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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCFE92 it is the complementary color #03016D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCFE92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCFE92 shade: #FFFE8D, #FFFFA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCFE92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCFE92 shade: #FCFE92, #EBEC7F, #DADA6C, #C9C859 and #B8B646

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCFE92 shade: #FCFE90, #FEE290, #FEC590, #FEA790 and #FE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCFE92 shade: #FCFE90, #DEFE90, #C1FE90, #A3FE90 and #90FE9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCFE92 shade matches the following richer shades: #FCFE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCFE92 shade: #FCFE90, #F3F599, #EAECA2, #E2E3AB and #D9DAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCFE92 shade: #FEC590, #FEE290, #FCFE90, #DFFE90 and #C1FE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCFE92 shade: #FAFD3E, #FBFD67, #FCFE90, #FDFEB9 and #FEFFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCFE92 shade: #FCFE92, #90FEA8 and #D490FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCFE92 shade: #FCFE92, #90FCFE and #FE90FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCFE92 shade: #FCFE92, #90FEA8, #9290FE and #FE90E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCFE92 shade: #FCFE92, #90FEC9, #9290FE and #FE90C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

Complementary color

CMYK 97 / 99 / 0 / 57

HEX #03016D

RGB 3 1 109

HSL 241.11, 0.98%, 0.22%

LAB 10.15, 41.88, -57.15

 

CMYK 0 / 0 / 45 / 0

HEX #FFFE8D

RGB 255 254 141

HSL 59.47, 1%, 0.78%

LAB 97.66, -14.91, 53.85

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

CMYK 0 / 0 / 46 / 7

HEX #EBEC7F

RGB 235 236 127

HSL 60.55, 0.74%, 0.71%

LAB 91.32, -15.2, 52.37

 

CMYK 0 / 0 / 50 / 15

HEX #DADA6C

RGB 218 218 108

HSL 60, 0.6%, 0.64%

LAB 85.06, -14.73, 53.49

 

CMYK 0 / 0 / 56 / 21

HEX #C9C859

RGB 201 200 89

HSL 59.46, 0.51%, 0.57%

LAB 78.72, -14.18, 54.56

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 0 / 11 / 43 / 0

HEX #FEE290

RGB 254 226 144

HSL 44.73, 0.98%, 0.78%

LAB 90.54, -1.12, 43.52

 

CMYK 0 / 22 / 43 / 0

HEX #FEC590

RGB 254 197 144

HSL 28.91, 0.98%, 0.78%

LAB 83.45, 13.81, 34.36

 

CMYK 0 / 34 / 43 / 0

HEX #FEA790

RGB 254 167 144

HSL 12.55, 0.98%, 0.78%

LAB 76.51, 29.51, 25.12

 

CMYK 0 / 43 / 43 / 0

HEX #FE9090

RGB 254 144 144

HSL 0, 0.98%, 0.78%

LAB 71.58, 41.39, 18.37

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 13 / 0 / 43 / 0

HEX #DEFE90

RGB 222 254 144

HSL 77.45, 0.98%, 0.78%

LAB 95.34, -27.1, 49.05

 

CMYK 24 / 0 / 43 / 0

HEX #C1FE90

RGB 193 254 144

HSL 93.27, 0.98%, 0.78%

LAB 93.55, -37.49, 46.42

 

CMYK 36 / 0 / 43 / 0

HEX #A3FE90

RGB 163 254 144

HSL 109.64, 0.98%, 0.78%

LAB 91.99, -47.36, 44.12

 

CMYK 43 / 0 / 39 / 0

HEX #90FE9B

RGB 144 254 155

HSL 126, 0.98%, 0.78%

LAB 91.32, -51.39, 37.72

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 1 / 0 / 38 / 4

HEX #F3F599

RGB 243 245 153

HSL 61.3, 0.82%, 0.78%

LAB 94.59, -13.91, 44.07

 

CMYK 1 / 0 / 31 / 7

HEX #EAECA2

RGB 234 236 162

HSL 61.62, 0.66%, 0.78%

LAB 91.73, -11.84, 35.74

 

CMYK 0 / 0 / 25 / 11

HEX #E2E3AB

RGB 226 227 171

HSL 61.07, 0.5%, 0.78%

LAB 88.94, -9.17, 27.33

 

CMYK 0 / 0 / 17 / 15

HEX #D9DAB4

RGB 217 218 180

HSL 61.58, 0.34%, 0.78%

LAB 86.1, -6.64, 18.63

 

CMYK 0 / 22 / 43 / 0

HEX #FEC590

RGB 254 197 144

HSL 28.91, 0.98%, 0.78%

LAB 83.45, 13.81, 34.36

 

CMYK 0 / 11 / 43 / 0

HEX #FEE290

RGB 254 226 144

HSL 44.73, 0.98%, 0.78%

LAB 90.54, -1.12, 43.52

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 12 / 0 / 43 / 0

HEX #DFFE90

RGB 223 254 144

HSL 76.91, 0.98%, 0.78%

LAB 95.41, -26.73, 49.14

 

CMYK 24 / 0 / 43 / 0

HEX #C1FE90

RGB 193 254 144

HSL 93.27, 0.98%, 0.78%

LAB 93.55, -37.49, 46.42

 

CMYK 1 / 0 / 75 / 1

HEX #FAFD3E

RGB 250 253 62

HSL 60.94, 0.98%, 0.62%

LAB 96.38, -21.49, 83.72

 

CMYK 1 / 0 / 59 / 1

HEX #FBFD67

RGB 251 253 103

HSL 60.8, 0.97%, 0.7%

LAB 96.71, -19.01, 69.52

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE90

RGB 252 254 144

HSL 61.09, 0.98%, 0.78%

LAB 97.47, -15.78, 52.15

 

CMYK 0 / 0 / 27 / 0

HEX #FDFEB9

RGB 253 254 185

HSL 60.87, 0.97%, 0.86%

LAB 98.14, -10.82, 32.99

 

CMYK 0 / 0 / 11 / 0

HEX #FEFFE2

RGB 254 255 226

HSL 62.07, 1%, 0.94%

LAB 99.25, -5.14, 13.75

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

CMYK 43 / 0 / 34 / 0

HEX #90FEA8

RGB 144 254 168

HSL 133.09, 0.98%, 0.78%

LAB 91.52, -49.32, 31.53

 

CMYK 17 / 43 / 0 / 0

HEX #D490FE

RGB 212 144 254

HSL 277.09, 0.98%, 0.78%

LAB 70.25, 44.94, -44.93

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

CMYK 43 / 1 / 0 / 0

HEX #90FCFE

RGB 144 252 254

HSL 181.09, 0.98%, 0.78%

LAB 92.89, -30.63, -10.7

 

CMYK 0 / 43 / 1 / 0

HEX #FE90FC

RGB 254 144 252

HSL 301.09, 0.98%, 0.78%

LAB 74.85, 56.49, -36.3

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

CMYK 43 / 0 / 34 / 0

HEX #90FEA8

RGB 144 254 168

HSL 133.09, 0.98%, 0.78%

LAB 91.52, -49.32, 31.53

 

CMYK 43 / 43 / 0 / 0

HEX #9290FE

RGB 146 144 254

HSL 241.09, 0.98%, 0.78%

LAB 64.33, 27.54, -54.65

 

CMYK 0 / 43 / 9 / 0

HEX #FE90E6

RGB 254 144 230

HSL 313.09, 0.98%, 0.78%

LAB 74.02, 52.8, -25.61

 

CMYK 1 / 0 / 43 / 0

HEX #FCFE92

RGB 252 254 146

HSL 61.11, 0.98%, 0.78%

LAB 97.49, -15.59, 51.24

 

CMYK 43 / 0 / 21 / 0

HEX #90FEC9

RGB 144 254 201

HSL 151.09, 0.98%, 0.78%

LAB 92.15, -43.3, 15.61

 

CMYK 43 / 43 / 0 / 0

HEX #9290FE

RGB 146 144 254

HSL 241.09, 0.98%, 0.78%

LAB 64.33, 27.54, -54.65

 

CMYK 0 / 43 / 22 / 0

HEX #FE90C5

RGB 254 144 197

HSL 331.09, 0.98%, 0.78%

LAB 72.92, 47.82, -9.09

 

Description

Color code: HEX #FCFE92 | qconv.com Color code: HEX #FCFE92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 254 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 254 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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