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Color name
HEX #FD1644

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD1644 it is the complementary color #02E9BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD1644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD1644 shade: #FF163F, #FF2852, #FF3A65, #FF4C78 and #FF5E8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD1644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD1644 shade: #FD1644, #EC0431, #DB001E, #CA000B and #B90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD1644 shade: #FD1745 and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD1644 shade: #FD1745, #FD1783, #FD17C1, #FB17FD and #BD17FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD1644 shade matches the following richer shades: #FD1745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD1644 shade: #FD1745, #EA2A50, #D73D5B, #C45067 and #B16372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD1644 shade: #FD17BF, #FD1782, #FD1745, #FD2617 and #FD6317

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD1644 shade: #BF0228, #E80230, #FD1745, #FD4065 and #FD6886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD1644 shade: #FD1644, #FDFD17 and #17A1FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD1644 shade: #FD1644, #45FD17 and #1745FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD1644 shade: #FD1644, #FDFD17, #17FDCF and #1717FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD1644 shade: #FD1644, #B8FD17, #17FDCF and #5C17FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

Complementary color

CMYK 99 / 0 / 20 / 9

HEX #02E9BB

RGB 2 233 187

HSL 168.05, 0.98%, 0.46%

LAB 82.85, -57.3, 9.29

 

CMYK 0 / 91 / 75 / 0

HEX #FF163F

RGB 255 22 63

HSL 349.44, 1%, 0.54%

LAB 54.23, 79.4, 41.93

 

CMYK 0 / 84 / 68 / 0

HEX #FF2852

RGB 255 40 82

HSL 348.28, 1%, 0.58%

LAB 55.47, 77.33, 32.38

 

CMYK 0 / 77 / 60 / 0

HEX #FF3A65

RGB 255 58 101

HSL 346.9, 1%, 0.61%

LAB 57.29, 74.07, 23.53

 

CMYK 0 / 70 / 53 / 0

HEX #FF4C78

RGB 255 76 120

HSL 345.25, 1%, 0.65%

LAB 59.69, 69.72, 15.61

 

CMYK 0 / 63 / 45 / 0

HEX #FF5E8B

RGB 255 94 139

HSL 343.23, 1%, 0.68%

LAB 62.62, 64.5, 8.66

 

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

CMYK 0 / 98 / 79 / 7

HEX #EC0431

RGB 236 4 49

HSL 348.36, 0.97%, 0.47%

LAB 49.67, 75.98, 43.8

 

CMYK 0 / 100 / 86 / 14

HEX #DB001E

RGB 219 0 30

HSL 351.78, 1%, 0.43%

LAB 45.84, 71.76, 49.03

 

CMYK 0 / 100 / 95 / 21

HEX #CA000B

RGB 202 0 11

HSL 356.73, 1%, 0.4%

LAB 42.12, 67.31, 52.72

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 91 / 48 / 1

HEX #FD1783

RGB 253 23 131

HSL 331.83, 0.98%, 0.54%

LAB 55.21, 82.5, 2.69

 

CMYK 0 / 91 / 24 / 1

HEX #FD17C1

RGB 253 23 193

HSL 315.65, 0.98%, 0.54%

LAB 57.41, 88.38, -30.44

 

CMYK 1 / 91 / 0 / 1

HEX #FB17FD

RGB 251 23 253

HSL 299.48, 0.98%, 0.54%

LAB 60.08, 95.72, -60.15

 

CMYK 25 / 91 / 0 / 1

HEX #BD17FD

RGB 189 23 253

HSL 283.3, 0.98%, 0.54%

LAB 50.12, 86.59, -76.73

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 82 / 66 / 8

HEX #EA2A50

RGB 234 42 80

HSL 348.13, 0.82%, 0.54%

LAB 51.53, 71.39, 27.76

 

CMYK 0 / 72 / 58 / 16

HEX #D73D5B

RGB 215 61 91

HSL 348.31, 0.66%, 0.54%

LAB 50.14, 61.21, 18.66

 

CMYK 0 / 59 / 47 / 23

HEX #C45067

RGB 196 80 103

HSL 348.1, 0.5%, 0.54%

LAB 50.04, 48.36, 10.77

 

CMYK 0 / 44 / 36 / 31

HEX #B16372

RGB 177 99 114

HSL 348.46, 0.33%, 0.54%

LAB 51.25, 33.16, 5.52

 

CMYK 0 / 91 / 25 / 1

HEX #FD17BF

RGB 253 23 191

HSL 316.17, 0.98%, 0.54%

LAB 57.32, 88.16, -29.42

 

CMYK 0 / 91 / 49 / 1

HEX #FD1782

RGB 253 23 130

HSL 332.09, 0.98%, 0.54%

LAB 55.18, 82.42, 3.25

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 85 / 91 / 1

HEX #FD2617

RGB 253 38 23

HSL 3.91, 0.98%, 0.54%

LAB 54.38, 75.54, 61.33

 

CMYK 0 / 61 / 91 / 1

HEX #FD6317

RGB 253 99 23

HSL 19.83, 0.98%, 0.54%

LAB 61.54, 55.83, 66.13

 

CMYK 0 / 99 / 79 / 25

HEX #BF0228

RGB 191 2 40

HSL 347.94, 0.98%, 0.38%

LAB 40.04, 64.95, 36.01

 

CMYK 0 / 99 / 79 / 9

HEX #E80230

RGB 232 2 48

HSL 348, 0.98%, 0.46%

LAB 48.78, 75.15, 43.19

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 75 / 60 / 1

HEX #FD4065

RGB 253 64 101

HSL 348.25, 0.98%, 0.62%

LAB 57.55, 71.78, 23.8

 

CMYK 0 / 59 / 47 / 1

HEX #FD6886

RGB 253 104 134

HSL 347.92, 0.97%, 0.7%

LAB 63.76, 59.2, 13.11

 

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

CMYK 0 / 0 / 91 / 1

HEX #FDFD17

RGB 253 253 23

HSL 60, 0.98%, 0.54%

LAB 96.49, -21.22, 92.01

 

CMYK 91 / 36 / 0 / 1

HEX #17A1FD

RGB 23 161 253

HSL 204, 0.98%, 0.54%

LAB 63.97, -1.16, -54.98

 

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

CMYK 73 / 0 / 91 / 1

HEX #45FD17

RGB 69 253 23

HSL 108, 0.98%, 0.54%

LAB 87.76, -79.78, 81.35

 

CMYK 91 / 73 / 0 / 1

HEX #1745FD

RGB 23 69 253

HSL 228, 0.98%, 0.54%

LAB 40.46, 55.08, -93.15

 

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

CMYK 0 / 0 / 91 / 1

HEX #FDFD17

RGB 253 253 23

HSL 60, 0.98%, 0.54%

LAB 96.49, -21.22, 92.01

 

CMYK 91 / 0 / 18 / 1

HEX #17FDCF

RGB 23 253 207

HSL 168, 0.98%, 0.54%

LAB 89.36, -59.49, 8.2

 

CMYK 91 / 91 / 0 / 1

HEX #1717FD

RGB 23 23 253

HSL 240, 0.98%, 0.54%

LAB 33.75, 74.77, -104.32

 

CMYK 0 / 91 / 73 / 1

HEX #FD1644

RGB 253 22 68

HSL 348.05, 0.98%, 0.54%

LAB 53.89, 79.09, 38.57

 

CMYK 27 / 0 / 91 / 1

HEX #B8FD17

RGB 184 253 23

HSL 78, 0.98%, 0.54%

LAB 91.91, -48.35, 86.45

 

CMYK 91 / 0 / 18 / 1

HEX #17FDCF

RGB 23 253 207

HSL 168, 0.98%, 0.54%

LAB 89.36, -59.49, 8.2

 

CMYK 64 / 91 / 0 / 1

HEX #5C17FD

RGB 92 23 253

HSL 258, 0.98%, 0.54%

LAB 37.81, 77.15, -97.45

 

Description

Color code: HEX #FD1644 | qconv.com Color code: HEX #FD1644 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 22 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 22 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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