 33 167

HSL 323.45, 0.98%, 0.56%

LAB 56.84, 84.28, -16.21

 

CMYK 0 / 87 / 11 / 1

HEX #FD21E2

RGB 253 33 226

HSL 307.36, 0.98%, 0.56%

LAB 59.4, 91.1, -46.13

 

CMYK 13 / 87 / 0 / 1

HEX #DC21FD

RGB 220 33 253

HSL 291, 0.98%, 0.56%

LAB 55.48, 89.5, -67.82

 

CMYK 36 / 87 / 0 / 1

HEX #A121FD

RGB 161 33 253

HSL 274.91, 0.98%, 0.56%

LAB 46.65, 81.26, -82.57

 

CMYK 0 / 87 / 58 / 1

HEX #FD216B

RGB 253 33 107

HSL 339.82, 0.98%, 0.56%

LAB 55.11, 79.44, 16.94

 

CMYK 0 / 87 / 58 / 1

HEX #FD216B

RGB 253 33 107

HSL 339.82, 0.98%, 0.56%

LAB 55.11, 79.44, 16.94

 

CMYK 0 / 78 / 52 / 8

HEX #EB3371

RGB 235 51 113

HSL 339.78, 0.82%, 0.56%

LAB 53.19, 71.47, 10.16

 

CMYK 0 / 68 / 45 / 15

HEX #D84577

RGB 216 69 119

HSL 339.59, 0.65%, 0.56%

LAB 52.05, 60.85, 4.46

 

CMYK 0 / 56 / 37 / 22

HEX #C6577D

RGB 198 87 125

HSL 339.46, 0.49%, 0.56%

LAB 52.18, 48.06, 0.69

 

CMYK 0 / 42 / 27 / 29

HEX #B46983

RGB 180 105 131

HSL 339.2, 0.33%, 0.56%

LAB 53.43, 33.3, -1.33

 

CMYK 0 / 87 / 10 / 1

HEX #FD21E3

RGB 253 33 227

HSL 307.09, 0.98%, 0.56%

LAB 59.45, 91.23, -46.62

 

CMYK 0 / 87 / 34 / 1

HEX #FD21A8

RGB 253 33 168

HSL 323.18, 0.98%, 0.56%

LAB 56.88, 84.38, -16.74

 

CMYK 0 / 87 / 57 / 1

HEX #FD216E

RGB 253 33 110

HSL 339, 0.98%, 0.56%

LAB 55.17, 79.62, 15.23

 

CMYK 0 / 87 / 80 / 1

HEX #FD2133

RGB 253 33 51

HSL 355.09, 0.98%, 0.56%

LAB 54.25, 76.98, 48.45

 

CMYK 0 / 71 / 87 / 1

HEX #FD4921

RGB 253 73 33

HSL 10.91, 0.98%, 0.56%

LAB 57.81, 66.2, 60.02

 

CMYK 0 / 99 / 65 / 21

HEX #C90246

RGB 201 2 70

HSL 339.5, 0.98%, 0.4%

LAB 42.62, 68.61, 21.11

 

CMYK 0 / 99 / 65 / 5

HEX #F20254

RGB 242 2 84

HSL 339.5, 0.98%, 0.48%

LAB 51.34, 78.87, 25.42

 

CMYK 0 / 87 / 58 / 1

HEX #FD216B

RGB 253 33 107

HSL 339.82, 0.98%, 0.56%

LAB 55.11, 79.44, 16.94

 

CMYK 0 / 71 / 47 / 1

HEX #FD4A87

RGB 253 74 135

HSL 339.55, 0.98%, 0.64%

LAB 59.46, 71.05, 6.44

 

CMYK 0 / 55 / 36 / 0

HEX #FE73A2

RGB 254 115 162

HSL 339.71, 0.99%, 0.72%

LAB 66.47, 57.4, 1.02

 

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

CMYK 0 / 13 / 87 / 1

HEX #FDDC21

RGB 253 220 33

HSL 51, 0.98%, 0.56%

LAB 88.05, -4.91, 83.86

 

CMYK 87 / 22 / 0 / 1

HEX #21C6FD

RGB 33 198 253

HSL 195, 0.98%, 0.56%

LAB 74.7, -20.84, -38.11

 

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

CMYK 57 / 0 / 87 / 1

HEX #6EFD21

RGB 110 253 33

HSL 99, 0.98%, 0.56%

LAB 88.77, -71.27, 81.02

 

CMYK 87 / 57 / 0 / 1

HEX #216EFD

RGB 33 110 253

HSL 219, 0.98%, 0.56%

LAB 50.18, 30.49, -77.18

 

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

CMYK 0 / 13 / 87 / 1

HEX #FDDC21

RGB 253 220 33

HSL 51, 0.98%, 0.56%

LAB 88.05, -4.91, 83.86

 

CMYK 87 / 0 / 30 / 1

HEX #21FDB0

RGB 33 253 176

HSL 159, 0.98%, 0.56%

LAB 88.78, -66.08, 23.33

 

CMYK 87 / 74 / 0 / 1

HEX #2142FD

RGB 33 66 253

HSL 231, 0.98%, 0.56%

LAB 40.1, 57.09, -93.74

 

CMYK 0 / 87 / 58 / 1

HEX #FD206B

RGB 253 32 107

HSL 339.64, 0.98%, 0.56%

LAB 55.05, 79.6, 16.86

 

CMYK 13 / 0 / 87 / 1

HEX #DCFD21

RGB 220 253 33

HSL 69, 0.98%, 0.56%

LAB 94.13, -34.38, 87.66

 

CMYK 87 / 0 / 30 / 1

HEX #21FDB0

RGB 33 253 176

HSL 159, 0.98%, 0.56%

LAB 88.78, -66.08, 23.33

 

CMYK 74 / 87 / 0 / 1

HEX #4221FD

RGB 66 33 253

HSL 249, 0.98%, 0.56%

LAB 36.63, 73.11, -99.46

 

Description

Color code: HEX #FD206B | qconv.com Color code: HEX #FD206B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 32 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 32 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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