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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDF4D it is the complementary color #0320B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDF4D shade: #FFDF48, #FFF15B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDF4D shade: #FCDF4D, #EBCD3A, #DABB27, #C9A914 and #B89701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDF4D shade: #FCE04F, #FCB14F, #FC824F, #FC544F and #FC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDF4D shade: #FCE04F, #EAFC4F, #BCFC4F, #8DFC4F and #5EFC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDF4D shade matches the following richer shades: #FCE04F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDF4D shade: #FCE04F, #EED65E, #DFCC6C, #D1C37A and #C3B989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDF4D shade: #FC834F, #FCB14F, #FCDF4F, #EBFC4F and #BDFC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDF4D shade: #F5CD04, #FCD827, #FCE04F, #FDE778 and #FEEEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDF4D shade: #FCDF4D, #4FFC55 and #9A4FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDF4D shade: #FCDF4D, #4FFCDF and #DF4FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDF4D shade: #FCDF4D, #4FFC55, #4F6CFC and #FC4FF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDF4D shade: #FCDF4D, #4FFC89, #4F6CFC and #FC4FC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

Complementary color

CMYK 98 / 82 / 0 / 30

HEX #0320B2

RGB 3 32 178

HSL 230.06, 0.97%, 0.35%

LAB 24.53, 49.66, -76.27

 

CMYK 0 / 13 / 72 / 0

HEX #FFDF48

RGB 255 223 72

HSL 49.51, 1%, 0.64%

LAB 89.16, -4.34, 73.86

 

CMYK 0 / 5 / 64 / 0

HEX #FFF15B

RGB 255 241 91

HSL 54.88, 1%, 0.68%

LAB 93.85, -12.32, 71.4

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

CMYK 0 / 13 / 75 / 8

HEX #EBCD3A

RGB 235 205 58

HSL 49.83, 0.82%, 0.57%

LAB 82.72, -4.21, 71.97

 

CMYK 0 / 14 / 82 / 15

HEX #DABB27

RGB 218 187 39

HSL 49.61, 0.71%, 0.5%

LAB 76.43, -2.88, 71.59

 

CMYK 0 / 16 / 90 / 21

HEX #C9A914

RGB 201 169 20

HSL 49.39, 0.82%, 0.43%

LAB 70.07, -1.34, 70.14

 

CMYK 0 / 18 / 99 / 28

HEX #B89701

RGB 184 151 1

HSL 49.18, 0.99%, 0.36%

LAB 63.61, 0.43, 67.39

 

CMYK 0 / 11 / 69 / 1

HEX #FCE04F

RGB 252 224 79

HSL 50.29, 0.97%, 0.65%

LAB 89.19, -5.76, 71.2

 

CMYK 0 / 30 / 69 / 1

HEX #FCB14F

RGB 252 177 79

HSL 33.99, 0.97%, 0.65%

LAB 77.7, 18.45, 59.3

 

CMYK 0 / 48 / 69 / 1

HEX #FC824F

RGB 252 130 79

HSL 17.69, 0.97%, 0.65%

LAB 67.45, 42.7, 48.06

 

CMYK 0 / 67 / 69 / 1

HEX #FC544F

RGB 252 84 79

HSL 1.73, 0.97%, 0.65%

LAB 59.53, 63.36, 38.89

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 11 / 69 / 1

HEX #FCE04F

RGB 252 224 79

HSL 50.29, 0.97%, 0.65%

LAB 89.19, -5.76, 71.2

 

CMYK 7 / 0 / 69 / 1

HEX #EAFC4F

RGB 234 252 79

HSL 66.24, 0.97%, 0.65%

LAB 95.03, -26.69, 76.56

 

CMYK 25 / 0 / 69 / 1

HEX #BCFC4F

RGB 188 252 79

HSL 82.2, 0.97%, 0.65%

LAB 92.08, -44.3, 72.64

 

CMYK 44 / 0 / 69 / 1

HEX #8DFC4F

RGB 141 252 79

HSL 98.5, 0.97%, 0.65%

LAB 89.79, -60.02, 69.57

 

CMYK 63 / 0 / 69 / 1

HEX #5EFC4F

RGB 94 252 79

HSL 114.8, 0.97%, 0.65%

LAB 88.24, -72.02, 67.47

 

CMYK 0 / 11 / 69 / 1

HEX #FCE04F

RGB 252 224 79

HSL 50.29, 0.97%, 0.65%

LAB 89.19, -5.76, 71.2

 

CMYK 0 / 11 / 69 / 1

HEX #FCE04F

RGB 252 224 79

HSL 50.29, 0.97%, 0.65%

LAB 89.19, -5.76, 71.2

 

CMYK 0 / 10 / 61 / 7

HEX #EED65E

RGB 238 214 94

HSL 50, 0.81%, 0.65%

LAB 85.54, -5.63, 60.81

 

CMYK 0 / 9 / 52 / 13

HEX #DFCC6C

RGB 223 204 108

HSL 50.09, 0.64%, 0.65%

LAB 81.81, -5.64, 49.75

 

CMYK 0 / 7 / 42 / 18

HEX #D1C37A

RGB 209 195 122

HSL 50.34, 0.49%, 0.65%

LAB 78.46, -5.34, 38.4

 

CMYK 0 / 5 / 30 / 24

HEX #C3B989

RGB 195 185 137

HSL 49.66, 0.33%, 0.65%

LAB 74.89, -3.9, 25.69

 

CMYK 0 / 48 / 69 / 1

HEX #FC834F

RGB 252 131 79

HSL 18.03, 0.97%, 0.65%

LAB 67.64, 42.21, 48.28

 

CMYK 0 / 30 / 69 / 1

HEX #FCB14F

RGB 252 177 79

HSL 33.99, 0.97%, 0.65%

LAB 77.7, 18.45, 59.3

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4F

RGB 252 223 79

HSL 49.94, 0.97%, 0.65%

LAB 88.94, -5.26, 70.95

 

CMYK 7 / 0 / 69 / 1

HEX #EBFC4F

RGB 235 252 79

HSL 65.9, 0.97%, 0.65%

LAB 95.1, -26.3, 76.66

 

CMYK 25 / 0 / 69 / 1

HEX #BDFC4F

RGB 189 252 79

HSL 81.85, 0.97%, 0.65%

LAB 92.13, -43.93, 72.71

 

CMYK 0 / 16 / 98 / 4

HEX #F5CD04

RGB 245 205 4

HSL 50.04, 0.97%, 0.49%

LAB 83.49, -1.08, 83.91

 

CMYK 0 / 14 / 85 / 1

HEX #FCD827

RGB 252 216 39

HSL 49.86, 0.97%, 0.57%

LAB 86.97, -3.19, 81.67

 

CMYK 0 / 11 / 69 / 1

HEX #FCE04F

RGB 252 224 79

HSL 50.29, 0.97%, 0.65%

LAB 89.19, -5.76, 71.2

 

CMYK 0 / 9 / 53 / 1

HEX #FDE778

RGB 253 231 120

HSL 50.08, 0.97%, 0.73%

LAB 91.41, -6.19, 56.11

 

CMYK 0 / 6 / 37 / 0

HEX #FEEEA0

RGB 254 238 160

HSL 49.79, 0.98%, 0.81%

LAB 93.78, -5.48, 39.73

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

CMYK 69 / 0 / 66 / 1

HEX #4FFC55

RGB 79 252 85

HSL 122.08, 0.97%, 0.65%

LAB 87.94, -74.34, 64.78

 

CMYK 39 / 69 / 0 / 1

HEX #9A4FFC

RGB 154 79 252

HSL 266.01, 0.97%, 0.65%

LAB 51.26, 63.97, -74.53

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

CMYK 69 / 0 / 12 / 1

HEX #4FFCDF

RGB 79 252 223

HSL 169.94, 0.97%, 0.65%

LAB 90.14, -50.27, 1.12

 

CMYK 12 / 69 / 0 / 1

HEX #DF4FFC

RGB 223 79 252

HSL 289.94, 0.97%, 0.65%

LAB 60.17, 77.46, -59.71

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

CMYK 69 / 0 / 66 / 1

HEX #4FFC55

RGB 79 252 85

HSL 122.08, 0.97%, 0.65%

LAB 87.94, -74.34, 64.78

 

CMYK 69 / 57 / 0 / 1

HEX #4F6CFC

RGB 79 108 252

HSL 229.94, 0.97%, 0.65%

LAB 51.17, 35.7, -74.94

 

CMYK 0 / 69 / 2 / 1

HEX #FC4FF7

RGB 252 79 247

HSL 301.73, 0.97%, 0.65%

LAB 64.16, 82.74, -50.33

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4D

RGB 252 223 77

HSL 50.06, 0.97%, 0.65%

LAB 88.93, -5.35, 71.69

 

CMYK 69 / 0 / 46 / 1

HEX #4FFC89

RGB 79 252 137

HSL 140.12, 0.97%, 0.65%

LAB 88.49, -67.9, 42.46

 

CMYK 69 / 57 / 0 / 1

HEX #4F6CFC

RGB 79 108 252

HSL 229.94, 0.97%, 0.65%

LAB 51.17, 35.7, -74.94

 

CMYK 0 / 69 / 23 / 1

HEX #FC4FC3

RGB 252 79 195

HSL 319.77, 0.97%, 0.65%

LAB 61.85, 75.44, -24.75

 

Description

Color code: HEX #FCDF4D | qconv.com Color code: HEX #FCDF4D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 223 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 223 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 69 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 69% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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