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Color name
HEX #FD18CB

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD18CB it is the complementary color #02E734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD18CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD18CB shade: #FF18C6, #FF2AD9, #FF3CEC, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD18CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD18CB shade: #FD18CB, #EC06B8, #DB00A5, #CA0092 and #B9007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD18CB shade: #FD17CA, #FD178C, #FD174E and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD18CB shade: #FD17CA, #F117FD, #B317FD, #7517FD and #3717FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD18CB shade matches the following richer shades: #FD17CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD18CB shade: #FD17CA, #EA2AC0, #D73DB5, #C450AA and #B163A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD18CB shade: #B417FD, #F117FD, #FD17CB, #FD178E and #FD1750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD18CB shade: #BF0296, #E802B6, #FD17CA, #FD40D4 and #FD68DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD18CB shade: #FD18CB, #FD7717 and #17FDD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD18CB shade: #FD18CB, #CBFD17 and #17CBFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD18CB shade: #FD18CB, #FD7717, #17FD49 and #179DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD18CB shade: #FD18CB, #FDBC17, #17FD49 and #1758FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

Complementary color

CMYK 99 / 0 / 77 / 9

HEX #02E734

RGB 2 231 52

HSL 133.1, 0.98%, 0.46%

LAB 80.41, -78.11, 68.28

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C6

RGB 255 24 198

HSL 314.81, 1%, 0.55%

LAB 58.03, 89.22, -32.33

 

CMYK 0 / 84 / 15 / 0

HEX #FF2AD9

RGB 255 42 217

HSL 310.7, 1%, 0.58%

LAB 59.82, 88.81, -40.36

 

CMYK 0 / 76 / 7 / 0

HEX #FF3CEC

RGB 255 60 236

HSL 305.85, 1%, 0.62%

LAB 62.12, 87.35, -47.41

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

CMYK 0 / 97 / 22 / 7

HEX #EC06B8

RGB 236 6 184

HSL 313.57, 0.95%, 0.47%

LAB 53.41, 85.57, -31.69

 

CMYK 0 / 100 / 25 / 14

HEX #DB00A5

RGB 219 0 165

HSL 314.79, 1%, 0.43%

LAB 49.22, 80.64, -27.27

 

CMYK 0 / 100 / 28 / 21

HEX #CA0092

RGB 202 0 146

HSL 316.63, 1%, 0.4%

LAB 45.13, 75.23, -22.49

 

CMYK 0 / 100 / 31 / 27

HEX #B9007F

RGB 185 0 127

HSL 318.81, 1%, 0.36%

LAB 40.97, 69.75, -17.53

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CA

RGB 253 23 202

HSL 313.3, 0.98%, 0.54%

LAB 57.81, 89.42, -35

 

CMYK 0 / 91 / 45 / 1

HEX #FD178C

RGB 253 23 140

HSL 329.48, 0.98%, 0.54%

LAB 55.47, 83.21, -2.31

 

CMYK 0 / 91 / 69 / 1

HEX #FD174E

RGB 253 23 78

HSL 345.65, 0.98%, 0.54%

LAB 54.08, 79.36, 32.93

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CA

RGB 253 23 202

HSL 313.3, 0.98%, 0.54%

LAB 57.81, 89.42, -35

 

CMYK 5 / 91 / 0 / 1

HEX #F117FD

RGB 241 23 253

HSL 296.87, 0.98%, 0.54%

LAB 58.42, 94.14, -62.91

 

CMYK 29 / 91 / 0 / 1

HEX #B317FD

RGB 179 23 253

HSL 280.7, 0.98%, 0.54%

LAB 48.62, 85.31, -79.25

 

CMYK 54 / 91 / 0 / 1

HEX #7517FD

RGB 117 23 253

HSL 264.52, 0.98%, 0.54%

LAB 40.39, 78.89, -93.09

 

CMYK 78 / 91 / 0 / 1

HEX #3717FD

RGB 55 23 253

HSL 248.35, 0.98%, 0.54%

LAB 35.04, 75.47, -102.13

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CA

RGB 253 23 202

HSL 313.3, 0.98%, 0.54%

LAB 57.81, 89.42, -35

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CA

RGB 253 23 202

HSL 313.3, 0.98%, 0.54%

LAB 57.81, 89.42, -35

 

CMYK 0 / 82 / 18 / 8

HEX #EA2AC0

RGB 234 42 192

HSL 313.13, 0.82%, 0.54%

LAB 55.03, 81.45, -33.84

 

CMYK 0 / 72 / 16 / 16

HEX #D73DB5

RGB 215 61 181

HSL 313.25, 0.66%, 0.54%

LAB 53.08, 70.69, -30.73

 

CMYK 0 / 59 / 13 / 23

HEX #C450AA

RGB 196 80 170

HSL 313.45, 0.5%, 0.54%

LAB 52.26, 56.81, -25.83

 

CMYK 0 / 44 / 10 / 31

HEX #B163A0

RGB 177 99 160

HSL 313.08, 0.33%, 0.54%

LAB 52.74, 40.08, -19.46

 

CMYK 29 / 91 / 0 / 1

HEX #B417FD

RGB 180 23 253

HSL 280.96, 0.98%, 0.54%

LAB 48.77, 85.44, -79

 

CMYK 5 / 91 / 0 / 1

HEX #F117FD

RGB 241 23 253

HSL 296.87, 0.98%, 0.54%

LAB 58.42, 94.14, -62.91

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CB

RGB 253 23 203

HSL 313.04, 0.98%, 0.54%

LAB 57.85, 89.54, -35.5

 

CMYK 0 / 91 / 44 / 1

HEX #FD178E

RGB 253 23 142

HSL 328.96, 0.98%, 0.54%

LAB 55.53, 83.37, -3.41

 

CMYK 0 / 91 / 68 / 1

HEX #FD1750

RGB 253 23 80

HSL 345.13, 0.98%, 0.54%

LAB 54.11, 79.45, 31.79

 

CMYK 0 / 99 / 21 / 25

HEX #BF0296

RGB 191 2 150

HSL 313.02, 0.98%, 0.38%

LAB 43.24, 73.37, -28

 

CMYK 0 / 99 / 22 / 9

HEX #E802B6

RGB 232 2 182

HSL 313.04, 0.98%, 0.46%

LAB 52.48, 84.88, -32.03

 

CMYK 0 / 91 / 20 / 1

HEX #FD17CA

RGB 253 23 202

HSL 313.3, 0.98%, 0.54%

LAB 57.81, 89.42, -35

 

CMYK 0 / 75 / 16 / 1

HEX #FD40D4

RGB 253 64 212

HSL 313.02, 0.98%, 0.62%

LAB 61.05, 82.59, -35.63

 

CMYK 0 / 59 / 13 / 1

HEX #FD68DD

RGB 253 104 221

HSL 312.89, 0.97%, 0.7%

LAB 66.52, 69.63, -32.18

 

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

CMYK 0 / 53 / 91 / 1

HEX #FD7717

RGB 253 119 23

HSL 25.04, 0.98%, 0.54%

LAB 65.07, 46.67, 68.6

 

CMYK 91 / 0 / 17 / 1

HEX #17FDD3

RGB 23 253 211

HSL 169.04, 0.98%, 0.54%

LAB 89.46, -58.5, 6.27

 

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

CMYK 20 / 0 / 91 / 1

HEX #CBFD17

RGB 203 253 23

HSL 73.04, 0.98%, 0.54%

LAB 93.02, -41.21, 87.8

 

CMYK 91 / 20 / 0 / 1

HEX #17CBFD

RGB 23 203 253

HSL 193.04, 0.98%, 0.54%

LAB 76.06, -23.88, -36

 

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

CMYK 0 / 53 / 91 / 1

HEX #FD7717

RGB 253 119 23

HSL 25.04, 0.98%, 0.54%

LAB 65.07, 46.67, 68.6

 

CMYK 91 / 0 / 71 / 1

HEX #17FD49

RGB 23 253 73

HSL 133.04, 0.98%, 0.54%

LAB 87.44, -81.84, 68.47

 

CMYK 91 / 38 / 0 / 1

HEX #179DFD

RGB 23 157 253

HSL 205.04, 0.98%, 0.54%

LAB 62.83, 1.16, -56.79

 

CMYK 0 / 91 / 20 / 1

HEX #FD18CB

RGB 253 24 203

HSL 313.1, 0.98%, 0.54%

LAB 57.89, 89.42, -35.44

 

CMYK 0 / 26 / 91 / 1

HEX #FDBC17

RGB 253 188 23

HSL 43.04, 0.98%, 0.54%

LAB 80.13, 11.32, 79.58

 

CMYK 91 / 0 / 71 / 1

HEX #17FD49

RGB 23 253 73

HSL 133.04, 0.98%, 0.54%

LAB 87.44, -81.84, 68.47

 

CMYK 91 / 65 / 0 / 1

HEX #1758FD

RGB 23 88 253

HSL 223.04, 0.98%, 0.54%

LAB 44.59, 43.81, -86.33

 

Description

Color code: HEX #FD18CB | qconv.com Color code: HEX #FD18CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 24 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 24 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 20 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 20% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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