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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDEC1 it is the complementary color #03213E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDEC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDEC1 shade: #FFDEBC, #FFF0CF, #FFFFE2, #FFFFF5 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDEC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDEC1 shade: #FCDEC1, #EBCCAE, #DABA9B, #C9A888 and #B89675

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDEC1 shade: #FCDDC0, #FCCDC0 and #FCC0C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDEC1 shade: #FCDDC0, #FCEEC0, #FAFCC0, #EAFCC0 and #DAFCC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDEC1 shade matches the following richer shades: #FCDDC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDEC1 shade: #FCDDC0, #F7DDC5, #F1DECA, #ECDED0 and #E7DED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDEC1 shade: #FCC0C3, #FCCDC0, #FCDDC0, #FCEDC0 and #FBFCC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDEC1 shade: #F8B371, #FAC898, #FCDDC0, #FEF2E7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDEC1 shade: #FCDEC1, #D3FCC0 and #C5C0FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDEC1 shade: #FCDEC1, #C0FCDD and #DDC0FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDEC1 shade: #FCDEC1, #D3FCC0, #C0DFFC and #E9C0FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDEC1 shade: #FCDEC1, #C1FCC0, #C0DFFC and #FBC0FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

Complementary color

CMYK 95 / 47 / 0 / 76

HEX #03213E

RGB 3 33 62

HSL 209.49, 0.91%, 0.13%

LAB 12.32, 1.97, -21.64

 

CMYK 0 / 13 / 26 / 0

HEX #FFDEBC

RGB 255 222 188

HSL 30.45, 1%, 0.87%

LAB 90.38, 6.43, 20.89

 

CMYK 0 / 6 / 19 / 0

HEX #FFF0CF

RGB 255 240 207

HSL 41.25, 1%, 0.91%

LAB 95.2, -0.11, 17.78

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

CMYK 0 / 13 / 26 / 8

HEX #EBCCAE

RGB 235 204 174

HSL 29.51, 0.6%, 0.8%

LAB 83.92, 6.42, 18.97

 

CMYK 0 / 15 / 29 / 15

HEX #DABA9B

RGB 218 186 155

HSL 29.52, 0.46%, 0.73%

LAB 77.51, 6.88, 19.97

 

CMYK 0 / 16 / 32 / 21

HEX #C9A888

RGB 201 168 136

HSL 29.54, 0.38%, 0.66%

LAB 71.01, 7.41, 21.05

 

CMYK 0 / 18 / 36 / 28

HEX #B89675

RGB 184 150 117

HSL 29.55, 0.32%, 0.59%

LAB 64.39, 8.01, 22.2

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 19 / 24 / 1

HEX #FCCDC0

RGB 252 205 192

HSL 13, 0.91%, 0.87%

LAB 86.09, 14.68, 12.72

 

CMYK 0 / 24 / 24 / 1

HEX #FCC0C0

RGB 252 192 192

HSL 0, 0.91%, 0.87%

LAB 83.02, 21.49, 8.35

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 6 / 24 / 1

HEX #FCEEC0

RGB 252 238 192

HSL 46, 0.91%, 0.87%

LAB 94.16, -2.29, 24.01

 

CMYK 1 / 0 / 24 / 1

HEX #FAFCC0

RGB 250 252 192

HSL 62, 0.91%, 0.87%

LAB 97.53, -10.01, 28.6

 

CMYK 7 / 0 / 24 / 1

HEX #EAFCC0

RGB 234 252 192

HSL 78, 0.91%, 0.87%

LAB 96.38, -15.75, 26.84

 

CMYK 13 / 0 / 24 / 1

HEX #DAFCC0

RGB 218 252 192

HSL 94, 0.91%, 0.87%

LAB 95.3, -21.35, 25.19

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 11 / 20 / 3

HEX #F7DDC5

RGB 247 221 197

HSL 28.8, 0.76%, 0.87%

LAB 89.64, 5.26, 15.05

 

CMYK 0 / 8 / 16 / 5

HEX #F1DECA

RGB 241 222 202

HSL 30.77, 0.58%, 0.87%

LAB 89.49, 3.32, 12.16

 

CMYK 0 / 6 / 12 / 7

HEX #ECDED0

RGB 236 222 208

HSL 30, 0.42%, 0.87%

LAB 89.22, 2.47, 8.57

 

CMYK 0 / 4 / 8 / 9

HEX #E7DED5

RGB 231 222 213

HSL 30, 0.27%, 0.87%

LAB 88.94, 1.53, 5.49

 

CMYK 0 / 24 / 23 / 1

HEX #FCC0C3

RGB 252 192 195

HSL 357, 0.91%, 0.87%

LAB 83.09, 21.92, 6.85

 

CMYK 0 / 19 / 24 / 1

HEX #FCCDC0

RGB 252 205 192

HSL 13, 0.91%, 0.87%

LAB 86.09, 14.68, 12.72

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 0 / 24 / 1

HEX #FBFCC0

RGB 251 252 192

HSL 61, 0.91%, 0.87%

LAB 97.61, -9.65, 28.72

 

CMYK 0 / 28 / 54 / 3

HEX #F8B371

RGB 248 179 113

HSL 29.33, 0.91%, 0.71%

LAB 78.1, 18.02, 43.34

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 5 / 9 / 0

HEX #FEF2E7

RGB 254 242 231

HSL 28.7, 0.92%, 0.95%

LAB 96.14, 2.2, 6.73

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

CMYK 16 / 0 / 24 / 1

HEX #D3FCC0

RGB 211 252 192

HSL 101, 0.91%, 0.87%

LAB 94.86, -23.75, 24.51

 

CMYK 22 / 24 / 0 / 1

HEX #C5C0FC

RGB 197 192 252

HSL 245, 0.91%, 0.87%

LAB 79.95, 14, -28.9

 

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

CMYK 24 / 0 / 12 / 1

HEX #C0FCDD

RGB 192 252 221

HSL 149, 0.91%, 0.87%

LAB 94.33, -24.9, 8.75

 

CMYK 12 / 24 / 0 / 1

HEX #DDC0FC

RGB 221 192 252

HSL 269, 0.91%, 0.87%

LAB 81.89, 21.35, -25.76

 

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

CMYK 16 / 0 / 24 / 1

HEX #D3FCC0

RGB 211 252 192

HSL 101, 0.91%, 0.87%

LAB 94.86, -23.75, 24.51

 

CMYK 24 / 12 / 0 / 1

HEX #C0DFFC

RGB 192 223 252

HSL 209, 0.91%, 0.87%

LAB 87.49, -3.99, -17.48

 

CMYK 8 / 24 / 0 / 1

HEX #E9C0FC

RGB 233 192 252

HSL 281, 0.91%, 0.87%

LAB 82.94, 25.12, -24.07

 

CMYK 0 / 12 / 23 / 1

HEX #FCDEC1

RGB 252 222 193

HSL 29.49, 0.91%, 0.87%

LAB 90.22, 6, 18.02

 

CMYK 23 / 0 / 24 / 1

HEX #C1FCC0

RGB 193 252 192

HSL 119, 0.91%, 0.87%

LAB 93.78, -29.72, 22.86

 

CMYK 24 / 12 / 0 / 1

HEX #C0DFFC

RGB 192 223 252

HSL 209, 0.91%, 0.87%

LAB 87.49, -3.99, -17.48

 

CMYK 0 / 24 / 0 / 1

HEX #FBC0FC

RGB 251 192 252

HSL 299, 0.91%, 0.87%

LAB 84.61, 30.85, -21.38

 

Description

Color code: HEX #FCDEC1 | qconv.com Color code: HEX #FCDEC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 222 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 222 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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