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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCEB7E it is the complementary color #031481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCEB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCEB7E shade: #FFEB79, #FFFD8C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCEB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCEB7E shade: #FCEB7E, #EBD96B, #DAC758, #C9B545 and #B8A332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCEB7E shade: #FCEB7E, #FCC97E, #FCA77E, #FC857E and #FC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCEB7E shade: #FCEB7E, #EBFC7E, #C9FC7E, #A7FC7E and #85FC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCEB7E shade matches the following richer shades: #FCEB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCEB7E shade: #FCEB7E, #F1E388, #E6DB93, #DCD39E and #D1CBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCEB7E shade: #FCA67E, #FCC77E, #FCE97E, #EDFC7E and #CBFC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCEB7E shade: #FADE2D, #FBE455, #FCEB7E, #FDF1A6 and #FEF7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCEB7E shade: #FCEB7E, #7EFC84 and #B67EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCEB7E shade: #FCEB7E, #7EFCE9 and #E97EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCEB7E shade: #FCEB7E, #7EFC84, #7E91FC and #FC7EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCEB7E shade: #FCEB7E, #7EFCAA, #7E91FC and #FC7ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

Complementary color

CMYK 98 / 84 / 0 / 49

HEX #031481

RGB 3 20 129

HSL 231.9, 0.95%, 0.26%

LAB 16.03, 39.42, -60.24

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB79

RGB 255 235 121

HSL 51.04, 1%, 0.74%

LAB 92.6, -7.3, 57.09

 

CMYK 0 / 1 / 45 / 0

HEX #FFFD8C

RGB 255 253 140

HSL 58.96, 1%, 0.77%

LAB 97.39, -14.52, 54

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 0 / 8 / 54 / 8

HEX #EBD96B

RGB 235 217 107

HSL 51.56, 0.76%, 0.67%

LAB 86.18, -7.44, 55.61

 

CMYK 0 / 9 / 60 / 15

HEX #DAC758

RGB 218 199 88

HSL 51.23, 0.64%, 0.6%

LAB 79.87, -6.68, 56.69

 

CMYK 0 / 10 / 66 / 21

HEX #C9B545

RGB 201 181 69

HSL 50.91, 0.55%, 0.53%

LAB 73.48, -5.79, 57.61

 

CMYK 0 / 11 / 73 / 28

HEX #B8A332

RGB 184 163 50

HSL 50.6, 0.57%, 0.46%

LAB 66.99, -4.73, 58.2

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 0 / 20 / 50 / 1

HEX #FCC97E

RGB 252 201 126

HSL 35.71, 0.95%, 0.74%

LAB 83.95, 9.23, 44.14

 

CMYK 0 / 34 / 50 / 1

HEX #FCA77E

RGB 252 167 126

HSL 19.52, 0.95%, 0.74%

LAB 75.97, 27.01, 33.99

 

CMYK 0 / 47 / 50 / 1

HEX #FC857E

RGB 252 133 126

HSL 3.33, 0.95%, 0.74%

LAB 68.73, 44.48, 24.44

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 7 / 0 / 50 / 1

HEX #EBFC7E

RGB 235 252 126

HSL 68.1, 0.95%, 0.74%

LAB 95.49, -23.02, 57.83

 

CMYK 20 / 0 / 50 / 1

HEX #C9FC7E

RGB 201 252 126

HSL 84.29, 0.95%, 0.74%

LAB 93.25, -35.74, 54.62

 

CMYK 34 / 0 / 50 / 1

HEX #A7FC7E

RGB 167 252 126

HSL 100.48, 0.95%, 0.74%

LAB 91.39, -47.46, 51.93

 

CMYK 47 / 0 / 50 / 1

HEX #85FC7E

RGB 133 252 126

HSL 116.67, 0.95%, 0.74%

LAB 89.91, -57.66, 49.79

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 0 / 6 / 44 / 5

HEX #F1E388

RGB 241 227 136

HSL 52, 0.79%, 0.74%

LAB 89.59, -7.51, 46.02

 

CMYK 0 / 5 / 36 / 10

HEX #E6DB93

RGB 230 219 147

HSL 52.05, 0.62%, 0.74%

LAB 86.8, -6.61, 36.79

 

CMYK 0 / 4 / 28 / 14

HEX #DCD39E

RGB 220 211 158

HSL 51.29, 0.47%, 0.74%

LAB 84.11, -5.02, 27.42

 

CMYK 0 / 3 / 19 / 18

HEX #D1CBA9

RGB 209 203 169

HSL 51, 0.3%, 0.74%

LAB 81.36, -3.49, 17.73

 

CMYK 0 / 34 / 50 / 1

HEX #FCA67E

RGB 252 166 126

HSL 19.05, 0.95%, 0.74%

LAB 75.75, 27.54, 33.7

 

CMYK 0 / 21 / 50 / 1

HEX #FCC77E

RGB 252 199 126

HSL 34.76, 0.95%, 0.74%

LAB 83.47, 10.27, 43.53

 

CMYK 0 / 8 / 50 / 1

HEX #FCE97E

RGB 252 233 126

HSL 50.95, 0.95%, 0.74%

LAB 91.9, -7.09, 53.87

 

CMYK 6 / 0 / 50 / 1

HEX #EDFC7E

RGB 237 252 126

HSL 67.14, 0.95%, 0.74%

LAB 95.64, -22.25, 58.04

 

CMYK 19 / 0 / 50 / 1

HEX #CBFC7E

RGB 203 252 126

HSL 83.33, 0.95%, 0.74%

LAB 93.37, -35.02, 54.8

 

CMYK 0 / 11 / 82 / 2

HEX #FADE2D

RGB 250 222 45

HSL 51.8, 0.95%, 0.58%

LAB 88.33, -6.9, 81.28

 

CMYK 0 / 9 / 66 / 2

HEX #FBE455

RGB 251 228 85

HSL 51.69, 0.95%, 0.66%

LAB 90.16, -7.86, 69.83

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 0 / 5 / 34 / 1

HEX #FDF1A6

RGB 253 241 166

HSL 51.72, 0.96%, 0.82%

LAB 94.55, -6.68, 37.72

 

CMYK 0 / 3 / 19 / 0

HEX #FEF7CE

RGB 254 247 206

HSL 51.25, 0.96%, 0.9%

LAB 96.84, -4.14, 20.58

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 50 / 0 / 48 / 1

HEX #7EFC84

RGB 126 252 132

HSL 122.86, 0.95%, 0.74%

LAB 89.73, -58.73, 46.69

 

CMYK 28 / 50 / 0 / 1

HEX #B67EFC

RGB 182 126 252

HSL 266.67, 0.95%, 0.74%

LAB 63.26, 46.11, -55.07

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 50 / 0 / 8 / 1

HEX #7EFCE9

RGB 126 252 233

HSL 170.95, 0.95%, 0.74%

LAB 91.66, -39.65, -1.7

 

CMYK 8 / 50 / 0 / 1

HEX #E97EFC

RGB 233 126 252

HSL 290.95, 0.95%, 0.74%

LAB 68.95, 59.48, -45.7

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 50 / 0 / 48 / 1

HEX #7EFC84

RGB 126 252 132

HSL 122.86, 0.95%, 0.74%

LAB 89.73, -58.73, 46.69

 

CMYK 50 / 42 / 0 / 1

HEX #7E91FC

RGB 126 145 252

HSL 230.95, 0.95%, 0.74%

LAB 63.11, 21.79, -55.59

 

CMYK 0 / 50 / 3 / 1

HEX #FC7EF5

RGB 252 126 245

HSL 303.33, 0.95%, 0.74%

LAB 71.02, 63.38, -38.47

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7E

RGB 252 235 126

HSL 51.9, 0.95%, 0.74%

LAB 92.41, -8.08, 54.47

 

CMYK 50 / 0 / 33 / 1

HEX #7EFCAA

RGB 126 252 170

HSL 140.95, 0.95%, 0.74%

LAB 90.3, -52.78, 28.76

 

CMYK 50 / 42 / 0 / 1

HEX #7E91FC

RGB 126 145 252

HSL 230.95, 0.95%, 0.74%

LAB 63.11, 21.79, -55.59

 

CMYK 0 / 50 / 17 / 1

HEX #FC7ED0

RGB 252 126 208

HSL 320.95, 0.95%, 0.74%

LAB 69.59, 57.57, -20.24

 

Description

Color code: HEX #FCEB7E | qconv.com Color code: HEX #FCEB7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 235 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 235 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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