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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCF76F it is the complementary color #030890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCF76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCF76F shade: #FFF76A, #FFFF7D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCF76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCF76F shade: #FCF76F, #EBE55C, #DAD349, #C9C136 and #B8AF23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCF76F shade: #FCF76E, #FCD16E, #FCAA6E, #FC846E and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCF76F shade: #FCF76E, #DBFC6E, #B5FC6E, #8EFC6E and #6EFC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCF76F shade matches the following richer shades: #FCF76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCF76F shade: #FCF76E, #F0EC7A, #E4E186, #D8D692 and #CCCB9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCF76F shade: #FCA96E, #FCCF6E, #FCF56E, #DDFC6E and #B7FC6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCF76F shade: #FAF31D, #FBF546, #FCF76E, #FDF996 and #FEFBBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCF76F shade: #FCF76F, #6EFC83 and #BC6EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCF76F shade: #FCF76F, #6EFCF5 and #F56EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCF76F shade: #FCF76F, #6EFC83, #6E75FC and #FC6EE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCF76F shade: #FCF76F, #6EFCAE, #6E75FC and #FC6EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

Complementary color

CMYK 98 / 94 / 0 / 44

HEX #030890

RGB 3 8 144

HSL 237.87, 0.96%, 0.29%

LAB 16.54, 49.06, -68.84

 

CMYK 0 / 3 / 58 / 0

HEX #FFF76A

RGB 255 247 106

HSL 56.78, 1%, 0.71%

LAB 95.51, -14.31, 67.04

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

CMYK 0 / 3 / 61 / 8

HEX #EBE55C

RGB 235 229 92

HSL 57.48, 0.78%, 0.64%

LAB 89.15, -14.49, 65.52

 

CMYK 0 / 3 / 67 / 15

HEX #DAD349

RGB 218 211 73

HSL 57.1, 0.66%, 0.57%

LAB 82.9, -13.69, 66.2

 

CMYK 0 / 4 / 73 / 21

HEX #C9C136

RGB 201 193 54

HSL 56.73, 0.58%, 0.5%

LAB 76.57, -12.75, 66.49

 

CMYK 0 / 5 / 81 / 28

HEX #B8AF23

RGB 184 175 35

HSL 56.38, 0.68%, 0.43%

LAB 70.16, -11.62, 66.08

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 0 / 17 / 56 / 1

HEX #FCD16E

RGB 252 209 110

HSL 41.83, 0.96%, 0.71%

LAB 85.72, 3.79, 54.06

 

CMYK 0 / 33 / 56 / 1

HEX #FCAA6E

RGB 252 170 110

HSL 25.35, 0.96%, 0.71%

LAB 76.42, 24.11, 42.89

 

CMYK 0 / 48 / 56 / 1

HEX #FC846E

RGB 252 132 110

HSL 9.3, 0.96%, 0.71%

LAB 68.26, 43.68, 32.64

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 13 / 0 / 56 / 1

HEX #DBFC6E

RGB 219 252 110

HSL 73.94, 0.96%, 0.71%

LAB 94.23, -30.5, 63.18

 

CMYK 28 / 0 / 56 / 1

HEX #B5FC6E

RGB 181 252 110

HSL 90, 0.96%, 0.71%

LAB 91.94, -44.4, 59.96

 

CMYK 44 / 0 / 56 / 1

HEX #8EFC6E

RGB 142 252 110

HSL 106.48, 0.96%, 0.71%

LAB 90.09, -56.97, 57.35

 

CMYK 56 / 0 / 54 / 1

HEX #6EFC74

RGB 110 252 116

HSL 122.54, 0.96%, 0.71%

LAB 89.02, -64.71, 53.12

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 0 / 2 / 49 / 6

HEX #F0EC7A

RGB 240 236 122

HSL 57.97, 0.8%, 0.71%

LAB 91.65, -13.67, 55.2

 

CMYK 0 / 1 / 41 / 11

HEX #E4E186

RGB 228 225 134

HSL 58.09, 0.64%, 0.71%

LAB 88, -11.81, 44.79

 

CMYK 0 / 1 / 32 / 15

HEX #D8D692

RGB 216 214 146

HSL 58.29, 0.47%, 0.71%

LAB 84.36, -9.59, 33.9

 

CMYK 0 / 0 / 23 / 20

HEX #CCCB9E

RGB 204 203 158

HSL 58.7, 0.31%, 0.71%

LAB 80.75, -6.96, 22.64

 

CMYK 0 / 33 / 56 / 1

HEX #FCA96E

RGB 252 169 110

HSL 24.93, 0.96%, 0.71%

LAB 76.19, 24.64, 42.61

 

CMYK 0 / 18 / 56 / 1

HEX #FCCF6E

RGB 252 207 110

HSL 40.99, 0.96%, 0.71%

LAB 85.22, 4.82, 53.48

 

CMYK 0 / 3 / 56 / 1

HEX #FCF56E

RGB 252 245 110

HSL 57.04, 0.96%, 0.71%

LAB 94.79, -14.26, 64.47

 

CMYK 12 / 0 / 56 / 1

HEX #DDFC6E

RGB 221 252 110

HSL 73.1, 0.96%, 0.71%

LAB 94.36, -29.73, 63.37

 

CMYK 27 / 0 / 56 / 1

HEX #B7FC6E

RGB 183 252 110

HSL 89.15, 0.96%, 0.71%

LAB 92.05, -43.7, 60.12

 

CMYK 0 / 3 / 88 / 2

HEX #FAF31D

RGB 250 243 29

HSL 58.1, 0.96%, 0.55%

LAB 93.67, -17.58, 88.88

 

CMYK 0 / 2 / 72 / 2

HEX #FBF546

RGB 251 245 70

HSL 58.01, 0.96%, 0.63%

LAB 94.42, -16.93, 79.48

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76E

RGB 252 247 110

HSL 57.89, 0.96%, 0.71%

LAB 95.31, -15.23, 65.05

 

CMYK 0 / 2 / 41 / 1

HEX #FDF996

RGB 253 249 150

HSL 57.67, 0.96%, 0.79%

LAB 96.34, -12.37, 47.9

 

CMYK 0 / 1 / 25 / 0

HEX #FEFBBF

RGB 254 251 191

HSL 57.14, 0.97%, 0.87%

LAB 97.56, -8.2, 29.2

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

CMYK 56 / 0 / 48 / 1

HEX #6EFC83

RGB 110 252 131

HSL 128.87, 0.96%, 0.71%

LAB 89.19, -62.75, 46.38

 

CMYK 25 / 56 / 0 / 1

HEX #BC6EFC

RGB 188 110 252

HSL 272.96, 0.96%, 0.71%

LAB 60.67, 55.99, -59.16

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

CMYK 56 / 0 / 3 / 1

HEX #6EFCF5

RGB 110 252 245

HSL 177.04, 0.96%, 0.71%

LAB 91.47, -39.82, -8.26

 

CMYK 3 / 56 / 0 / 1

HEX #F56EFC

RGB 245 110 252

HSL 297.04, 0.96%, 0.71%

LAB 67.72, 69.96, -47.53

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

CMYK 56 / 0 / 48 / 1

HEX #6EFC83

RGB 110 252 131

HSL 128.87, 0.96%, 0.71%

LAB 89.19, -62.75, 46.38

 

CMYK 56 / 54 / 0 / 1

HEX #6E75FC

RGB 110 117 252

HSL 237.04, 0.96%, 0.71%

LAB 55.14, 35.16, -68.42

 

CMYK 0 / 56 / 8 / 1

HEX #FC6EE7

RGB 252 110 231

HSL 308.87, 0.96%, 0.71%

LAB 67.74, 68.33, -35.86

 

CMYK 0 / 2 / 56 / 1

HEX #FCF76F

RGB 252 247 111

HSL 57.87, 0.96%, 0.71%

LAB 95.31, -15.16, 64.62

 

CMYK 56 / 0 / 31 / 1

HEX #6EFCAE

RGB 110 252 174

HSL 147.04, 0.96%, 0.71%

LAB 89.86, -55.68, 26.04

 

CMYK 56 / 54 / 0 / 1

HEX #6E75FC

RGB 110 117 252

HSL 237.04, 0.96%, 0.71%

LAB 55.14, 35.16, -68.42

 

CMYK 0 / 56 / 25 / 1

HEX #FC6EBC

RGB 252 110 188

HSL 327.04, 0.96%, 0.71%

LAB 66.12, 62.18, -14.28

 

Description

Color code: HEX #FCF76F | qconv.com Color code: HEX #FCF76F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 247 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 247 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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