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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCD506 it is the complementary color #032AF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCD506. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCD506 shade: #FFD501, #FFE714, #FFF927, #FFFF3A and #FFFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCD506. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCD506 shade: #FCD506, #EBC300, #DAB100, #C99F00 and #B88D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCD506 shade: #FDD608, #FD9408, #FD5208, #FD1008 and #FD0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCD506 shade: #FDD608, #E1FD08, #9FFD08, #5DFD08 and #1BFD08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCD506 shade matches the following richer shades: #FDD608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCD506 shade: #FDD608, #E8C81C, #D4BA30, #C0AC44 and #AC9E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCD506 shade: #FD5108, #FD9208, #FDD408, #E4FD08 and #A3FD08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCD506 shade: #B09402, #D9B702, #FDD608, #FDDD30 and #FDE359

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCD506 shade: #FCD506, #08FD10 and #7208FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCD506 shade: #FCD506, #08FDD4 and #D408FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCD506 shade: #FCD506, #08FD10, #0830FD and #FD08F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCD506 shade: #FCD506, #08FD59, #0830FD and #FD08AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

Complementary color

CMYK 99 / 83 / 0 / 2

HEX #032AF9

RGB 3 42 249

HSL 230.49, 0.98%, 0.49%

LAB 35.03, 66.97, -99.93

 

CMYK 0 / 16 / 100 / 0

HEX #FFD501

RGB 255 213 1

HSL 50.08, 1%, 0.5%

LAB 86.43, -0.9, 86.7

 

CMYK 0 / 9 / 92 / 0

HEX #FFE714

RGB 255 231 20

HSL 53.87, 1%, 0.54%

LAB 90.99, -9.76, 88.26

 

CMYK 0 / 2 / 85 / 0

HEX #FFF927

RGB 255 249 39

HSL 58.33, 1%, 0.58%

LAB 95.65, -18.21, 88.86

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

CMYK 0 / 17 / 100 / 8

HEX #EBC300

RGB 235 195 0

HSL 49.79, 1%, 0.46%

LAB 80.01, -0.28, 81.38

 

CMYK 0 / 19 / 100 / 15

HEX #DAB100

RGB 218 177 0

HSL 48.72, 1%, 0.43%

LAB 73.77, 1.7, 76.24

 

CMYK 0 / 21 / 100 / 21

HEX #C99F00

RGB 201 159 0

HSL 47.46, 1%, 0.39%

LAB 67.44, 3.74, 71.02

 

CMYK 0 / 23 / 100 / 28

HEX #B88D00

RGB 184 141 0

HSL 45.98, 1%, 0.36%

LAB 60.99, 5.87, 65.71

 

CMYK 0 / 15 / 97 / 1

HEX #FDD608

RGB 253 214 8

HSL 50.45, 0.98%, 0.51%

LAB 86.5, -2.21, 86.06

 

CMYK 0 / 42 / 97 / 1

HEX #FD9408

RGB 253 148 8

HSL 34.29, 0.98%, 0.51%

LAB 70.93, 32, 75.25

 

CMYK 0 / 68 / 97 / 1

HEX #FD5208

RGB 253 82 8

HSL 18.12, 0.98%, 0.51%

LAB 58.91, 62.62, 67.88

 

CMYK 0 / 94 / 97 / 1

HEX #FD1008

RGB 253 16 8

HSL 1.96, 0.98%, 0.51%

LAB 53.24, 78.51, 65.01

 

CMYK 0 / 97 / 97 / 1

HEX #FD0808

RGB 253 8 8

HSL 0, 0.98%, 0.51%

LAB 53.03, 79.13, 64.91

 

CMYK 0 / 15 / 97 / 1

HEX #FDD608

RGB 253 214 8

HSL 50.45, 0.98%, 0.51%

LAB 86.5, -2.21, 86.06

 

CMYK 11 / 0 / 97 / 1

HEX #E1FD08

RGB 225 253 8

HSL 66.86, 0.98%, 0.51%

LAB 94.43, -32.74, 90.93

 

CMYK 37 / 0 / 97 / 1

HEX #9FFD08

RGB 159 253 8

HSL 83.02, 0.98%, 0.51%

LAB 90.61, -57.36, 86.34

 

CMYK 63 / 0 / 97 / 1

HEX #5DFD08

RGB 93 253 8

HSL 99.18, 0.98%, 0.51%

LAB 88.25, -75.67, 83.46

 

CMYK 89 / 0 / 97 / 1

HEX #1BFD08

RGB 27 253 8

HSL 115.35, 0.98%, 0.51%

LAB 87.24, -84.52, 82.22

 

CMYK 0 / 15 / 97 / 1

HEX #FDD608

RGB 253 214 8

HSL 50.45, 0.98%, 0.51%

LAB 86.5, -2.21, 86.06

 

CMYK 0 / 15 / 97 / 1

HEX #FDD608

RGB 253 214 8

HSL 50.45, 0.98%, 0.51%

LAB 86.5, -2.21, 86.06

 

CMYK 0 / 14 / 88 / 9

HEX #E8C81C

RGB 232 200 28

HSL 50.59, 0.82%, 0.51%

LAB 81.04, -3.81, 78.47

 

CMYK 0 / 12 / 77 / 17

HEX #D4BA30

RGB 212 186 48

HSL 50.49, 0.66%, 0.51%

LAB 75.66, -4.66, 67.99

 

CMYK 0 / 10 / 65 / 25

HEX #C0AC44

RGB 192 172 68

HSL 50.32, 0.5%, 0.51%

LAB 70.27, -5.01, 54.39

 

CMYK 0 / 8 / 49 / 33

HEX #AC9E58

RGB 172 158 88

HSL 50, 0.34%, 0.51%

LAB 64.91, -4.55, 38.19

 

CMYK 0 / 68 / 97 / 1

HEX #FD5108

RGB 253 81 8

HSL 17.88, 0.98%, 0.51%

LAB 58.77, 63, 67.8

 

CMYK 0 / 42 / 97 / 1

HEX #FD9208

RGB 253 146 8

HSL 33.8, 0.98%, 0.51%

LAB 70.5, 33.02, 74.96

 

CMYK 0 / 16 / 97 / 1

HEX #FDD408

RGB 253 212 8

HSL 49.96, 0.98%, 0.51%

LAB 86, -1.19, 85.7

 

CMYK 10 / 0 / 97 / 1

HEX #E4FD08

RGB 228 253 8

HSL 66.12, 0.98%, 0.51%

LAB 94.64, -31.53, 91.18

 

CMYK 36 / 0 / 97 / 1

HEX #A3FD08

RGB 163 253 8

HSL 82.04, 0.98%, 0.51%

LAB 90.8, -56, 86.57

 

CMYK 0 / 16 / 99 / 31

HEX #B09402

RGB 176 148 2

HSL 50.34, 0.98%, 0.35%

LAB 62.01, -1.57, 65.74

 

CMYK 0 / 16 / 99 / 15

HEX #D9B702

RGB 217 183 2

HSL 50.51, 0.98%, 0.43%

LAB 75.22, -1.87, 76.99

 

CMYK 0 / 15 / 97 / 1

HEX #FDD608

RGB 253 214 8

HSL 50.45, 0.98%, 0.51%

LAB 86.5, -2.21, 86.06

 

CMYK 0 / 13 / 81 / 1

HEX #FDDD30

RGB 253 221 48

HSL 50.63, 0.98%, 0.59%

LAB 88.36, -5.05, 80.63

 

CMYK 0 / 10 / 65 / 1

HEX #FDE359

RGB 253 227 89

HSL 50.49, 0.98%, 0.67%

LAB 90.11, -6.31, 68.23

 

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

CMYK 97 / 0 / 94 / 1

HEX #08FD10

RGB 8 253 16

HSL 121.96, 0.98%, 0.51%

LAB 87.16, -85.2, 81.43

 

CMYK 55 / 97 / 0 / 1

HEX #7208FD

RGB 114 8 253

HSL 265.96, 0.98%, 0.51%

LAB 39.31, 80.89, -94.88

 

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

CMYK 97 / 0 / 16 / 1

HEX #08FDD4

RGB 8 253 212

HSL 169.96, 0.98%, 0.51%

LAB 89.42, -58.7, 5.69

 

CMYK 16 / 97 / 0 / 1

HEX #D408FD

RGB 212 8 253

HSL 289.96, 0.98%, 0.51%

LAB 53.24, 91.18, -71.51

 

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

CMYK 97 / 0 / 94 / 1

HEX #08FD10

RGB 8 253 16

HSL 121.96, 0.98%, 0.51%

LAB 87.16, -85.2, 81.43

 

CMYK 97 / 81 / 0 / 1

HEX #0830FD

RGB 8 48 253

HSL 230.2, 0.98%, 0.51%

LAB 36.48, 65.59, -99.77

 

CMYK 0 / 97 / 4 / 1

HEX #FD08F4

RGB 253 8 244

HSL 302.2, 0.98%, 0.51%

LAB 59.51, 95.97, -56.04

 

CMYK 0 / 15 / 98 / 1

HEX #FCD506

RGB 252 213 6

HSL 50.49, 0.98%, 0.51%

LAB 86.15, -2.14, 85.94

 

CMYK 97 / 0 / 65 / 1

HEX #08FD59

RGB 8 253 89

HSL 139.84, 0.98%, 0.51%

LAB 87.5, -80.93, 62.51

 

CMYK 97 / 81 / 0 / 1

HEX #0830FD

RGB 8 48 253

HSL 230.2, 0.98%, 0.51%

LAB 36.48, 65.59, -99.77

 

CMYK 0 / 97 / 32 / 1

HEX #FD08AB

RGB 253 8 171

HSL 320.08, 0.98%, 0.51%

LAB 56.08, 87.31, -19.71

 

Description

Color code: HEX #FCD506 | qconv.com Color code: HEX #FCD506 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 213 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 213 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 98 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 98% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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