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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDBFDCE it is the complementary color #032402CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDBFDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDBFDCE shade: #FFDBF8CE, #FFEDFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDBFDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDBFDCE shade: #FCDBFDCE, #EBC9EACE, #DAB7D7CE, #C9A5C4CE and #B893B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDBFDCE shade: #FCDDFD, #FDDDF5, #FDDDED, #FDDDE4 and #FDDDDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDBFDCE shade: #FCDDFD, #F4DDFD, #EBDDFD, #E2DDFD and #DDDDFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDBFDCE shade matches the following richer shades: #FCDDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDBFDCE shade: #FCDDFD, #F9E0FA, #F7E3F7, #F4E6F4 and #F1E9F1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDBFDCE shade: #EBDDFD, #F4DDFD, #FCDDFD, #FDDDF6 and #FDDDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDBFDCE shade: #F58FF8, #F9B6FB, #FCDDFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDBFDCE shade: #FCDBFD, #FDE3DD and #DDFDEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDBFDCE shade: #FCDBFD, #FDFCDD and #DDFDFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDBFDCE shade: #FCDBFD, #FDE3DD, #DEFDDD and #DDF8FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDBFDCE shade: #FCDBFD, #FDECDD, #DEFDDD and #DDEEFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 0 / 1

HEX #FCDBFDCE

RGBA 252 219 253 0.81

HSLA 298.24, 0.89%, 0.93%, 0.81

LABA 90.99, 17.17, -12.31, 0.81

 

Complementary color

CMYK 74 / 0 / 77 / 70

HEX #032402CE

RGBA 3 36 2 0.81

HSLA 118.24, 0.89%, 0.07%, 0.81

LABA 11.17, -20.33, 15.41, 0.81

 

CMYK 0 / 11 / 2 / 0

HEX #FFDBF8CE

RGBA 255 219 248 0.81

HSLA 311.67, 1%, 0.93%, 0.81

LABA 91.1, 17.27, -9.49, 0.81

 

CMYK 0 / 6 / 0 / 0

HEX #FFEDFFCE

RGBA 255 237 255 0.81

HSLA 300, 1%, 0.96%, 0.81

LABA 95.6, 9.18, -6.47, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 11 / 0 / 1

HEX #FCDBFDCE

RGBA 252 219 253 0.81

HSLA 298.24, 0.89%, 0.93%, 0.81

LABA 90.99, 17.17, -12.31, 0.81

 

CMYK 0 / 12 / 0 / 6

HEX #EBC9EACE

RGBA 235 201 234 0.81

HSLA 301.76, 0.46%, 0.85%, 0.81

LABA 84.68, 17.58, -11.84, 0.81

 

CMYK 0 / 13 / 1 / 12

HEX #DAB7D7CE

RGBA 218 183 215 0.81

HSLA 305.14, 0.32%, 0.79%, 0.81

LABA 78.27, 18.02, -11.37, 0.81

 

CMYK 0 / 15 / 2 / 17

HEX #C9A5C4CE

RGBA 201 165 196 0.81

HSLA 308.33, 0.25%, 0.72%, 0.81

LABA 71.77, 18.5, -10.88, 0.81

 

CMYK 0 / 16 / 3 / 23

HEX #B893B1CE

RGBA 184 147 177 0.81

HSLA 311.35, 0.21%, 0.65%, 0.81

LABA 65.15, 19.01, -10.37, 0.81

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 0 / 13 / 3 / 1

HEX #FDDDF5

RGB 253 221 245

HSL 315, 0.89%, 0.93%

LAB 91.32, 15.03, -7.61

 

CMYK 0 / 13 / 6 / 1

HEX #FDDDED

RGB 253 221 237

HSL 330, 0.89%, 0.93%

LAB 91.1, 13.66, -3.74

 

CMYK 0 / 13 / 10 / 1

HEX #FDDDE4

RGB 253 221 228

HSL 346.88, 0.89%, 0.93%

LAB 90.87, 12.16, 0.64

 

CMYK 0 / 13 / 13 / 1

HEX #FDDDDD

RGB 253 221 221

HSL 0, 0.89%, 0.93%

LAB 90.7, 11.04, 4.06

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 4 / 13 / 0 / 1

HEX #F4DDFD

RGB 244 221 253

HSL 283.13, 0.89%, 0.93%

LAB 90.8, 13.51, -12.66

 

CMYK 7 / 13 / 0 / 1

HEX #EBDDFD

RGB 235 221 253

HSL 266.25, 0.89%, 0.93%

LAB 90.08, 10.59, -13.81

 

CMYK 11 / 13 / 0 / 1

HEX #E2DDFD

RGB 226 221 253

HSL 249.38, 0.89%, 0.93%

LAB 89.38, 7.71, -14.93

 

CMYK 13 / 13 / 0 / 1

HEX #DDDDFD

RGB 221 221 253

HSL 240, 0.89%, 0.93%

LAB 89.01, 6.13, -15.53

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 0 / 10 / 0 / 2

HEX #F9E0FA

RGB 249 224 250

HSL 297.69, 0.72%, 0.93%

LAB 91.84, 13.03, -9.49

 

CMYK 0 / 8 / 0 / 3

HEX #F7E3F7

RGB 247 227 247

HSL 300, 0.56%, 0.93%

LAB 92.32, 10.27, -7.23

 

CMYK 0 / 6 / 0 / 4

HEX #F4E6F4

RGB 244 230 244

HSL 300, 0.39%, 0.93%

LAB 92.73, 7.18, -5.08

 

CMYK 0 / 3 / 0 / 5

HEX #F1E9F1

RGB 241 233 241

HSL 300, 0.22%, 0.93%

LAB 93.16, 4.1, -2.92

 

CMYK 7 / 13 / 0 / 1

HEX #EBDDFD

RGB 235 221 253

HSL 266.25, 0.89%, 0.93%

LAB 90.08, 10.59, -13.81

 

CMYK 4 / 13 / 0 / 1

HEX #F4DDFD

RGB 244 221 253

HSL 283.13, 0.89%, 0.93%

LAB 90.8, 13.51, -12.66

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 0 / 13 / 3 / 1

HEX #FDDDF6

RGB 253 221 246

HSL 313.13, 0.89%, 0.93%

LAB 91.35, 15.21, -8.09

 

CMYK 0 / 13 / 6 / 1

HEX #FDDDED

RGB 253 221 237

HSL 330, 0.89%, 0.93%

LAB 91.1, 13.66, -3.74

 

CMYK 1 / 42 / 0 / 3

HEX #F58FF8

RGB 245 143 248

HSL 298.29, 0.88%, 0.77%

LAB 73.44, 53.7, -36.41

 

CMYK 1 / 27 / 0 / 2

HEX #F9B6FB

RGB 249 182 251

HSL 298.26, 0.9%, 0.85%

LAB 82.14, 35.3, -24.61

 

CMYK 0 / 13 / 0 / 1

HEX #FCDDFD

RGB 252 221 253

HSL 298.13, 0.89%, 0.93%

LAB 91.46, 16.12, -11.6

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 13 / 0 / 1

HEX #FCDBFD

RGB 252 219 253

HSL 298.24, 0.89%, 0.93%

LAB 90.99, 17.17, -12.31

 

CMYK 0 / 10 / 13 / 1

HEX #FDE3DD

RGB 253 227 221

HSL 11.25, 0.89%, 0.93%

LAB 92.15, 7.94, 6.16

 

CMYK 13 / 0 / 6 / 1

HEX #DDFDEF

RGB 221 253 239

HSL 153.75, 0.89%, 0.93%

LAB 96.76, -12.92, 3.21

 

CMYK 0 / 13 / 0 / 1

HEX #FCDBFD

RGB 252 219 253

HSL 298.24, 0.89%, 0.93%

LAB 90.99, 17.17, -12.31

 

CMYK 0 / 0 / 13 / 1

HEX #FDFCDD

RGB 253 252 221

HSL 58.13, 0.89%, 0.93%

LAB 98.32, -4.76, 14.98

 

CMYK 13 / 0 / 0 / 1

HEX #DDFDFC

RGB 221 253 252

HSL 178.13, 0.89%, 0.93%

LAB 97.09, -10.46, -3.01

 

CMYK 0 / 13 / 0 / 1

HEX #FCDBFD

RGB 252 219 253

HSL 298.24, 0.89%, 0.93%

LAB 90.99, 17.17, -12.31

 

CMYK 0 / 10 / 13 / 1

HEX #FDE3DD

RGB 253 227 221

HSL 11.25, 0.89%, 0.93%

LAB 92.15, 7.94, 6.16

 

CMYK 12 / 0 / 13 / 1

HEX #DEFDDD

RGB 222 253 221

HSL 118.13, 0.89%, 0.93%

LAB 96.41, -15.81, 11.96

 

CMYK 13 / 2 / 0 / 1

HEX #DDF8FD

RGB 221 248 253

HSL 189.38, 0.89%, 0.93%

LAB 95.83, -7.76, -5.38

 

CMYK 0 / 13 / 0 / 1

HEX #FCDBFD

RGB 252 219 253

HSL 298.24, 0.89%, 0.93%

LAB 90.99, 17.17, -12.31

 

CMYK 0 / 7 / 13 / 1

HEX #FDECDD

RGB 253 236 221

HSL 28.13, 0.89%, 0.93%

LAB 94.35, 3.32, 9.33

 

CMYK 12 / 0 / 13 / 1

HEX #DEFDDD

RGB 222 253 221

HSL 118.13, 0.89%, 0.93%

LAB 96.41, -15.81, 11.96

 

CMYK 13 / 6 / 0 / 1

HEX #DDEEFD

RGB 221 238 253

HSL 208.13, 0.89%, 0.93%

LAB 93.28, -2.68, -9.14

 

Description

Color code: HEX #FCDBFDCE | qconv.com Color code: HEX #FCDBFDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 219 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 219 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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