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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCE952CE it is the complementary color #0316ADCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCE952CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCE952CE shade: #FFE94DCE, #FFFB60CE, #FFFF73CE, #FFFF86CE and #FFFF99CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCE952CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCE952CE shade: #FCE952CE, #EBD73FCE, #DAC52CCE, #C9B319CE and #B8A106CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCE952CE shade: #FCE94F, #FCBA4F, #FC8C4F, #FC5D4F and #FC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCE952CE shade: #FCE94F, #E1FC4F, #B2FC4F, #84FC4F and #55FC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCE952CE shade matches the following richer shades: #FCE94F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCE952CE shade: #FCE94F, #EEDE5E, #DFD36C, #D1C77A and #C3BC89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCE952CE shade: #FC8C4F, #FCBA4F, #FCE84F, #E2FC4F and #B4FC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCE952CE shade: #F5DA04, #FCE427, #FCE94F, #FDEE78 and #FEF3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCE952CE shade: #FCE952, #4FFC5E and #A34FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCE952CE shade: #FCE952, #4FFCE8 and #E84FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCE952CE shade: #FCE952, #4FFC5E, #4F63FC and #FC4FEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCE952CE shade: #FCE952, #4FFC92, #4F63FC and #FC4FBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 55 / 1

HEX #FCE952CE

RGBA 252 233 82 0.81

HSLA 53.29, 0.97%, 0.65%, 0.81

LABA 91.5, -10.09, 72.39, 0.81

 

Complementary color

CMYK 80 / 71 / 0 / 26

HEX #0316ADCE

RGBA 3 22 173 0.81

HSLA 233.29, 0.97%, 0.35%, 0.81

LABA 22.34, 52.65, -76.92, 0.81

 

CMYK 0 / 7 / 57 / 0

HEX #FFE94DCE

RGBA 255 233 77 0.81

HSLA 52.58, 1%, 0.65%, 0.81

LABA 91.72, -9.1, 74.56, 0.81

 

CMYK 0 / 1 / 51 / 0

HEX #FFFB60CE

RGBA 255 251 96 0.81

HSLA 58.49, 1%, 0.69%, 0.81

LABA 96.45, -16.89, 72.16, 0.81

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF73CE

RGBA 255 255 115 0.81

HSLA 60, 1%, 0.73%, 0.81

LABA 97.64, -17.55, 65.58, 0.81

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF86CE

RGBA 255 255 134 0.81

HSLA 60, 1%, 0.76%, 0.81

LABA 97.83, -16.03, 57.32, 0.81

 

CMYK 0 / 0 / 32 / 0

HEX #FFFF99CE

RGBA 255 255 153 0.81

HSLA 60, 1%, 0.8%, 0.81

LABA 98.07, -14.23, 48.66, 0.81

 

CMYK 0 / 6 / 55 / 1

HEX #FCE952CE

RGBA 252 233 82 0.81

HSLA 53.29, 0.97%, 0.65%, 0.81

LABA 91.5, -10.09, 72.39, 0.81

 

CMYK 0 / 7 / 59 / 6

HEX #EBD73FCE

RGBA 235 215 63 0.81

HSLA 53.02, 0.81%, 0.58%, 0.81

LABA 85.31, -9.07, 72.71, 0.81

 

CMYK 0 / 8 / 65 / 12

HEX #DAC52CCE

RGBA 218 197 44 0.81

HSLA 52.76, 0.7%, 0.51%, 0.81

LABA 79.05, -7.88, 72.45, 0.81

 

CMYK 0 / 9 / 71 / 17

HEX #C9B319CE

RGBA 201 179 25 0.81

HSLA 52.5, 0.78%, 0.44%, 0.81

LABA 72.71, -6.49, 71.24, 0.81

 

CMYK 0 / 10 / 78 / 23

HEX #B8A106CE

RGBA 184 161 6 0.81

HSLA 52.25, 0.94%, 0.37%, 0.81

LABA 66.28, -4.88, 68.63, 0.81

 

CMYK 0 / 8 / 69 / 1

HEX #FCE94F

RGB 252 233 79

HSL 53.41, 0.97%, 0.65%

LAB 91.48, -10.24, 73.5

 

CMYK 0 / 26 / 69 / 1

HEX #FCBA4F

RGB 252 186 79

HSL 37.11, 0.97%, 0.65%

LAB 79.83, 13.75, 61.55

 

CMYK 0 / 44 / 69 / 1

HEX #FC8C4F

RGB 252 140 79

HSL 21.16, 0.97%, 0.65%

LAB 69.48, 37.67, 50.34

 

CMYK 0 / 63 / 69 / 1

HEX #FC5D4F

RGB 252 93 79

HSL 4.86, 0.97%, 0.65%

LAB 60.86, 59.76, 40.47

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 8 / 69 / 1

HEX #FCE94F

RGB 252 233 79

HSL 53.41, 0.97%, 0.65%

LAB 91.48, -10.24, 73.5

 

CMYK 11 / 0 / 69 / 1

HEX #E1FC4F

RGB 225 252 79

HSL 69.36, 0.97%, 0.65%

LAB 94.39, -30.25, 75.73

 

CMYK 29 / 0 / 69 / 1

HEX #B2FC4F

RGB 178 252 79

HSL 85.66, 0.97%, 0.65%

LAB 91.53, -47.88, 71.9

 

CMYK 48 / 0 / 69 / 1

HEX #84FC4F

RGB 132 252 79

HSL 101.62, 0.97%, 0.65%

LAB 89.44, -62.65, 69.09

 

CMYK 66 / 0 / 69 / 1

HEX #55FC4F

RGB 85 252 79

HSL 117.92, 0.97%, 0.65%

LAB 88.02, -73.79, 67.18

 

CMYK 0 / 8 / 69 / 1

HEX #FCE94F

RGB 252 233 79

HSL 53.41, 0.97%, 0.65%

LAB 91.48, -10.24, 73.5

 

CMYK 0 / 8 / 69 / 1

HEX #FCE94F

RGB 252 233 79

HSL 53.41, 0.97%, 0.65%

LAB 91.48, -10.24, 73.5

 

CMYK 0 / 7 / 61 / 7

HEX #EEDE5E

RGB 238 222 94

HSL 53.33, 0.81%, 0.65%

LAB 87.6, -9.66, 63.07

 

CMYK 0 / 5 / 52 / 13

HEX #DFD36C

RGB 223 211 108

HSL 53.74, 0.64%, 0.65%

LAB 83.63, -9.2, 51.91

 

CMYK 0 / 5 / 42 / 18

HEX #D1C77A

RGB 209 199 122

HSL 53.1, 0.49%, 0.65%

LAB 79.5, -7.41, 39.73

 

CMYK 0 / 4 / 30 / 24

HEX #C3BC89

RGB 195 188 137

HSL 52.76, 0.33%, 0.65%

LAB 75.68, -5.48, 26.75

 

CMYK 0 / 44 / 69 / 1

HEX #FC8C4F

RGB 252 140 79

HSL 21.16, 0.97%, 0.65%

LAB 69.48, 37.67, 50.34

 

CMYK 0 / 26 / 69 / 1

HEX #FCBA4F

RGB 252 186 79

HSL 37.11, 0.97%, 0.65%

LAB 79.83, 13.75, 61.55

 

CMYK 0 / 8 / 69 / 1

HEX #FCE84F

RGB 252 232 79

HSL 53.06, 0.97%, 0.65%

LAB 91.22, -9.75, 73.24

 

CMYK 10 / 0 / 69 / 1

HEX #E2FC4F

RGB 226 252 79

HSL 69.02, 0.97%, 0.65%

LAB 94.46, -29.85, 75.82

 

CMYK 29 / 0 / 69 / 1

HEX #B4FC4F

RGB 180 252 79

HSL 84.97, 0.97%, 0.65%

LAB 91.63, -47.18, 72.05

 

CMYK 0 / 11 / 98 / 4

HEX #F5DA04

RGB 245 218 4

HSL 53.28, 0.97%, 0.49%

LAB 86.78, -7.66, 86.28

 

CMYK 0 / 10 / 85 / 1

HEX #FCE427

RGB 252 228 39

HSL 53.24, 0.97%, 0.57%

LAB 90.01, -9.2, 84.16

 

CMYK 0 / 8 / 69 / 1

HEX #FCE94F

RGB 252 233 79

HSL 53.41, 0.97%, 0.65%

LAB 91.48, -10.24, 73.5

 

CMYK 0 / 6 / 53 / 1

HEX #FDEE78

RGB 253 238 120

HSL 53.23, 0.97%, 0.73%

LAB 93.18, -9.67, 58.19

 

CMYK 0 / 4 / 37 / 0

HEX #FEF3A0

RGB 254 243 160

HSL 52.98, 0.98%, 0.81%

LAB 95.04, -7.97, 41.37

 

CMYK 0 / 8 / 67 / 1

HEX #FCE952

RGB 252 233 82

HSL 53.29, 0.97%, 0.65%

LAB 91.5, -10.09, 72.39

 

CMYK 69 / 0 / 63 / 1

HEX #4FFC5E

RGB 79 252 94

HSL 125.2, 0.97%, 0.65%

LAB 88.01, -73.46, 61.28

 

CMYK 35 / 69 / 0 / 1

HEX #A34FFC

RGB 163 79 252

HSL 269.13, 0.97%, 0.65%

LAB 52.29, 65.61, -72.8

 

CMYK 0 / 8 / 67 / 1

HEX #FCE952

RGB 252 233 82

HSL 53.29, 0.97%, 0.65%

LAB 91.5, -10.09, 72.39

 

CMYK 69 / 0 / 8 / 1

HEX #4FFCE8

RGB 79 252 232

HSL 173.06, 0.97%, 0.65%

LAB 90.37, -47.99, -3.22

 

CMYK 8 / 69 / 0 / 1

HEX #E84FFC

RGB 232 79 252

HSL 293.06, 0.97%, 0.65%

LAB 61.46, 79.33, -57.57

 

CMYK 0 / 8 / 67 / 1

HEX #FCE952

RGB 252 233 82

HSL 53.29, 0.97%, 0.65%

LAB 91.5, -10.09, 72.39

 

CMYK 69 / 0 / 63 / 1

HEX #4FFC5E

RGB 79 252 94

HSL 125.2, 0.97%, 0.65%

LAB 88.01, -73.46, 61.28

 

CMYK 69 / 61 / 0 / 1

HEX #4F63FC

RGB 79 99 252

HSL 233.06, 0.97%, 0.65%

LAB 49.02, 41.17, -78.44

 

CMYK 0 / 69 / 6 / 1

HEX #FC4FEE

RGB 252 79 238

HSL 304.86, 0.97%, 0.65%

LAB 63.72, 81.38, -46.04

 

CMYK 0 / 8 / 67 / 1

HEX #FCE952

RGB 252 233 82

HSL 53.29, 0.97%, 0.65%

LAB 91.5, -10.09, 72.39

 

CMYK 69 / 0 / 42 / 1

HEX #4FFC92

RGB 79 252 146

HSL 143.24, 0.97%, 0.65%

LAB 88.62, -66.44, 38.25

 

CMYK 69 / 61 / 0 / 1

HEX #4F63FC

RGB 79 99 252

HSL 233.06, 0.97%, 0.65%

LAB 49.02, 41.17, -78.44

 

CMYK 0 / 69 / 26 / 1

HEX #FC4FBA

RGB 252 79 186

HSL 322.89, 0.97%, 0.65%

LAB 61.51, 74.33, -20.13

 

Description

Color code: HEX #FCE952CE | qconv.com Color code: HEX #FCE952CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 233 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 233 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 55 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 55% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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