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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCD033 it is the complementary color #032FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCD033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCD033 shade: #FFD02E, #FFE241, #FFF454, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCD033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCD033 shade: #FCD033, #EBBE20, #DAAC0D, #C99A00 and #B88800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCD033 shade: #FCCF31, #FC9931, #FC6231 and #FC3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCD033 shade: #FCCF31, #F2FC31, #BBFC31, #84FC31 and #4DFC31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCD033 shade matches the following richer shades: #FCCF31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCD033 shade: #FCCF31, #EBC642, #DABC53, #C9B364 and #B8A975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCD033 shade: #FC6031, #FC9631, #FCCD31, #F5FC31 and #BFFC31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCD033 shade: #D7A903, #FBC608, #FCCF31, #FCD95A and #FDE282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCD033 shade: #FCD033, #38FC31 and #7B31FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCD033 shade: #FCD033, #31FCCD and #CD31FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCD033 shade: #FCD033, #38FC31, #3160FC and #F531FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCD033 shade: #FCD033, #31FC67, #3160FC and #FC31C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

Complementary color

CMYK 99 / 77 / 0 / 20

HEX #032FCC

RGB 3 47 204

HSL 226.87, 0.97%, 0.41%

LAB 30.43, 50.38, -81.83

 

CMYK 0 / 18 / 82 / 0

HEX #FFD02E

RGB 255 208 46

HSL 46.51, 1%, 0.59%

LAB 85.29, 2.33, 78.62

 

CMYK 0 / 11 / 75 / 0

HEX #FFE241

RGB 255 226 65

HSL 50.84, 1%, 0.63%

LAB 89.88, -6.14, 76.96

 

CMYK 0 / 4 / 67 / 0

HEX #FFF454

RGB 255 244 84

HSL 56.14, 1%, 0.66%

LAB 94.57, -14.16, 74.83

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

CMYK 0 / 19 / 86 / 8

HEX #EBBE20

RGB 235 190 32

HSL 46.7, 0.84%, 0.52%

LAB 78.81, 2.73, 75.97

 

CMYK 0 / 21 / 94 / 15

HEX #DAAC0D

RGB 218 172 13

HSL 46.54, 0.89%, 0.45%

LAB 72.52, 4.46, 73.85

 

CMYK 0 / 23 / 100 / 21

HEX #C99A00

RGB 201 154 0

HSL 45.97, 1%, 0.39%

LAB 66.16, 6.43, 70.13

 

CMYK 0 / 26 / 100 / 28

HEX #B88800

RGB 184 136 0

HSL 44.35, 1%, 0.36%

LAB 59.71, 8.62, 64.83

 

CMYK 0 / 18 / 81 / 1

HEX #FCCF31

RGB 252 207 49

HSL 46.7, 0.97%, 0.59%

LAB 84.76, 1.66, 77.22

 

CMYK 0 / 39 / 81 / 1

HEX #FC9931

RGB 252 153 49

HSL 30.74, 0.97%, 0.59%

LAB 72.03, 29.75, 65.98

 

CMYK 0 / 61 / 81 / 1

HEX #FC6231

RGB 252 98 49

HSL 14.48, 0.97%, 0.59%

LAB 61.35, 56.47, 56.2

 

CMYK 0 / 81 / 81 / 1

HEX #FC3131

RGB 252 49 49

HSL 0, 0.97%, 0.59%

LAB 55.19, 73.37, 50.35

 

CMYK 0 / 18 / 81 / 1

HEX #FCCF31

RGB 252 207 49

HSL 46.7, 0.97%, 0.59%

LAB 84.76, 1.66, 77.22

 

CMYK 4 / 0 / 81 / 1

HEX #F2FC31

RGB 242 252 49

HSL 62.96, 0.97%, 0.59%

LAB 95.46, -24.69, 86.12

 

CMYK 26 / 0 / 81 / 1

HEX #BBFC31

RGB 187 252 49

HSL 79.21, 0.97%, 0.59%

LAB 91.87, -46.13, 81.59

 

CMYK 48 / 0 / 81 / 1

HEX #84FC31

RGB 132 252 49

HSL 95.47, 0.97%, 0.59%

LAB 89.27, -64.42, 78.29

 

CMYK 69 / 0 / 81 / 1

HEX #4DFC31

RGB 77 252 49

HSL 111.72, 0.97%, 0.59%

LAB 87.69, -77.22, 76.25

 

CMYK 0 / 18 / 81 / 1

HEX #FCCF31

RGB 252 207 49

HSL 46.7, 0.97%, 0.59%

LAB 84.76, 1.66, 77.22

 

CMYK 0 / 18 / 81 / 1

HEX #FCCF31

RGB 252 207 49

HSL 46.7, 0.97%, 0.59%

LAB 84.76, 1.66, 77.22

 

CMYK 0 / 16 / 72 / 8

HEX #EBC642

RGB 235 198 66

HSL 46.86, 0.81%, 0.59%

LAB 80.98, -0.28, 67.45

 

CMYK 0 / 14 / 62 / 15

HEX #DABC53

RGB 218 188 83

HSL 46.67, 0.65%, 0.59%

LAB 76.98, -1.34, 55.72

 

CMYK 0 / 11 / 50 / 21

HEX #C9B364

RGB 201 179 100

HSL 46.93, 0.48%, 0.59%

LAB 73.27, -2.42, 42.92

 

CMYK 0 / 8 / 36 / 28

HEX #B8A975

RGB 184 169 117

HSL 46.57, 0.32%, 0.59%

LAB 69.36, -2.32, 28.83

 

CMYK 0 / 62 / 81 / 1

HEX #FC6031

RGB 252 96 49

HSL 13.89, 0.97%, 0.59%

LAB 61.03, 57.33, 55.9

 

CMYK 0 / 40 / 81 / 1

HEX #FC9631

RGB 252 150 49

HSL 29.85, 0.97%, 0.59%

LAB 71.37, 31.3, 65.39

 

CMYK 0 / 19 / 81 / 1

HEX #FCCD31

RGB 252 205 49

HSL 46.11, 0.97%, 0.59%

LAB 84.27, 2.68, 76.78

 

CMYK 3 / 0 / 81 / 1

HEX #F5FC31

RGB 245 252 49

HSL 62.07, 0.97%, 0.59%

LAB 95.69, -23.47, 86.4

 

CMYK 24 / 0 / 81 / 1

HEX #BFFC31

RGB 191 252 49

HSL 78.03, 0.97%, 0.59%

LAB 92.1, -44.65, 81.88

 

CMYK 0 / 21 / 99 / 16

HEX #D7A903

RGB 215 169 3

HSL 46.98, 0.97%, 0.43%

LAB 71.44, 4.64, 74.11

 

CMYK 0 / 21 / 97 / 2

HEX #FBC608

RGB 251 198 8

HSL 46.91, 0.97%, 0.51%

LAB 82.33, 5.12, 82.99

 

CMYK 0 / 18 / 81 / 1

HEX #FCCF31

RGB 252 207 49

HSL 46.7, 0.97%, 0.59%

LAB 84.76, 1.66, 77.22

 

CMYK 0 / 14 / 64 / 1

HEX #FCD95A

RGB 252 217 90

HSL 47.04, 0.96%, 0.67%

LAB 87.51, -1.63, 65.03

 

CMYK 0 / 11 / 49 / 1

HEX #FDE282

RGB 253 226 130

HSL 46.83, 0.97%, 0.75%

LAB 90.27, -2.83, 50

 

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

CMYK 78 / 0 / 81 / 1

HEX #38FC31

RGB 56 252 49

HSL 117.93, 0.97%, 0.59%

LAB 87.33, -80.32, 75.79

 

CMYK 51 / 81 / 0 / 1

HEX #7B31FC

RGB 123 49 252

HSL 261.87, 0.97%, 0.59%

LAB 43.41, 71.93, -87.51

 

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

CMYK 81 / 0 / 19 / 1

HEX #31FCCD

RGB 49 252 205

HSL 166.11, 0.97%, 0.59%

LAB 89.24, -57.98, 9.1

 

CMYK 19 / 81 / 0 / 1

HEX #CD31FC

RGB 205 49 252

HSL 286.11, 0.97%, 0.59%

LAB 54.24, 83.57, -69.38

 

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

CMYK 78 / 0 / 81 / 1

HEX #38FC31

RGB 56 252 49

HSL 117.93, 0.97%, 0.59%

LAB 87.33, -80.32, 75.79

 

CMYK 81 / 62 / 0 / 1

HEX #3160FC

RGB 49 96 252

HSL 226.11, 0.97%, 0.59%

LAB 47.04, 39.96, -81.74

 

CMYK 3 / 81 / 0 / 1

HEX #F531FC

RGB 245 49 252

HSL 297.93, 0.97%, 0.59%

LAB 60.46, 90.41, -59.05

 

CMYK 0 / 17 / 80 / 1

HEX #FCD033

RGB 252 208 51

HSL 46.87, 0.97%, 0.59%

LAB 85.02, 1.21, 76.86

 

CMYK 81 / 0 / 59 / 1

HEX #31FC67

RGB 49 252 103

HSL 135.96, 0.97%, 0.59%

LAB 87.61, -76.55, 56.9

 

CMYK 81 / 62 / 0 / 1

HEX #3160FC

RGB 49 96 252

HSL 226.11, 0.97%, 0.59%

LAB 47.04, 39.96, -81.74

 

CMYK 0 / 81 / 21 / 1

HEX #FC31C6

RGB 252 49 198

HSL 315.96, 0.97%, 0.59%

LAB 58.95, 84.41, -30.95

 

Description

Color code: HEX #FCD033 | qconv.com Color code: HEX #FCD033 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 208 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 208 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 80% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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