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Color name
HEX #FD147D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD147D it is the complementary color #02EB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD147D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD147D shade: #FF1478, #FF268B, #FF389E, #FF4AB1 and #FF5CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD147D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD147D shade: #FD147D, #EC026A, #DB0057, #CA0044 and #B90031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD147D shade: #FD177E, #FD1740 and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD147D shade: #FD177E, #FD17BC, #FD17FA, #C117FD and #8317FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD147D shade matches the following richer shades: #FD177E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD147D shade: #FD177E, #EA2A80, #D73D82, #C45084 and #B16386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD147D shade: #FD17FD, #FD17BF, #FD1782, #FD1745 and #FD2617

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD147D shade: #BF0257, #E8026A, #FD177E, #FD4095 and #FD68AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD147D shade: #FD147D, #FDBF17 and #17DEFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD147D shade: #FD147D, #82FD17 and #1782FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD147D shade: #FD147D, #FDBF17, #17FD91 and #1754FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD147D shade: #FD147D, #F5FD17, #17FD91 and #1E17FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

Complementary color

CMYK 99 / 0 / 45 / 8

HEX #02EB82

RGB 2 235 130

HSL 152.96, 0.98%, 0.46%

LAB 82.4, -70.03, 37.91

 

CMYK 0 / 92 / 53 / 0

HEX #FF1478

RGB 255 20 120

HSL 334.47, 1%, 0.54%

LAB 55.19, 82.49, 9.31

 

CMYK 0 / 85 / 45 / 0

HEX #FF268B

RGB 255 38 139

HSL 332.07, 1%, 0.57%

LAB 56.6, 81.33, -0.02

 

CMYK 0 / 78 / 38 / 0

HEX #FF389E

RGB 255 56 158

HSL 329.25, 1%, 0.61%

LAB 58.56, 79.05, -8.32

 

CMYK 0 / 71 / 31 / 0

HEX #FF4AB1

RGB 255 74 177

HSL 325.86, 1%, 0.65%

LAB 61.07, 75.74, -15.58

 

CMYK 0 / 64 / 23 / 0

HEX #FF5CC4

RGB 255 92 196

HSL 321.72, 1%, 0.68%

LAB 64.08, 71.56, -21.86

 

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

CMYK 0 / 99 / 55 / 7

HEX #EC026A

RGB 236 2 106

HSL 333.33, 0.98%, 0.47%

LAB 50.59, 78.76, 10.77

 

CMYK 0 / 100 / 60 / 14

HEX #DB0057

RGB 219 0 87

HSL 336.16, 1%, 0.43%

LAB 46.64, 73.92, 16.5

 

CMYK 0 / 100 / 66 / 21

HEX #CA0044

RGB 202 0 68

HSL 339.8, 1%, 0.4%

LAB 42.72, 68.94, 22.55

 

CMYK 0 / 100 / 74 / 27

HEX #B90031

RGB 185 0 49

HSL 344.11, 1%, 0.36%

LAB 38.79, 64, 28.79

 

CMYK 0 / 91 / 50 / 1

HEX #FD177E

RGB 253 23 126

HSL 333.13, 0.98%, 0.54%

LAB 55.07, 82.13, 5.49

 

CMYK 0 / 91 / 75 / 1

HEX #FD1740

RGB 253 23 64

HSL 349.3, 0.98%, 0.54%

LAB 53.88, 78.83, 40.86

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 91 / 50 / 1

HEX #FD177E

RGB 253 23 126

HSL 333.13, 0.98%, 0.54%

LAB 55.07, 82.13, 5.49

 

CMYK 0 / 91 / 26 / 1

HEX #FD17BC

RGB 253 23 188

HSL 316.96, 0.98%, 0.54%

LAB 57.2, 87.83, -27.89

 

CMYK 0 / 91 / 1 / 1

HEX #FD17FA

RGB 253 23 250

HSL 300.78, 0.98%, 0.54%

LAB 60.25, 95.62, -58.21

 

CMYK 24 / 91 / 0 / 1

HEX #C117FD

RGB 193 23 253

HSL 284.35, 0.98%, 0.54%

LAB 50.74, 87.13, -75.71

 

CMYK 48 / 91 / 0 / 1

HEX #8317FD

RGB 131 23 253

HSL 268.17, 0.98%, 0.54%

LAB 42.05, 80.08, -90.29

 

CMYK 0 / 91 / 50 / 1

HEX #FD177E

RGB 253 23 126

HSL 333.13, 0.98%, 0.54%

LAB 55.07, 82.13, 5.49

 

CMYK 0 / 91 / 50 / 1

HEX #FD177E

RGB 253 23 126

HSL 333.13, 0.98%, 0.54%

LAB 55.07, 82.13, 5.49

 

CMYK 0 / 82 / 45 / 8

HEX #EA2A80

RGB 234 42 128

HSL 333.13, 0.82%, 0.54%

LAB 52.63, 74.64, 0.29

 

CMYK 0 / 72 / 40 / 16

HEX #D73D82

RGB 215 61 130

HSL 333.12, 0.66%, 0.54%

LAB 51.15, 64.54, -3.49

 

CMYK 0 / 59 / 33 / 23

HEX #C45084

RGB 196 80 132

HSL 333.1, 0.5%, 0.54%

LAB 50.85, 51.52, -5.48

 

CMYK 0 / 44 / 24 / 31

HEX #B16386

RGB 177 99 134

HSL 333.08, 0.33%, 0.54%

LAB 51.83, 35.9, -5.52

 

CMYK 0 / 91 / 0 / 1

HEX #FD17FD

RGB 253 23 253

HSL 300, 0.98%, 0.54%

LAB 60.42, 96.04, -59.6

 

CMYK 0 / 91 / 25 / 1

HEX #FD17BF

RGB 253 23 191

HSL 316.17, 0.98%, 0.54%

LAB 57.32, 88.16, -29.42

 

CMYK 0 / 91 / 49 / 1

HEX #FD1782

RGB 253 23 130

HSL 332.09, 0.98%, 0.54%

LAB 55.18, 82.42, 3.25

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 85 / 91 / 1

HEX #FD2617

RGB 253 38 23

HSL 3.91, 0.98%, 0.54%

LAB 54.38, 75.54, 61.33

 

CMYK 0 / 99 / 54 / 25

HEX #BF0257

RGB 191 2 87

HSL 333.02, 0.98%, 0.38%

LAB 40.91, 67.31, 7.67

 

CMYK 0 / 99 / 54 / 9

HEX #E8026A

RGB 232 2 106

HSL 332.87, 0.98%, 0.46%

LAB 49.79, 77.88, 9.53

 

CMYK 0 / 91 / 50 / 1

HEX #FD177E

RGB 253 23 126

HSL 333.13, 0.98%, 0.54%

LAB 55.07, 82.13, 5.49

 

CMYK 0 / 75 / 41 / 1

HEX #FD4095

RGB 253 64 149

HSL 333.02, 0.98%, 0.62%

LAB 58.71, 75.48, -2.86

 

CMYK 0 / 59 / 32 / 1

HEX #FD68AC

RGB 253 104 172

HSL 332.62, 0.97%, 0.7%

LAB 64.77, 63.14, -7.19

 

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

CMYK 0 / 25 / 91 / 1

HEX #FDBF17

RGB 253 191 23

HSL 43.83, 0.98%, 0.54%

LAB 80.85, 9.76, 80.12

 

CMYK 91 / 12 / 0 / 1

HEX #17DEFD

RGB 23 222 253

HSL 188.09, 0.98%, 0.54%

LAB 81.57, -33.19, -27.52

 

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

CMYK 49 / 0 / 91 / 1

HEX #82FD17

RGB 130 253 23

HSL 92.09, 0.98%, 0.54%

LAB 89.42, -66.19, 83.39

 

CMYK 91 / 49 / 0 / 1

HEX #1782FD

RGB 23 130 253

HSL 212.09, 0.98%, 0.54%

LAB 55.32, 17.44, -68.84

 

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

CMYK 0 / 25 / 91 / 1

HEX #FDBF17

RGB 253 191 23

HSL 43.83, 0.98%, 0.54%

LAB 80.85, 9.76, 80.12

 

CMYK 91 / 0 / 43 / 1

HEX #17FD91

RGB 23 253 145

HSL 151.83, 0.98%, 0.54%

LAB 88.2, -72.6, 38.06

 

CMYK 91 / 67 / 0 / 1

HEX #1754FD

RGB 23 84 253

HSL 224.09, 0.98%, 0.54%

LAB 43.68, 46.26, -87.84

 

CMYK 0 / 92 / 51 / 1

HEX #FD147D

RGB 253 20 125

HSL 332.96, 0.98%, 0.54%

LAB 54.93, 82.39, 5.88

 

CMYK 3 / 0 / 91 / 1

HEX #F5FD17

RGB 245 253 23

HSL 62.09, 0.98%, 0.54%

LAB 95.88, -24.49, 91.28

 

CMYK 91 / 0 / 43 / 1

HEX #17FD91

RGB 23 253 145

HSL 151.83, 0.98%, 0.54%

LAB 88.2, -72.6, 38.06

 

CMYK 88 / 91 / 0 / 1

HEX #1E17FD

RGB 30 23 253

HSL 241.83, 0.98%, 0.54%

LAB 33.94, 74.87, -103.98

 

Description

Color code: HEX #FD147D | qconv.com Color code: HEX #FD147D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 20 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 20 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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