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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDB92CE it is the complementary color #03246DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDB92CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDB92CE shade: #FFDB8DCE, #FFEDA0CE, #FFFFB3CE, #FFFFC6CE and #FFFFD9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDB92CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDB92CE shade: #FCDB92CE, #EBC97FCE, #DAB76CCE, #C9A559CE and #B89346CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDB92CE shade: #FCDB92, #FCBE92, #FCA292 and #FC9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDB92CE shade: #FCDB92, #FCF892, #E4FC92, #C7FC92 and #AAFC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDB92CE shade matches the following richer shades: #FCDB92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDB92CE shade: #FCDB92, #F3D89B, #EAD4A4, #E1D1AD and #D8CDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDB92CE shade: #FCA292, #FCBE92, #FCDA92, #FCF792 and #E5FC92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDB92CE shade: #FAC141, #FBCE69, #FCDB92, #FDE8BA and #FEF5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDB92CE shade: #FCDB92, #9EFC92 and #B092FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDB92CE shade: #FCDB92, #92FCDA and #DA92FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDB92CE shade: #FCDB92, #9EFC92, #92B3FC and #F092FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDB92CE shade: #FCDB92, #92FCA5, #92B3FC and #FC92E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 34 / 1

HEX #FCDB92CE

RGBA 252 219 146 0.81

HSLA 41.32, 0.95%, 0.78%, 0.81

LABA 88.65, 1.86, 40.07, 0.81

 

Complementary color

CMYK 79 / 54 / 0 / 46

HEX #03246DCE

RGBA 3 36 109 0.81

HSLA 221.32, 0.95%, 0.22%, 0.81

LABA 17.39, 21.28, -45.14, 0.81

 

CMYK 0 / 11 / 36 / 0

HEX #FFDB8DCE

RGBA 255 219 141 0.81

HSLA 41.05, 1%, 0.78%, 0.81

LABA 88.85, 2.54, 42.88, 0.81

 

CMYK 0 / 6 / 30 / 0

HEX #FFEDA0CE

RGBA 255 237 160 0.81

HSLA 48.63, 1%, 0.81%, 0.81

LABA 93.61, -4.6, 39.52, 0.81

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFB3CE

RGBA 255 255 179 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.45, -11.32, 36.42, 0.81

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFC6CE

RGBA 255 255 198 0.81

HSLA 60, 1%, 0.89%, 0.81

LABA 98.77, -8.88, 27.33, 0.81

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFD9CE

RGBA 255 255 217 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.14, -6.17, 18.19, 0.81

 

CMYK 0 / 11 / 34 / 1

HEX #FCDB92CE

RGBA 252 219 146 0.81

HSLA 41.32, 0.95%, 0.78%, 0.81

LABA 88.65, 1.86, 40.07, 0.81

 

CMYK 0 / 12 / 37 / 6

HEX #EBC97FCE

RGBA 235 201 127 0.81

HSLA 41.11, 0.73%, 0.71%, 0.81

LABA 82.36, 2.5, 41.3, 0.81

 

CMYK 0 / 13 / 41 / 12

HEX #DAB76CCE

RGBA 218 183 108 0.81

HSLA 40.91, 0.6%, 0.64%, 0.81

LABA 75.98, 3.23, 42.57, 0.81

 

CMYK 0 / 15 / 45 / 17

HEX #C9A559CE

RGBA 201 165 89 0.81

HSLA 40.71, 0.51%, 0.57%, 0.81

LABA 69.5, 4.09, 43.88, 0.81

 

CMYK 0 / 16 / 50 / 23

HEX #B89346CE

RGBA 184 147 70 0.81

HSLA 40.53, 0.45%, 0.5%, 0.81

LABA 62.93, 5.1, 45.18, 0.81

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 0 / 25 / 42 / 1

HEX #FCBE92

RGB 252 190 146

HSL 24.91, 0.95%, 0.78%

LAB 81.62, 16.89, 30.87

 

CMYK 0 / 36 / 42 / 1

HEX #FCA292

RGB 252 162 146

HSL 9.06, 0.95%, 0.78%

LAB 75.21, 31.57, 22.23

 

CMYK 0 / 42 / 42 / 1

HEX #FC9292

RGB 252 146 146

HSL 0, 0.95%, 0.78%

LAB 71.78, 39.85, 17.51

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 0 / 2 / 42 / 1

HEX #FCF892

RGB 252 248 146

HSL 57.74, 0.95%, 0.78%

LAB 95.96, -12.66, 49.33

 

CMYK 10 / 0 / 42 / 1

HEX #E4FC92

RGB 228 252 146

HSL 73.58, 0.95%, 0.78%

LAB 95.24, -23.71, 48.05

 

CMYK 21 / 0 / 42 / 1

HEX #C7FC92

RGB 199 252 146

HSL 90, 0.95%, 0.78%

LAB 93.38, -34.25, 45.31

 

CMYK 33 / 0 / 42 / 1

HEX #AAFC92

RGB 170 252 146

HSL 106.42, 0.95%, 0.78%

LAB 91.79, -44.03, 42.97

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 0 / 11 / 36 / 5

HEX #F3D89B

RGB 243 216 155

HSL 41.59, 0.79%, 0.78%

LAB 87.26, 0.87, 33.52

 

CMYK 0 / 9 / 30 / 8

HEX #EAD4A4

RGB 234 212 164

HSL 41.14, 0.63%, 0.78%

LAB 85.63, 0.56, 26.56

 

CMYK 0 / 7 / 23 / 12

HEX #E1D1AD

RGB 225 209 173

HSL 41.54, 0.46%, 0.78%

LAB 84.29, -0.07, 19.89

 

CMYK 0 / 5 / 16 / 15

HEX #D8CDB6

RGB 216 205 182

HSL 40.59, 0.3%, 0.78%

LAB 82.72, 0.02, 12.82

 

CMYK 0 / 36 / 42 / 1

HEX #FCA292

RGB 252 162 146

HSL 9.06, 0.95%, 0.78%

LAB 75.21, 31.57, 22.23

 

CMYK 0 / 25 / 42 / 1

HEX #FCBE92

RGB 252 190 146

HSL 24.91, 0.95%, 0.78%

LAB 81.62, 16.89, 30.87

 

CMYK 0 / 13 / 42 / 1

HEX #FCDA92

RGB 252 218 146

HSL 40.75, 0.95%, 0.78%

LAB 88.41, 2.37, 39.75

 

CMYK 0 / 2 / 42 / 1

HEX #FCF792

RGB 252 247 146

HSL 57.17, 0.95%, 0.78%

LAB 95.7, -12.17, 49.01

 

CMYK 9 / 0 / 42 / 1

HEX #E5FC92

RGB 229 252 146

HSL 73.02, 0.95%, 0.78%

LAB 95.31, -23.33, 48.15

 

CMYK 0 / 23 / 74 / 2

HEX #FAC141

RGB 250 193 65

HSL 41.51, 0.95%, 0.62%

LAB 81.21, 8.61, 68.55

 

CMYK 0 / 18 / 58 / 2

HEX #FBCE69

RGB 251 206 105

HSL 41.51, 0.95%, 0.7%

LAB 84.83, 4.56, 55.35

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 0 / 8 / 26 / 1

HEX #FDE8BA

RGB 253 232 186

HSL 41.19, 0.94%, 0.86%

LAB 92.64, 0.31, 25.01

 

CMYK 0 / 4 / 11 / 0

HEX #FEF5E2

RGB 254 245 226

HSL 40.71, 0.93%, 0.94%

LAB 96.77, -0.12, 10.21

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC92

RGB 158 252 146

HSL 113.21, 0.95%, 0.78%

LAB 91.22, -47.78, 42.12

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 42 / 0 / 13 / 1

HEX #92FCDA

RGB 146 252 218

HSL 160.75, 0.95%, 0.78%

LAB 92.04, -38.4, 6.71

 

CMYK 13 / 42 / 0 / 1

HEX #DA92FC

RGB 218 146 252

HSL 280.75, 0.95%, 0.78%

LAB 71.21, 45.16, -42.28

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC92

RGB 158 252 146

HSL 113.21, 0.95%, 0.78%

LAB 91.22, -47.78, 42.12

 

CMYK 42 / 29 / 0 / 1

HEX #92B3FC

RGB 146 179 252

HSL 221.32, 0.95%, 0.78%

LAB 73.14, 7.04, -39.71

 

CMYK 5 / 42 / 0 / 1

HEX #F092FC

RGB 240 146 252

HSL 293.21, 0.95%, 0.78%

LAB 73.62, 51.47, -38.35

 

CMYK 0 / 13 / 42 / 1

HEX #FCDB92

RGB 252 219 146

HSL 41.32, 0.95%, 0.78%

LAB 88.65, 1.86, 40.07

 

CMYK 42 / 0 / 35 / 1

HEX #92FCA5

RGB 146 252 165

HSL 130.75, 0.95%, 0.78%

LAB 90.98, -48.42, 32.32

 

CMYK 42 / 29 / 0 / 1

HEX #92B3FC

RGB 146 179 252

HSL 221.32, 0.95%, 0.78%

LAB 73.14, 7.04, -39.71

 

CMYK 0 / 42 / 8 / 1

HEX #FC92E9

RGB 252 146 233

HSL 310.75, 0.95%, 0.78%

LAB 74.28, 51.69, -26.87

 

Description

Color code: HEX #FCDB92CE | qconv.com Color code: HEX #FCDB92CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 219 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 219 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 34% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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