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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCFFE2 it is the complementary color #03001D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCFFE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FCFFE2: #FFFFDD, #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCFFE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FCFFE2: #FCFFE2, #EBEDCF, #DADBBC, #C9C9A9 and #B8B796

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

Complementary color

CMYK 90 / 100 / 0 / 89

HEX #03001D

RGB 3 0 29

HSL 246.21, 1%, 0.06%

LAB 0.98, 6.42, -14.86

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 1 / 0 / 13 / 7

HEX #EBEDCF

RGB 235 237 207

HSL 64, 0.45%, 0.87%

LAB 92.9, -5.7, 14.32

 

CMYK 0 / 0 / 14 / 14

HEX #DADBBC

RGB 218 219 188

HSL 61.94, 0.3%, 0.8%

LAB 86.6, -5.56, 15.15

 

CMYK 0 / 0 / 16 / 21

HEX #C9C9A9

RGB 201 201 169

HSL 60, 0.23%, 0.73%

LAB 80.21, -5.41, 16.03

 

CMYK 0 / 1 / 18 / 28

HEX #B8B796

RGB 184 183 150

HSL 58.24, 0.19%, 0.65%

LAB 73.71, -5.24, 16.95

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 4 / 0 / 12 / 0

HEX #F6FFE0

RGB 246 255 224

HSL 77.42, 1%, 0.94%

LAB 98.63, -8.21, 13.81

 

CMYK 5 / 0 / 12 / 0

HEX #F1FFE0

RGB 241 255 224

HSL 87.1, 1%, 0.94%

LAB 98.27, -9.91, 13.25

 

CMYK 7 / 0 / 12 / 0

HEX #ECFFE0

RGB 236 255 224

HSL 96.77, 1%, 0.94%

LAB 97.93, -11.61, 12.71

 

CMYK 9 / 0 / 12 / 0

HEX #E7FFE0

RGB 231 255 224

HSL 106.45, 1%, 0.94%

LAB 97.59, -13.29, 12.18

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 2 / 0 / 12 / 80

HEX #32332D

RGB 50 51 45

HSL 70, 0.06%, 0.19%

LAB 20.96, -1.78, 3.66

 

CMYK 1 / 0 / 12 / 60

HEX #65665A

RGB 101 102 90

HSL 65, 0.06%, 0.38%

LAB 42.77, -2.76, 6.65

 

CMYK 1 / 0 / 11 / 40

HEX #979988

RGB 151 153 136

HSL 67.06, 0.08%, 0.57%

LAB 62.63, -3.86, 8.69

 

CMYK 1 / 0 / 11 / 20

HEX #CACCB5

RGB 202 204 181

HSL 65.22, 0.18%, 0.75%

LAB 81.33, -4.69, 11.23

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 12 / 0 / 9 / 0

HEX #E0FFE9

RGB 224 255 233

HSL 137.42, 1%, 0.94%

LAB 97.33, -14.04, 7.14

 

CMYK 4 / 12 / 0 / 0

HEX #F5E0FF

RGB 245 224 255

HSL 280.65, 1%, 0.94%

LAB 91.66, 12.64, -12.41

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 12 / 2 / 0 / 0

HEX #E0FBFF

RGB 224 251 255

HSL 187.74, 1%, 0.94%

LAB 96.85, -7.94, -4.89

 

CMYK 0 / 12 / 2 / 0

HEX #FFE0FB

RGB 255 224 251

HSL 307.74, 1%, 0.94%

LAB 92.37, 15.19, -9.17

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 12 / 0 / 9 / 0

HEX #E0FFE9

RGB 224 255 233

HSL 137.42, 1%, 0.94%

LAB 97.33, -14.04, 7.14

 

CMYK 11 / 12 / 0 / 0

HEX #E3E0FF

RGB 227 224 255

HSL 245.81, 1%, 0.94%

LAB 90.26, 6.85, -14.65

 

CMYK 0 / 12 / 4 / 0

HEX #FFE0F5

RGB 255 224 245

HSL 319.35, 1%, 0.94%

LAB 92.2, 14.14, -6.28

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE2

RGB 252 255 226

HSL 66.21, 1%, 0.94%

LAB 99.11, -5.83, 13.52

 

CMYK 12 / 0 / 5 / 0

HEX #E0FFF2

RGB 224 255 242

HSL 154.84, 1%, 0.94%

LAB 97.54, -12.4, 2.82

 

CMYK 11 / 12 / 0 / 0

HEX #E3E0FF

RGB 227 224 255

HSL 245.81, 1%, 0.94%

LAB 90.26, 6.85, -14.65

 

CMYK 0 / 12 / 7 / 0

HEX #FFE0EC

RGB 255 224 236

HSL 336.77, 1%, 0.94%

LAB 91.97, 12.61, -1.93

 

Description

Color code: HEX #FCFFE2 | qconv.com Color code: HEX #FCFFE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 255 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 255 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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