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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCFD52 it is the complementary color #0302AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCFD52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCFD52 shade: #FFFD4D, #FFFF60, #FFFF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCFD52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCFD52 shade: #FCFD52, #EBEB3F, #DAD92C, #C9C719 and #B8B506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCFD52 shade: #FCFD53, #FDD053, #FDA353, #FD7553 and #FD5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCFD52 shade: #FCFD53, #CEFD53, #A1FD53, #73FD53 and #53FD62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCFD52 shade matches the following richer shades: #FCFD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCFD52 shade: #FCFD53, #EEEF61, #E1E16F, #D3D37D and #C5C58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCFD52 shade: #FDA353, #FDD053, #FDFD53, #D0FD53 and #A3FD53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCFD52 shade: #FAFC03, #FCFD2A, #FCFD53, #FDFE7C and #FEFEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCFD52 shade: #FCFD52, #53FD75 and #B953FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCFD52 shade: #FCFD52, #53FDFD and #FD53FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCFD52 shade: #FCFD52, #53FD75, #5353FD and #FD53DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCFD52 shade: #FCFD52, #53FDA8, #5353FD and #FD53A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

Complementary color

CMYK 98 / 99 / 0 / 32

HEX #0302AD

RGB 3 2 173

HSL 240.35, 0.98%, 0.34%

LAB 20.36, 58.7, -80.22

 

CMYK 0 / 1 / 70 / 0

HEX #FFFD4D

RGB 255 253 77

HSL 59.33, 1%, 0.65%

LAB 96.84, -18.85, 79.56

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

CMYK 0 / 0 / 73 / 8

HEX #EBEB3F

RGB 235 235 63

HSL 60, 0.81%, 0.58%

LAB 90.52, -18.94, 77.61

 

CMYK 0 / 0 / 80 / 15

HEX #DAD92C

RGB 218 217 44

HSL 59.66, 0.7%, 0.51%

LAB 84.34, -17.9, 77.05

 

CMYK 0 / 1 / 88 / 21

HEX #C9C719

RGB 201 199 25

HSL 59.32, 0.78%, 0.44%

LAB 78.07, -16.69, 75.53

 

CMYK 0 / 2 / 97 / 28

HEX #B8B506

RGB 184 181 6

HSL 58.99, 0.94%, 0.37%

LAB 71.73, -15.28, 72.66

 

CMYK 0 / 0 / 67 / 1

HEX #FCFD53

RGB 252 253 83

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.77, 77.2

 

CMYK 0 / 18 / 67 / 1

HEX #FDD053

RGB 253 208 83

HSL 44.12, 0.98%, 0.66%

LAB 85.31, 2.98, 65.65

 

CMYK 0 / 36 / 67 / 1

HEX #FDA353

RGB 253 163 83

HSL 28.24, 0.98%, 0.66%

LAB 74.64, 26.4, 54.18

 

CMYK 0 / 54 / 67 / 1

HEX #FD7553

RGB 253 117 83

HSL 12, 0.98%, 0.66%

LAB 65.14, 49.6, 43.39

 

CMYK 0 / 67 / 67 / 1

HEX #FD5353

RGB 253 83 83

HSL 0, 0.98%, 0.66%

LAB 59.61, 64.26, 36.8

 

CMYK 0 / 0 / 67 / 1

HEX #FCFD53

RGB 252 253 83

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.77, 77.2

 

CMYK 19 / 0 / 67 / 1

HEX #CEFD53

RGB 206 253 83

HSL 76.59, 0.98%, 0.66%

LAB 93.45, -37.81, 72.93

 

CMYK 36 / 0 / 67 / 1

HEX #A1FD53

RGB 161 253 83

HSL 92.47, 0.98%, 0.66%

LAB 90.99, -53.83, 69.61

 

CMYK 55 / 0 / 67 / 1

HEX #73FD53

RGB 115 253 83

HSL 108.71, 0.98%, 0.66%

LAB 89.17, -67.23, 67.14

 

CMYK 67 / 0 / 61 / 1

HEX #53FD62

RGB 83 253 98

HSL 125.29, 0.98%, 0.66%

LAB 88.43, -72.67, 60.12

 

CMYK 0 / 0 / 67 / 1

HEX #FCFD53

RGB 252 253 83

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.77, 77.2

 

CMYK 0 / 0 / 67 / 1

HEX #FCFD53

RGB 252 253 83

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.77, 77.2

 

CMYK 0 / 0 / 59 / 6

HEX #EEEF61

RGB 238 239 97

HSL 60.42, 0.82%, 0.66%

LAB 92.03, -17.84, 66.63

 

CMYK 0 / 0 / 51 / 12

HEX #E1E16F

RGB 225 225 111

HSL 60, 0.66%, 0.66%

LAB 87.49, -15.14, 55.09

 

CMYK 0 / 0 / 41 / 17

HEX #D3D37D

RGB 211 211 125

HSL 60, 0.49%, 0.66%

LAB 82.87, -12.41, 42.51

 

CMYK 0 / 0 / 29 / 23

HEX #C5C58B

RGB 197 197 139

HSL 60, 0.33%, 0.66%

LAB 78.27, -9.11, 29.18

 

CMYK 0 / 36 / 67 / 1

HEX #FDA353

RGB 253 163 83

HSL 28.24, 0.98%, 0.66%

LAB 74.64, 26.4, 54.18

 

CMYK 0 / 18 / 67 / 1

HEX #FDD053

RGB 253 208 83

HSL 44.12, 0.98%, 0.66%

LAB 85.31, 2.98, 65.65

 

CMYK 0 / 0 / 67 / 1

HEX #FDFD53

RGB 253 253 83

HSL 60, 0.98%, 0.66%

LAB 96.72, -19.37, 77.3

 

CMYK 18 / 0 / 67 / 1

HEX #D0FD53

RGB 208 253 83

HSL 75.88, 0.98%, 0.66%

LAB 93.57, -37.05, 73.1

 

CMYK 36 / 0 / 67 / 1

HEX #A3FD53

RGB 163 253 83

HSL 91.76, 0.98%, 0.66%

LAB 91.08, -53.17, 69.74

 

CMYK 1 / 0 / 99 / 1

HEX #FAFC03

RGB 250 252 3

HSL 60.48, 0.98%, 0.5%

LAB 95.98, -22.16, 93.25

 

CMYK 0 / 0 / 83 / 1

HEX #FCFD2A

RGB 252 253 42

HSL 60.28, 0.98%, 0.58%

LAB 96.46, -21.28, 88.82

 

CMYK 0 / 0 / 67 / 1

HEX #FCFD53

RGB 252 253 83

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.77, 77.2

 

CMYK 0 / 0 / 51 / 0

HEX #FDFE7C

RGB 253 254 124

HSL 60.46, 0.98%, 0.74%

LAB 97.32, -17.16, 61.21

 

CMYK 0 / 0 / 35 / 0

HEX #FEFEA5

RGB 254 254 165

HSL 60, 0.98%, 0.82%

LAB 97.9, -12.84, 42.61

 

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

CMYK 67 / 0 / 54 / 1

HEX #53FD75

RGB 83 253 117

HSL 132, 0.98%, 0.66%

LAB 88.63, -70.43, 52.03

 

CMYK 27 / 67 / 0 / 1

HEX #B953FD

RGB 185 83 253

HSL 276, 0.98%, 0.66%

LAB 55.68, 68.31, -67.75

 

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

CMYK 67 / 0 / 0 / 1

HEX #53FDFD

RGB 83 253 253

HSL 180, 0.98%, 0.66%

LAB 91.32, -42.35, -12.71

 

CMYK 0 / 67 / 0 / 1

HEX #FD53FD

RGB 253 83 253

HSL 300, 0.98%, 0.66%

LAB 65.09, 82.54, -52.16

 

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

CMYK 67 / 0 / 54 / 1

HEX #53FD75

RGB 83 253 117

HSL 132, 0.98%, 0.66%

LAB 88.63, -70.43, 52.03

 

CMYK 67 / 67 / 0 / 1

HEX #5353FD

RGB 83 83 253

HSL 240, 0.98%, 0.66%

LAB 45.79, 51.38, -84.27

 

CMYK 0 / 67 / 13 / 1

HEX #FD53DB

RGB 253 83 219

HSL 312, 0.98%, 0.66%

LAB 63.49, 77.48, -35.77

 

CMYK 0 / 0 / 68 / 1

HEX #FCFD52

RGB 252 253 82

HSL 60.35, 0.98%, 0.66%

LAB 96.64, -19.82, 77.55

 

CMYK 67 / 0 / 34 / 1

HEX #53FDA8

RGB 83 253 168

HSL 150, 0.98%, 0.66%

LAB 89.35, -62.23, 28.28

 

CMYK 67 / 67 / 0 / 1

HEX #5353FD

RGB 83 83 253

HSL 240, 0.98%, 0.66%

LAB 45.79, 51.38, -84.27

 

CMYK 0 / 67 / 34 / 1

HEX #FD53A8

RGB 253 83 168

HSL 330, 0.98%, 0.66%

LAB 61.56, 71.09, -9.68

 

Description

Color code: HEX #FCFD52 | qconv.com Color code: HEX #FCFD52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 253 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 253 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 68 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 68% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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