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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDB35CE it is the complementary color #0324CACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDB35CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDB35CE shade: #FFDB30CE, #FFED43CE, #FFFF56CE, #FFFF69CE and #FFFF7CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDB35CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDB35CE shade: #FCDB35CE, #EBC922CE, #DAB70FCE, #C9A500CE and #B89300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDB35CE shade: #FCDB36, #FCA636, #FC7036, #FC3B36 and #FC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDB35CE shade: #FCDB36, #E7FC36, #B2FC36, #7DFC36 and #47FC36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDB35CE shade matches the following richer shades: #FCDB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDB35CE shade: #FCDB36, #EBD047, #DBC557, #CABA68 and #BAAF78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDB35CE shade: #FC7136, #FCA636, #FCDB36, #E8FC36 and #B3FC36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDB35CE shade: #DCB803, #FBD40D, #FCDB36, #FDE25F and #FDEA87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDB35CE shade: #FCDB35, #36FC3D and #8C36FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDB35CE shade: #FCDB35, #36FCDB and #DB36FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDB35CE shade: #FCDB35, #36FC3D, #3657FC and #FC36F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDB35CE shade: #FCDB35, #36FC78, #3657FC and #FC36BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 64 / 1

HEX #FCDB35CE

RGBA 252 219 53 0.81

HSLA 50.05, 0.97%, 0.6%, 0.81

LABA 87.78, -4.31, 78.7, 0.81

 

Complementary color

CMYK 80 / 67 / 0 / 17

HEX #0324CACE

RGBA 3 36 202 0.81

HSLA 230.05, 0.97%, 0.4%, 0.81

LABA 28.24, 55.4, -84.31, 0.81

 

CMYK 0 / 11 / 66 / 0

HEX #FFDB30CE

RGBA 255 219 48 0.81

HSLA 49.57, 1%, 0.59%, 0.81

LABA 88.03, -3.2, 80.43, 0.81

 

CMYK 0 / 6 / 60 / 0

HEX #FFED43CE

RGBA 255 237 67 0.81

HSLA 54.26, 1%, 0.63%, 0.81

LABA 92.68, -11.51, 78.93, 0.81

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF56CE

RGBA 255 255 86 0.81

HSLA 60, 1%, 0.67%, 0.81

LABA 97.41, -19.37, 76.95, 0.81

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF69CE

RGBA 255 255 105 0.81

HSLA 60, 1%, 0.71%, 0.81

LABA 97.55, -18.25, 69.7, 0.81

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF7CCE

RGBA 255 255 124 0.81

HSLA 60, 1%, 0.74%, 0.81

LABA 97.73, -16.86, 61.73, 0.81

 

CMYK 0 / 11 / 64 / 1

HEX #FCDB35CE

RGBA 252 219 53 0.81

HSLA 50.05, 0.97%, 0.6%, 0.81

LABA 87.78, -4.31, 78.7, 0.81

 

CMYK 0 / 12 / 69 / 6

HEX #EBC922CE

RGBA 235 201 34 0.81

HSLA 49.85, 0.83%, 0.53%, 0.81

LABA 81.59, -2.91, 77.77, 0.81

 

CMYK 0 / 13 / 75 / 12

HEX #DAB70FCE

RGBA 218 183 15 0.81

HSLA 49.66, 0.87%, 0.46%, 0.81

LABA 75.33, -1.3, 75.66, 0.81

 

CMYK 0 / 15 / 81 / 17

HEX #C9A500CE

RGBA 201 165 0 0.81

HSLA 49.25, 1%, 0.39%, 0.81

LABA 68.99, 0.53, 72.1, 0.81

 

CMYK 0 / 16 / 81 / 23

HEX #B89300CE

RGBA 184 147 0 0.81

HSLA 47.93, 1%, 0.36%, 0.81

LABA 62.56, 2.59, 66.79, 0.81

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 0 / 34 / 79 / 1

HEX #FCA636

RGB 252 166 54

HSL 33.94, 0.97%, 0.6%

LAB 74.97, 23.13, 66.82

 

CMYK 0 / 56 / 79 / 1

HEX #FC7036

RGB 252 112 54

HSL 17.58, 0.97%, 0.6%

LAB 63.79, 50.33, 56.27

 

CMYK 0 / 77 / 79 / 1

HEX #FC3B36

RGB 252 59 54

HSL 1.52, 0.97%, 0.6%

LAB 56.18, 70.86, 48.73

 

CMYK 0 / 79 / 79 / 1

HEX #FC3636

RGB 252 54 54

HSL 0, 0.97%, 0.6%

LAB 55.69, 72.24, 48.24

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 8 / 0 / 79 / 1

HEX #E7FC36

RGB 231 252 54

HSL 66.36, 0.97%, 0.6%

LAB 94.69, -28.96, 83.88

 

CMYK 29 / 0 / 79 / 1

HEX #B2FC36

RGB 178 252 54

HSL 82.42, 0.97%, 0.6%

LAB 91.39, -49.21, 79.69

 

CMYK 50 / 0 / 79 / 1

HEX #7DFC36

RGB 125 252 54

HSL 98.48, 0.97%, 0.6%

LAB 89.04, -66.16, 76.66

 

CMYK 72 / 0 / 79 / 1

HEX #47FC36

RGB 71 252 54

HSL 114.85, 0.97%, 0.6%

LAB 87.6, -77.95, 74.79

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 0 / 11 / 70 / 8

HEX #EBD047

RGB 235 208 71

HSL 50.12, 0.8%, 0.6%

LAB 83.56, -5.16, 68.11

 

CMYK 0 / 10 / 60 / 14

HEX #DBC557

RGB 219 197 87

HSL 50, 0.65%, 0.6%

LAB 79.43, -5.31, 56.67

 

CMYK 0 / 8 / 49 / 21

HEX #CABA68

RGB 202 186 104

HSL 50.2, 0.48%, 0.6%

LAB 75.25, -5.31, 43.35

 

CMYK 0 / 6 / 35 / 27

HEX #BAAF78

RGB 186 175 120

HSL 50, 0.32%, 0.6%

LAB 71.18, -4.34, 29.65

 

CMYK 0 / 55 / 79 / 1

HEX #FC7136

RGB 252 113 54

HSL 17.88, 0.97%, 0.6%

LAB 63.98, 49.87, 56.44

 

CMYK 0 / 34 / 79 / 1

HEX #FCA636

RGB 252 166 54

HSL 33.94, 0.97%, 0.6%

LAB 74.97, 23.13, 66.82

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 8 / 0 / 79 / 1

HEX #E8FC36

RGB 232 252 54

HSL 66.06, 0.97%, 0.6%

LAB 94.76, -28.56, 83.97

 

CMYK 29 / 0 / 79 / 1

HEX #B3FC36

RGB 179 252 54

HSL 82.12, 0.97%, 0.6%

LAB 91.45, -48.85, 79.76

 

CMYK 0 / 16 / 99 / 14

HEX #DCB803

RGB 220 184 3

HSL 50.05, 0.97%, 0.44%

LAB 75.76, -1.07, 77.41

 

CMYK 0 / 16 / 95 / 2

HEX #FBD40D

RGB 251 212 13

HSL 50.17, 0.97%, 0.52%

LAB 85.82, -2, 85.04

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB36

RGB 252 219 54

HSL 50, 0.97%, 0.6%

LAB 87.79, -4.28, 78.41

 

CMYK 0 / 11 / 62 / 1

HEX #FDE25F

RGB 253 226 95

HSL 49.75, 0.98%, 0.68%

LAB 89.91, -5.46, 65.53

 

CMYK 0 / 8 / 47 / 1

HEX #FDEA87

RGB 253 234 135

HSL 50.34, 0.97%, 0.76%

LAB 92.34, -6.39, 50.15

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB35

RGB 252 219 53

HSL 50.05, 0.97%, 0.6%

LAB 87.78, -4.31, 78.7

 

CMYK 79 / 0 / 76 / 1

HEX #36FC3D

RGB 54 252 61

HSL 122.12, 0.97%, 0.6%

LAB 87.36, -79.86, 72.42

 

CMYK 44 / 79 / 0 / 1

HEX #8C36FC

RGB 140 54 252

HSL 266.06, 0.97%, 0.6%

LAB 45.96, 72.23, -83.25

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB35

RGB 252 219 53

HSL 50.05, 0.97%, 0.6%

LAB 87.78, -4.31, 78.7

 

CMYK 79 / 0 / 13 / 1

HEX #36FCDB

RGB 54 252 219

HSL 170, 0.97%, 0.6%

LAB 89.64, -54.09, 2.41

 

CMYK 13 / 79 / 0 / 1

HEX #DB36FC

RGB 219 54 252

HSL 290, 0.97%, 0.6%

LAB 56.81, 84.63, -65.13

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB35

RGB 252 219 53

HSL 50.05, 0.97%, 0.6%

LAB 87.78, -4.31, 78.7

 

CMYK 79 / 0 / 76 / 1

HEX #36FC3D

RGB 54 252 61

HSL 122.12, 0.97%, 0.6%

LAB 87.36, -79.86, 72.42

 

CMYK 79 / 65 / 0 / 1

HEX #3657FC

RGB 54 87 252

HSL 230, 0.97%, 0.6%

LAB 45.12, 45.85, -84.87

 

CMYK 0 / 79 / 3 / 1

HEX #FC36F5

RGB 252 54 245

HSL 302.12, 0.97%, 0.6%

LAB 61.59, 89.52, -53.3

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB35

RGB 252 219 53

HSL 50.05, 0.97%, 0.6%

LAB 87.78, -4.31, 78.7

 

CMYK 79 / 0 / 52 / 1

HEX #36FC78

RGB 54 252 120

HSL 140, 0.97%, 0.6%

LAB 87.85, -73.82, 49.6

 

CMYK 79 / 65 / 0 / 1

HEX #3657FC

RGB 54 87 252

HSL 230, 0.97%, 0.6%

LAB 45.12, 45.85, -84.87

 

CMYK 0 / 79 / 26 / 1

HEX #FC36BA

RGB 252 54 186

HSL 320, 0.97%, 0.6%

LAB 58.86, 81.82, -24.18

 

Description

Color code: HEX #FCDB35CE | qconv.com Color code: HEX #FCDB35CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 219 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 219 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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