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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCF685 it is the complementary color #03097A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCF685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCF685 shade: #FFF680, #FFFF93, #FFFFA6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCF685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCF685 shade: #FCF685, #EBE472, #DAD25F, #C9C04C and #B8AE39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCF685 shade: #FCF683, #FCD583, #FCB483, #FC9483 and #FC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCF685 shade: #FCF683, #E1FC83, #C1FC83, #A0FC83 and #83FC86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCF685 shade matches the following richer shades: #FCF683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCF685 shade: #FCF683, #F1EC8D, #E7E397, #DDDAA2 and #D3D1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCF685 shade: #FCB383, #FCD383, #FCF483, #E4FC83 and #C3FC83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCF685 shade: #FAF032, #FBF35A, #FCF683, #FDF9AB and #FEFCD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCF685 shade: #FCF685, #83FC93 and #C383FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCF685 shade: #FCF685, #83FCF4 and #F483FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCF685 shade: #FCF685, #83FC93, #838BFC and #FC83EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCF685 shade: #FCF685, #83FCB7, #838BFC and #FC83C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

Complementary color

CMYK 98 / 93 / 0 / 52

HEX #03097A

RGB 3 9 122

HSL 236.97, 0.95%, 0.25%

LAB 13.35, 42.15, -60.23

 

CMYK 0 / 4 / 50 / 0

HEX #FFF680

RGB 255 246 128

HSL 55.75, 1%, 0.75%

LAB 95.47, -12.16, 57.26

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

CMYK 0 / 3 / 51 / 8

HEX #EBE472

RGB 235 228 114

HSL 56.53, 0.75%, 0.68%

LAB 89.09, -12.38, 55.79

 

CMYK 0 / 4 / 56 / 15

HEX #DAD25F

RGB 218 210 95

HSL 56.1, 0.62%, 0.61%

LAB 82.82, -11.77, 56.86

 

CMYK 0 / 4 / 62 / 21

HEX #C9C04C

RGB 201 192 76

HSL 55.68, 0.54%, 0.54%

LAB 76.46, -11.04, 57.8

 

CMYK 0 / 5 / 69 / 28

HEX #B8AE39

RGB 184 174 57

HSL 55.28, 0.53%, 0.47%

LAB 70.01, -10.16, 58.48

 

CMYK 0 / 2 / 48 / 1

HEX #FCF683

RGB 252 246 131

HSL 57.02, 0.95%, 0.75%

LAB 95.26, -13.08, 55.57

 

CMYK 0 / 15 / 48 / 1

HEX #FCD583

RGB 252 213 131

HSL 40.66, 0.95%, 0.75%

LAB 86.96, 3.48, 45.4

 

CMYK 0 / 29 / 48 / 1

HEX #FCB483

RGB 252 180 131

HSL 24.3, 0.95%, 0.75%

LAB 79.03, 20.65, 35.32

 

CMYK 0 / 41 / 48 / 1

HEX #FC9483

RGB 252 148 131

HSL 8.43, 0.95%, 0.75%

LAB 71.9, 37.34, 25.93

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 0 / 2 / 48 / 1

HEX #FCF683

RGB 252 246 131

HSL 57.02, 0.95%, 0.75%

LAB 95.26, -13.08, 55.57

 

CMYK 11 / 0 / 48 / 1

HEX #E1FC83

RGB 225 252 131

HSL 73.39, 0.95%, 0.75%

LAB 94.85, -26.36, 54.6

 

CMYK 23 / 0 / 48 / 1

HEX #C1FC83

RGB 193 252 131

HSL 89.26, 0.95%, 0.75%

LAB 92.84, -38.08, 51.69

 

CMYK 37 / 0 / 48 / 1

HEX #A0FC83

RGB 160 252 131

HSL 105.62, 0.95%, 0.75%

LAB 91.11, -49.11, 49.18

 

CMYK 48 / 0 / 47 / 1

HEX #83FC86

RGB 131 252 134

HSL 121.49, 0.95%, 0.75%

LAB 89.94, -57.15, 46.04

 

CMYK 0 / 2 / 48 / 1

HEX #FCF683

RGB 252 246 131

HSL 57.02, 0.95%, 0.75%

LAB 95.26, -13.08, 55.57

 

CMYK 0 / 2 / 48 / 1

HEX #FCF683

RGB 252 246 131

HSL 57.02, 0.95%, 0.75%

LAB 95.26, -13.08, 55.57

 

CMYK 0 / 2 / 41 / 5

HEX #F1EC8D

RGB 241 236 141

HSL 57, 0.78%, 0.75%

LAB 91.96, -11.5, 46.56

 

CMYK 0 / 2 / 35 / 9

HEX #E7E397

RGB 231 227 151

HSL 57, 0.63%, 0.75%

LAB 89, -9.79, 37.66

 

CMYK 0 / 1 / 27 / 13

HEX #DDDAA2

RGB 221 218 162

HSL 56.95, 0.46%, 0.75%

LAB 86.07, -7.69, 28.01

 

CMYK 0 / 1 / 18 / 17

HEX #D3D1AC

RGB 211 209 172

HSL 56.92, 0.31%, 0.75%

LAB 83.14, -5.41, 18.64

 

CMYK 0 / 29 / 48 / 1

HEX #FCB383

RGB 252 179 131

HSL 23.8, 0.95%, 0.75%

LAB 78.8, 21.18, 35.02

 

CMYK 0 / 16 / 48 / 1

HEX #FCD383

RGB 252 211 131

HSL 39.67, 0.95%, 0.75%

LAB 86.47, 4.51, 44.79

 

CMYK 0 / 3 / 48 / 1

HEX #FCF483

RGB 252 244 131

HSL 56.03, 0.95%, 0.75%

LAB 94.75, -12.1, 54.96

 

CMYK 10 / 0 / 48 / 1

HEX #E4FC83

RGB 228 252 131

HSL 71.9, 0.95%, 0.75%

LAB 95.06, -25.23, 54.9

 

CMYK 23 / 0 / 48 / 1

HEX #C3FC83

RGB 195 252 131

HSL 88.26, 0.95%, 0.75%

LAB 92.95, -37.37, 51.86

 

CMYK 0 / 4 / 80 / 2

HEX #FAF032

RGB 250 240 50

HSL 57, 0.95%, 0.59%

LAB 92.96, -15.64, 83.97

 

CMYK 0 / 3 / 64 / 2

HEX #FBF35A

RGB 251 243 90

HSL 57.02, 0.95%, 0.67%

LAB 94.03, -14.97, 71.89

 

CMYK 0 / 2 / 48 / 1

HEX #FCF683

RGB 252 246 131

HSL 57.02, 0.95%, 0.75%

LAB 95.26, -13.08, 55.57

 

CMYK 0 / 2 / 32 / 1

HEX #FDF9AB

RGB 253 249 171

HSL 57.07, 0.95%, 0.83%

LAB 96.65, -10.07, 37.99

 

CMYK 0 / 1 / 17 / 0

HEX #FEFCD3

RGB 254 252 211

HSL 57.21, 0.96%, 0.91%

LAB 98.19, -5.91, 19.91

 

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

CMYK 48 / 0 / 42 / 1

HEX #83FC93

RGB 131 252 147

HSL 127.93, 0.95%, 0.75%

LAB 90.12, -55.29, 39.99

 

CMYK 23 / 48 / 0 / 1

HEX #C383FC

RGB 195 131 252

HSL 271.74, 0.95%, 0.75%

LAB 65.64, 46.8, -51.21

 

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

CMYK 48 / 0 / 3 / 1

HEX #83FCF4

RGB 131 252 244

HSL 176.03, 0.95%, 0.75%

LAB 92.12, -35.94, -6.7

 

CMYK 3 / 48 / 0 / 1

HEX #F483FC

RGB 244 131 252

HSL 296.03, 0.95%, 0.75%

LAB 71.21, 60.03, -42.07

 

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

CMYK 48 / 0 / 42 / 1

HEX #83FC93

RGB 131 252 147

HSL 127.93, 0.95%, 0.75%

LAB 90.12, -55.29, 39.99

 

CMYK 48 / 45 / 0 / 1

HEX #838BFC

RGB 131 139 252

HSL 236.03, 0.95%, 0.75%

LAB 61.93, 26.41, -57.45

 

CMYK 0 / 48 / 6 / 1

HEX #FC83EC

RGB 252 131 236

HSL 307.93, 0.95%, 0.75%

LAB 71.54, 59.53, -32.72

 

CMYK 0 / 2 / 47 / 1

HEX #FCF685

RGB 252 246 133

HSL 56.97, 0.95%, 0.75%

LAB 95.29, -12.9, 54.66

 

CMYK 48 / 0 / 27 / 1

HEX #83FCB7

RGB 131 252 183

HSL 145.79, 0.95%, 0.75%

LAB 90.72, -49.18, 22.76

 

CMYK 48 / 45 / 0 / 1

HEX #838BFC

RGB 131 139 252

HSL 236.03, 0.95%, 0.75%

LAB 61.93, 26.41, -57.45

 

CMYK 0 / 48 / 21 / 1

HEX #FC83C7

RGB 252 131 199

HSL 326.28, 0.95%, 0.75%

LAB 70.21, 53.88, -14.29

 

Description

Color code: HEX #FCF685 | qconv.com Color code: HEX #FCF685 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 246 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 246 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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