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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCFC2B it is the complementary color #0303D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCFC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCFC2B shade: #FFFC26, #FFFF39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCFC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCFC2B shade: #FCFC2B, #EBEA18, #DAD805, #C9C600 and #B8B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCFC2B shade: #FBFB2C, #FBC32C, #FB8B2C, #FB532C and #FB2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCFC2B shade: #FBFB2C, #C3FB2C, #8BFB2C, #53FB2C and #2CFB3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCFC2B shade matches the following richer shades: #FBFB2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCFC2B shade: #FBFB2C, #EAEA3D, #D9D94E, #C7C75F and #B6B671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCFC2B shade: #FB8C2C, #FBC42C, #FBFB2C, #C4FB2C and #8CFB2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCFC2B shade: #D2D203, #FAFA03, #FBFB2C, #FCFC54 and #FDFD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCFC2B shade: #FCFC2B, #2CFB55 and #A82CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCFC2B shade: #FCFC2B, #2CFBFB and #FB2CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCFC2B shade: #FCFC2B, #2CFB55, #2C2CFB and #FB2CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCFC2B shade: #FCFC2B, #2CFB93, #2C2CFB and #FB2C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

Complementary color

CMYK 99 / 99 / 0 / 17

HEX #0303D4

RGB 3 3 212

HSL 240, 0.97%, 0.42%

LAB 26.27, 68.32, -93.42

 

CMYK 0 / 1 / 85 / 0

HEX #FFFC26

RGB 255 252 38

HSL 59.17, 1%, 0.57%

LAB 96.42, -19.67, 89.68

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

CMYK 0 / 0 / 90 / 8

HEX #EBEA18

RGB 235 234 24

HSL 59.72, 0.84%, 0.51%

LAB 90.13, -19.54, 86.35

 

CMYK 0 / 1 / 98 / 15

HEX #DAD805

RGB 218 216 5

HSL 59.44, 0.96%, 0.44%

LAB 83.98, -18.12, 83.11

 

CMYK 0 / 1 / 100 / 21

HEX #C9C600

RGB 201 198 0

HSL 59.1, 1%, 0.39%

LAB 77.76, -16.53, 78.38

 

CMYK 0 / 2 / 100 / 28

HEX #B8B400

RGB 184 180 0

HSL 58.7, 1%, 0.36%

LAB 71.44, -14.84, 73.14

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 0 / 22 / 82 / 2

HEX #FBC32C

RGB 251 195 44

HSL 43.77, 0.96%, 0.58%

LAB 81.69, 7.27, 75.96

 

CMYK 0 / 45 / 82 / 2

HEX #FB8B2C

RGB 251 139 44

HSL 27.54, 0.96%, 0.58%

LAB 68.86, 36.4, 64.95

 

CMYK 0 / 67 / 82 / 2

HEX #FB532C

RGB 251 83 44

HSL 11.3, 0.96%, 0.58%

LAB 58.86, 62.14, 56.11

 

CMYK 0 / 82 / 82 / 2

HEX #FB2C2C

RGB 251 44 44

HSL 0, 0.96%, 0.58%

LAB 54.55, 74.14, 52.2

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 22 / 0 / 82 / 2

HEX #C3FB2C

RGB 195 251 44

HSL 76.23, 0.96%, 0.58%

LAB 92.03, -42.89, 83.09

 

CMYK 45 / 0 / 82 / 2

HEX #8BFB2C

RGB 139 251 44

HSL 92.46, 0.96%, 0.58%

LAB 89.24, -62.18, 79.56

 

CMYK 67 / 0 / 82 / 2

HEX #53FB2C

RGB 83 251 44

HSL 108.7, 0.96%, 0.58%

LAB 87.49, -76.08, 77.35

 

CMYK 82 / 0 / 76 / 2

HEX #2CFB3C

RGB 44 251 60

HSL 124.64, 0.96%, 0.58%

LAB 86.93, -80.71, 72.27

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 0 / 0 / 74 / 8

HEX #EAEA3D

RGB 234 234 61

HSL 60, 0.8%, 0.58%

LAB 90.17, -18.94, 77.89

 

CMYK 0 / 0 / 64 / 15

HEX #D9D94E

RGB 217 217 78

HSL 60, 0.65%, 0.58%

LAB 84.45, -16.8, 65.8

 

CMYK 0 / 0 / 52 / 22

HEX #C7C75F

RGB 199 199 95

HSL 60, 0.48%, 0.58%

LAB 78.35, -14.01, 51.34

 

CMYK 0 / 0 / 38 / 29

HEX #B6B671

RGB 182 182 113

HSL 60, 0.32%, 0.58%

LAB 72.62, -10.45, 35.13

 

CMYK 0 / 44 / 82 / 2

HEX #FB8C2C

RGB 251 140 44

HSL 27.83, 0.96%, 0.58%

LAB 69.07, 35.89, 65.13

 

CMYK 0 / 22 / 82 / 2

HEX #FBC42C

RGB 251 196 44

HSL 44.06, 0.96%, 0.58%

LAB 81.93, 6.75, 76.16

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 22 / 0 / 82 / 2

HEX #C4FB2C

RGB 196 251 44

HSL 75.94, 0.96%, 0.58%

LAB 92.09, -42.51, 83.17

 

CMYK 44 / 0 / 82 / 2

HEX #8CFB2C

RGB 140 251 44

HSL 92.17, 0.96%, 0.58%

LAB 89.28, -61.88, 79.62

 

CMYK 0 / 0 / 99 / 18

HEX #D2D203

RGB 210 210 3

HSL 60, 0.97%, 0.42%

LAB 81.73, -18.59, 81.34

 

CMYK 0 / 0 / 99 / 2

HEX #FAFA03

RGB 250 250 3

HSL 60, 0.98%, 0.5%

LAB 95.46, -21.21, 92.86

 

CMYK 0 / 0 / 82 / 2

HEX #FBFB2C

RGB 251 251 44

HSL 60, 0.96%, 0.58%

LAB 95.87, -20.69, 87.87

 

CMYK 0 / 0 / 67 / 1

HEX #FCFC54

RGB 252 252 84

HSL 60, 0.97%, 0.66%

LAB 96.39, -19.24, 76.58

 

CMYK 0 / 0 / 51 / 1

HEX #FDFD7D

RGB 253 253 125

HSL 60, 0.97%, 0.74%

LAB 97.07, -16.6, 60.48

 

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

CMYK 82 / 0 / 66 / 2

HEX #2CFB55

RGB 44 251 85

HSL 131.88, 0.96%, 0.58%

LAB 87.09, -78.69, 63.7

 

CMYK 33 / 82 / 0 / 2

HEX #A82CFB

RGB 168 44 251

HSL 275.94, 0.96%, 0.58%

LAB 48.37, 79.06, -78.6

 

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

CMYK 82 / 0 / 0 / 2

HEX #2CFBFB

RGB 44 251 251

HSL 180, 0.96%, 0.58%

LAB 90.09, -45.87, -13.57

 

CMYK 0 / 82 / 0 / 2

HEX #FB2CFB

RGB 251 44 251

HSL 300, 0.96%, 0.58%

LAB 61.02, 92.33, -57.54

 

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

CMYK 82 / 0 / 66 / 2

HEX #2CFB55

RGB 44 251 85

HSL 131.88, 0.96%, 0.58%

LAB 87.09, -78.69, 63.7

 

CMYK 82 / 82 / 0 / 2

HEX #2C2CFB

RGB 44 44 251

HSL 240, 0.96%, 0.58%

LAB 36.56, 67.6, -98.49

 

CMYK 0 / 82 / 16 / 2

HEX #FB2CD2

RGB 251 44 210

HSL 311.88, 0.96%, 0.58%

LAB 58.94, 86.75, -37.82

 

CMYK 0 / 0 / 83 / 1

HEX #FCFC2B

RGB 252 252 43

HSL 60, 0.97%, 0.58%

LAB 96.2, -20.78, 88.4

 

CMYK 82 / 0 / 41 / 2

HEX #2CFB93

RGB 44 251 147

HSL 149.86, 0.96%, 0.58%

LAB 87.79, -70.2, 36.58

 

CMYK 82 / 82 / 0 / 2

HEX #2C2CFB

RGB 44 44 251

HSL 240, 0.96%, 0.58%

LAB 36.56, 67.6, -98.49

 

CMYK 0 / 82 / 41 / 2

HEX #FB2C93

RGB 251 44 147

HSL 330.14, 0.96%, 0.58%

LAB 56.5, 79.91, -4.98

 

Description

Color code: HEX #FCFC2B | qconv.com Color code: HEX #FCFC2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 252 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 252 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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