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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD0F5B it is the complementary color #02F0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD0F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD0F5B shade: #FF0F56, #FF2169, #FF337C, #FF458F and #FF57A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD0F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD0F5B shade: #FD0F5B, #EC0048, #DB0035, #CA0022 and #B9000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD0F5B shade: #FD125D, #FD121D and #FD1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD0F5B shade: #FD125D, #FD129C, #FD12DB, #DE12FD and #9F12FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD0F5B shade matches the following richer shades: #FD125D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD0F5B shade: #FD125D, #E92564, #D6386B, #C24C72 and #AF5F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD0F5B shade: #FD12DD, #FD129F, #FD1260, #FD1221 and #FD4112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD0F5B shade: #BA023D, #E3024A, #FD125D, #FD3B79 and #FD6395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD0F5B shade: #FD0F5B, #FDDD12 and #12BEFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD0F5B shade: #FD0F5B, #60FD12 and #1260FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD0F5B shade: #FD0F5B, #FDDD12, #12FDAE and #1231FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD0F5B shade: #FD0F5B, #D5FD12, #12FDAE and #3912FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

Complementary color

CMYK 99 / 0 / 32 / 6

HEX #02F0A4

RGB 2 240 164

HSL 160.84, 0.98%, 0.47%

LAB 84.49, -65.18, 23.54

 

CMYK 0 / 94 / 66 / 0

HEX #FF0F56

RGB 255 15 86

HSL 342.25, 1%, 0.53%

LAB 54.32, 81.02, 28.56

 

CMYK 0 / 87 / 59 / 0

HEX #FF2169

RGB 255 33 105

HSL 340.54, 1%, 0.56%

LAB 55.45, 79.79, 18.67

 

CMYK 0 / 80 / 51 / 0

HEX #FF337C

RGB 255 51 124

HSL 338.53, 1%, 0.6%

LAB 57.16, 77.41, 9.7

 

CMYK 0 / 73 / 44 / 0

HEX #FF458F

RGB 255 69 143

HSL 336.13, 1%, 0.64%

LAB 59.43, 73.93, 1.75

 

CMYK 0 / 66 / 36 / 0

HEX #FF57A2

RGB 255 87 162

HSL 333.21, 1%, 0.67%

LAB 62.24, 69.51, -5.18

 

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

CMYK 0 / 100 / 69 / 7

HEX #EC0048

RGB 236 0 72

HSL 341.69, 1%, 0.46%

LAB 49.86, 77.09, 30.56

 

CMYK 0 / 100 / 76 / 14

HEX #DB0035

RGB 219 0 53

HSL 345.48, 1%, 0.43%

LAB 46.07, 72.36, 36.6

 

CMYK 0 / 100 / 83 / 21

HEX #CA0022

RGB 202 0 34

HSL 349.9, 1%, 0.4%

LAB 42.26, 67.7, 42.42

 

CMYK 0 / 100 / 92 / 27

HEX #B9000F

RGB 185 0 15

HSL 355.14, 1%, 0.36%

LAB 38.46, 63.11, 47.15

 

CMYK 0 / 93 / 63 / 1

HEX #FD125D

RGB 253 18 93

HSL 340.85, 0.98%, 0.53%

LAB 54.14, 80.62, 24.06

 

CMYK 0 / 93 / 89 / 1

HEX #FD121D

RGB 253 18 29

HSL 357.19, 0.98%, 0.53%

LAB 53.39, 78.54, 58.33

 

CMYK 0 / 93 / 93 / 1

HEX #FD1212

RGB 253 18 18

HSL 0, 0.98%, 0.53%

LAB 53.34, 78.4, 62.38

 

CMYK 0 / 93 / 63 / 1

HEX #FD125D

RGB 253 18 93

HSL 340.85, 0.98%, 0.53%

LAB 54.14, 80.62, 24.06

 

CMYK 0 / 93 / 38 / 1

HEX #FD129C

RGB 253 18 156

HSL 324.77, 0.98%, 0.53%

LAB 55.8, 85.12, -11.31

 

CMYK 0 / 93 / 13 / 1

HEX #FD12DB

RGB 253 18 219

HSL 308.68, 0.98%, 0.53%

LAB 58.44, 91.99, -43.69

 

CMYK 12 / 93 / 0 / 1

HEX #DE12FD

RGB 222 18 253

HSL 292.09, 0.98%, 0.53%

LAB 55.13, 91.78, -68.37

 

CMYK 37 / 93 / 0 / 1

HEX #9F12FD

RGB 159 18 253

HSL 276, 0.98%, 0.53%

LAB 45.49, 83.67, -84.49

 

CMYK 0 / 93 / 63 / 1

HEX #FD125D

RGB 253 18 93

HSL 340.85, 0.98%, 0.53%

LAB 54.14, 80.62, 24.06

 

CMYK 0 / 93 / 63 / 1

HEX #FD125D

RGB 253 18 93

HSL 340.85, 0.98%, 0.53%

LAB 54.14, 80.62, 24.06

 

CMYK 0 / 84 / 57 / 9

HEX #E92564

RGB 233 37 100

HSL 340.71, 0.82%, 0.53%

LAB 51.34, 73.37, 15.39

 

CMYK 0 / 74 / 50 / 16

HEX #D6386B

RGB 214 56 107

HSL 340.63, 0.66%, 0.53%

LAB 49.72, 63.83, 8.34

 

CMYK 0 / 61 / 41 / 24

HEX #C24C72

RGB 194 76 114

HSL 340.68, 0.49%, 0.53%

LAB 49.32, 50.64, 3.06

 

CMYK 0 / 46 / 31 / 31

HEX #AF5F79

RGB 175 95 121

HSL 340.5, 0.33%, 0.53%

LAB 50.31, 35.49, -0.05

 

CMYK 0 / 93 / 13 / 1

HEX #FD12DD

RGB 253 18 221

HSL 308.17, 0.98%, 0.53%

LAB 58.54, 92.24, -44.66

 

CMYK 0 / 93 / 37 / 1

HEX #FD129F

RGB 253 18 159

HSL 324, 0.98%, 0.53%

LAB 55.91, 85.4, -12.93

 

CMYK 0 / 93 / 62 / 1

HEX #FD1260

RGB 253 18 96

HSL 340.09, 0.98%, 0.53%

LAB 54.2, 80.78, 22.33

 

CMYK 0 / 93 / 87 / 1

HEX #FD1221

RGB 253 18 33

HSL 356.17, 0.98%, 0.53%

LAB 53.41, 78.6, 56.61

 

CMYK 0 / 74 / 93 / 1

HEX #FD4112

RGB 253 65 18

HSL 12, 0.98%, 0.53%

LAB 56.79, 68.62, 64.42

 

CMYK 0 / 99 / 67 / 27

HEX #BA023D

RGB 186 2 61

HSL 340.76, 0.98%, 0.37%

LAB 39.27, 64.56, 21.86

 

CMYK 0 / 99 / 67 / 11

HEX #E3024A

RGB 227 2 74

HSL 340.8, 0.98%, 0.45%

LAB 48.09, 74.93, 26.74

 

CMYK 0 / 93 / 63 / 1

HEX #FD125D

RGB 253 18 93

HSL 340.85, 0.98%, 0.53%

LAB 54.14, 80.62, 24.06

 

CMYK 0 / 77 / 52 / 1

HEX #FD3B79

RGB 253 59 121

HSL 340.82, 0.98%, 0.61%

LAB 57.45, 74.59, 11.85

 

CMYK 0 / 61 / 41 / 1

HEX #FD6395

RGB 253 99 149

HSL 340.52, 0.97%, 0.69%

LAB 63.32, 62.78, 3.86

 

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

CMYK 0 / 13 / 93 / 1

HEX #FDDD12

RGB 253 221 18

HSL 51.83, 0.98%, 0.53%

LAB 88.28, -5.64, 86.39

 

CMYK 93 / 25 / 0 / 1

HEX #12BEFD

RGB 18 190 253

HSL 196.09, 0.98%, 0.53%

LAB 72.26, -17.36, -41.92

 

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

CMYK 62 / 0 / 93 / 1

HEX #60FD12

RGB 96 253 18

HSL 100.09, 0.98%, 0.53%

LAB 88.34, -74.88, 82.68

 

CMYK 93 / 62 / 0 / 1

HEX #1260FD

RGB 18 96 253

HSL 220.09, 0.98%, 0.53%

LAB 46.43, 38.67, -83.32

 

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

CMYK 0 / 13 / 93 / 1

HEX #FDDD12

RGB 253 221 18

HSL 51.83, 0.98%, 0.53%

LAB 88.28, -5.64, 86.39

 

CMYK 93 / 0 / 31 / 1

HEX #12FDAE

RGB 18 253 174

HSL 159.83, 0.98%, 0.53%

LAB 88.65, -67.22, 24.16

 

CMYK 93 / 81 / 0 / 1

HEX #1231FD

RGB 18 49 253

HSL 232.09, 0.98%, 0.53%

LAB 36.78, 65.27, -99.27

 

CMYK 0 / 94 / 64 / 1

HEX #FD0F5B

RGB 253 15 91

HSL 340.84, 0.98%, 0.53%

LAB 54.01, 80.8, 25.09

 

CMYK 16 / 0 / 93 / 1

HEX #D5FD12

RGB 213 253 18

HSL 70.21, 0.98%, 0.53%

LAB 93.64, -37.39, 89.14

 

CMYK 93 / 0 / 31 / 1

HEX #12FDAE

RGB 18 253 174

HSL 159.83, 0.98%, 0.53%

LAB 88.65, -67.22, 24.16

 

CMYK 77 / 93 / 0 / 1

HEX #3912FD

RGB 57 18 253

HSL 249.96, 0.98%, 0.53%

LAB 34.79, 76.64, -102.54

 

Description

Color code: HEX #FD0F5B | qconv.com Color code: HEX #FD0F5B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 15 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 15 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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