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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCEE7F it is the complementary color #031180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCEE7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCEE7F shade: #FFEE7A, #FFFF8D, #FFFFA0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCEE7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCEE7F shade: #FCEE7F, #EBDC6C, #DACA59, #C9B846 and #B8A633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCEE7F shade: #FCEE7E, #FCCC7E, #FCAA7E, #FC887E and #FC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCEE7F shade: #FCEE7E, #E8FC7E, #C6FC7E, #A4FC7E and #82FC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCEE7F shade matches the following richer shades: #FCEE7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCEE7F shade: #FCEE7E, #F1E588, #E6DD93, #DCD59E and #D1CCA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCEE7F shade: #FCAA7E, #FCCB7E, #FCED7E, #E9FC7E and #C7FC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCEE7F shade: #FAE32D, #FBE855, #FCEE7E, #FDF3A6 and #FEF8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCEE7F shade: #FCEE7F, #7EFC88 and #BB7EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCEE7F shade: #FCEE7F, #7EFCED and #ED7EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCEE7F shade: #FCEE7F, #7EFC88, #7E8CFC and #FC7EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCEE7F shade: #FCEE7F, #7EFCAE, #7E8CFC and #FC7ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

Complementary color

CMYK 98 / 87 / 0 / 50

HEX #031180

RGB 3 17 128

HSL 233.28, 0.95%, 0.26%

LAB 15.38, 40.6, -60.69

 

CMYK 0 / 7 / 52 / 0

HEX #FFEE7A

RGB 255 238 122

HSL 52.33, 1%, 0.74%

LAB 93.37, -8.71, 57.54

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

CMYK 0 / 6 / 54 / 8

HEX #EBDC6C

RGB 235 220 108

HSL 52.91, 0.76%, 0.67%

LAB 86.96, -8.87, 56.06

 

CMYK 0 / 7 / 59 / 15

HEX #DACA59

RGB 218 202 89

HSL 52.56, 0.64%, 0.6%

LAB 80.67, -8.15, 57.13

 

CMYK 0 / 8 / 65 / 21

HEX #C9B846

RGB 201 184 70

HSL 52.21, 0.55%, 0.53%

LAB 74.28, -7.29, 58.03

 

CMYK 0 / 10 / 72 / 28

HEX #B8A633

RGB 184 166 51

HSL 51.88, 0.57%, 0.46%

LAB 67.8, -6.27, 58.62

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7E

RGB 252 238 126

HSL 53.33, 0.95%, 0.74%

LAB 93.17, -9.57, 55.39

 

CMYK 0 / 19 / 50 / 1

HEX #FCCC7E

RGB 252 204 126

HSL 37.14, 0.95%, 0.74%

LAB 84.68, 7.67, 45.05

 

CMYK 0 / 33 / 50 / 1

HEX #FCAA7E

RGB 252 170 126

HSL 20.95, 0.95%, 0.74%

LAB 76.65, 25.44, 34.87

 

CMYK 0 / 46 / 50 / 1

HEX #FC887E

RGB 252 136 126

HSL 4.76, 0.95%, 0.74%

LAB 69.33, 42.99, 25.24

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7E

RGB 252 238 126

HSL 53.33, 0.95%, 0.74%

LAB 93.17, -9.57, 55.39

 

CMYK 8 / 0 / 50 / 1

HEX #E8FC7E

RGB 232 252 126

HSL 69.52, 0.95%, 0.74%

LAB 95.28, -24.17, 57.53

 

CMYK 21 / 0 / 50 / 1

HEX #C6FC7E

RGB 198 252 126

HSL 85.71, 0.95%, 0.74%

LAB 93.07, -36.82, 54.36

 

CMYK 35 / 0 / 50 / 1

HEX #A4FC7E

RGB 164 252 126

HSL 101.9, 0.95%, 0.74%

LAB 91.24, -48.43, 51.72

 

CMYK 48 / 0 / 50 / 1

HEX #82FC7E

RGB 130 252 126

HSL 118.1, 0.95%, 0.74%

LAB 89.8, -58.47, 49.63

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7E

RGB 252 238 126

HSL 53.33, 0.95%, 0.74%

LAB 93.17, -9.57, 55.39

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7E

RGB 252 238 126

HSL 53.33, 0.95%, 0.74%

LAB 93.17, -9.57, 55.39

 

CMYK 0 / 5 / 44 / 5

HEX #F1E588

RGB 241 229 136

HSL 53.14, 0.79%, 0.74%

LAB 90.1, -8.52, 46.66

 

CMYK 0 / 4 / 36 / 10

HEX #E6DD93

RGB 230 221 147

HSL 53.49, 0.62%, 0.74%

LAB 87.31, -7.62, 37.46

 

CMYK 0 / 3 / 28 / 14

HEX #DCD59E

RGB 220 213 158

HSL 53.23, 0.47%, 0.74%

LAB 84.62, -6.05, 28.12

 

CMYK 0 / 2 / 19 / 18

HEX #D1CCA9

RGB 209 204 169

HSL 52.5, 0.3%, 0.74%

LAB 81.62, -4.01, 18.09

 

CMYK 0 / 33 / 50 / 1

HEX #FCAA7E

RGB 252 170 126

HSL 20.95, 0.95%, 0.74%

LAB 76.65, 25.44, 34.87

 

CMYK 0 / 19 / 50 / 1

HEX #FCCB7E

RGB 252 203 126

HSL 36.67, 0.95%, 0.74%

LAB 84.44, 8.19, 44.75

 

CMYK 0 / 6 / 50 / 1

HEX #FCED7E

RGB 252 237 126

HSL 52.86, 0.95%, 0.74%

LAB 92.91, -9.08, 55.08

 

CMYK 8 / 0 / 50 / 1

HEX #E9FC7E

RGB 233 252 126

HSL 69.05, 0.95%, 0.74%

LAB 95.35, -23.78, 57.63

 

CMYK 21 / 0 / 50 / 1

HEX #C7FC7E

RGB 199 252 126

HSL 85.24, 0.95%, 0.74%

LAB 93.13, -36.46, 54.45

 

CMYK 0 / 9 / 82 / 2

HEX #FAE32D

RGB 250 227 45

HSL 53.27, 0.95%, 0.58%

LAB 89.6, -9.39, 82.36

 

CMYK 0 / 8 / 66 / 2

HEX #FBE855

RGB 251 232 85

HSL 53.13, 0.95%, 0.66%

LAB 91.18, -9.84, 70.88

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7E

RGB 252 238 126

HSL 53.33, 0.95%, 0.74%

LAB 93.17, -9.57, 55.39

 

CMYK 0 / 4 / 34 / 1

HEX #FDF3A6

RGB 253 243 166

HSL 53.1, 0.96%, 0.82%

LAB 95.05, -7.68, 38.38

 

CMYK 0 / 2 / 19 / 0

HEX #FEF8CE

RGB 254 248 206

HSL 52.5, 0.96%, 0.9%

LAB 97.09, -4.64, 20.93

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

CMYK 50 / 0 / 46 / 1

HEX #7EFC88

RGB 126 252 136

HSL 124.76, 0.95%, 0.74%

LAB 89.78, -58.18, 44.85

 

CMYK 26 / 50 / 0 / 1

HEX #BB7EFC

RGB 187 126 252

HSL 269.05, 0.95%, 0.74%

LAB 63.77, 47.39, -54.23

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

CMYK 50 / 0 / 6 / 1

HEX #7EFCED

RGB 126 252 237

HSL 172.86, 0.95%, 0.74%

LAB 91.76, -38.69, -3.62

 

CMYK 6 / 50 / 0 / 1

HEX #ED7EFC

RGB 237 126 252

HSL 292.86, 0.95%, 0.74%

LAB 69.44, 60.55, -44.9

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

CMYK 50 / 0 / 46 / 1

HEX #7EFC88

RGB 126 252 136

HSL 124.76, 0.95%, 0.74%

LAB 89.78, -58.18, 44.85

 

CMYK 50 / 44 / 0 / 1

HEX #7E8CFC

RGB 126 140 252

HSL 233.33, 0.95%, 0.74%

LAB 61.84, 24.73, -57.6

 

CMYK 0 / 50 / 4 / 1

HEX #FC7EF1

RGB 252 126 241

HSL 305.24, 0.95%, 0.74%

LAB 70.85, 62.71, -36.54

 

CMYK 0 / 6 / 50 / 1

HEX #FCEE7F

RGB 252 238 127

HSL 53.28, 0.95%, 0.74%

LAB 93.18, -9.49, 54.93

 

CMYK 50 / 0 / 31 / 1

HEX #7EFCAE

RGB 126 252 174

HSL 142.86, 0.95%, 0.74%

LAB 90.37, -52.06, 26.83

 

CMYK 50 / 44 / 0 / 1

HEX #7E8CFC

RGB 126 140 252

HSL 233.33, 0.95%, 0.74%

LAB 61.84, 24.73, -57.6

 

CMYK 0 / 50 / 19 / 1

HEX #FC7ECB

RGB 252 126 203

HSL 323.33, 0.95%, 0.74%

LAB 69.42, 56.85, -17.72

 

Description

Color code: HEX #FCEE7F | qconv.com Color code: HEX #FCEE7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 238 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 238 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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