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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCCF963F it is the complementary color #0330693F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCCF963F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCCF963F shade: #FFCF913F, #FFE1A43F, #FFF3B73F, #FFFFCA3F and #FFFFDD3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCCF963F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCCF963F shade: #FCCF963F, #EBBD833F, #DAAB703F, #C9995D3F and #B8874A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCCF963F shade: #FCCF97, #FCB497, #FC9997 and #FC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCCF963F shade: #FCCF97, #FCEB97, #F2FC97, #D7FC97 and #BCFC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCCF963F shade matches the following richer shades: #FCCF97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCCF963F shade: #FCCF97, #F3CEA0, #EACDA8, #E2CCB1 and #D9CBBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCCF963F shade: #FC9997, #FCB497, #FCCE97, #FCE997 and #F3FC97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCCF963F shade: #F9AB47, #FBBD6F, #FCCF97, #FDE2BF and #FEF4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCCF963F shade: #FCCF96, #B0FC97 and #A697FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCCF963F shade: #FCCF96, #97FCCE and #CE97FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCCF963F shade: #FCCF96, #B0FC97, #97C4FC and #E397FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCCF963F shade: #FCCF96, #97FC9C, #97C4FC and #FC97F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 10 / 0

HEX #FCCF963F

RGBA 252 207 150 0.25

HSLA 33.53, 0.94%, 0.79%, 0.25

LABA 85.77, 8.46, 34.27, 0.25

 

Complementary color

CMYK 24 / 14 / 0 / 15

HEX #0330693F

RGBA 3 48 105 0.25

HSLA 213.53, 0.94%, 0.21%, 0.25

LABA 20.65, 10.64, -37.23, 0.25

 

CMYK 0 / 5 / 11 / 0

HEX #FFCF913F

RGBA 255 207 145 0.25

HSLA 33.82, 1%, 0.78%, 0.25

LABA 85.97, 9.11, 37.16, 0.25

 

CMYK 0 / 3 / 9 / 0

HEX #FFE1A43F

RGBA 255 225 164 0.25

HSLA 40.22, 1%, 0.82%, 0.25

LABA 90.68, 1.92, 33.66, 0.25

 

CMYK 0 / 1 / 7 / 0

HEX #FFF3B73F

RGBA 255 243 183 0.25

HSLA 50, 1%, 0.86%, 0.25

LABA 95.49, -4.88, 30.45, 0.25

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFCA3F

RGBA 255 255 202 0.25

HSLA 60, 1%, 0.9%, 0.25

LABA 98.85, -8.33, 25.41, 0.25

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFDD3F

RGBA 255 255 221 0.25

HSLA 60, 1%, 0.93%, 0.25

LABA 99.22, -5.56, 16.27, 0.25

 

CMYK 0 / 4 / 10 / 0

HEX #FCCF963F

RGBA 252 207 150 0.25

HSLA 33.53, 0.94%, 0.79%, 0.25

LABA 85.77, 8.46, 34.27, 0.25

 

CMYK 0 / 5 / 11 / 2

HEX #EBBD833F

RGBA 235 189 131 0.25

HSLA 33.46, 0.72%, 0.72%, 0.25

LABA 79.44, 9.17, 35.52, 0.25

 

CMYK 0 / 5 / 12 / 4

HEX #DAAB703F

RGBA 218 171 112 0.25

HSLA 33.4, 0.59%, 0.65%, 0.25

LABA 73.02, 9.98, 36.83, 0.25

 

CMYK 0 / 6 / 13 / 5

HEX #C9995D3F

RGBA 201 153 93 0.25

HSLA 33.33, 0.5%, 0.58%, 0.25

LABA 66.51, 10.91, 38.22, 0.25

 

CMYK 0 / 7 / 15 / 7

HEX #B8874A3F

RGBA 184 135 74 0.25

HSLA 33.27, 0.44%, 0.51%, 0.25

LABA 59.9, 12.01, 39.67, 0.25

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF97

RGB 252 207 151

HSL 33.27, 0.94%, 0.79%

LAB 85.78, 8.56, 33.78

 

CMYK 0 / 29 / 40 / 1

HEX #FCB497

RGB 252 180 151

HSL 17.23, 0.94%, 0.79%

LAB 79.37, 22.68, 25.2

 

CMYK 0 / 39 / 40 / 1

HEX #FC9997

RGB 252 153 151

HSL 1.19, 0.94%, 0.79%

LAB 73.36, 36.78, 16.94

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF97

RGB 252 207 151

HSL 33.27, 0.94%, 0.79%

LAB 85.78, 8.56, 33.78

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 15 / 0 / 40 / 1

HEX #D7FC97

RGB 215 252 151

HSL 81.98, 0.94%, 0.79%

LAB 94.44, -27.93, 44.45

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC97

RGB 188 252 151

HSL 98.02, 0.94%, 0.79%

LAB 92.82, -37.43, 42.04

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF97

RGB 252 207 151

HSL 33.27, 0.94%, 0.79%

LAB 85.78, 8.56, 33.78

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF97

RGB 252 207 151

HSL 33.27, 0.94%, 0.79%

LAB 85.78, 8.56, 33.78

 

CMYK 0 / 15 / 34 / 5

HEX #F3CEA0

RGB 243 206 160

HSL 33.25, 0.78%, 0.79%

LAB 84.86, 6.62, 27.73

 

CMYK 0 / 12 / 28 / 8

HEX #EACDA8

RGB 234 205 168

HSL 33.64, 0.61%, 0.79%

LAB 83.96, 4.71, 22.18

 

CMYK 0 / 10 / 22 / 11

HEX #E2CCB1

RGB 226 204 177

HSL 33.06, 0.46%, 0.79%

LAB 83.19, 3.48, 16.26

 

CMYK 0 / 6 / 14 / 15

HEX #D9CBBA

RGB 217 203 186

HSL 32.9, 0.29%, 0.79%

LAB 82.38, 2.06, 10.22

 

CMYK 0 / 39 / 40 / 1

HEX #FC9997

RGB 252 153 151

HSL 1.19, 0.94%, 0.79%

LAB 73.36, 36.78, 16.94

 

CMYK 0 / 29 / 40 / 1

HEX #FCB497

RGB 252 180 151

HSL 17.23, 0.94%, 0.79%

LAB 79.37, 22.68, 25.2

 

CMYK 0 / 18 / 40 / 1

HEX #FCCE97

RGB 252 206 151

HSL 32.67, 0.94%, 0.79%

LAB 85.54, 9.08, 33.46

 

CMYK 0 / 8 / 40 / 1

HEX #FCE997

RGB 252 233 151

HSL 48.71, 0.94%, 0.79%

LAB 92.22, -4.71, 42.16

 

CMYK 4 / 0 / 40 / 1

HEX #F3FC97

RGB 243 252 151

HSL 65.35, 0.94%, 0.79%

LAB 96.37, -17.53, 47.3

 

CMYK 0 / 31 / 71 / 2

HEX #F9AB47

RGB 249 171 71

HSL 33.71, 0.94%, 0.63%

LAB 75.9, 19.96, 60.8

 

CMYK 0 / 25 / 56 / 2

HEX #FBBD6F

RGB 251 189 111

HSL 33.43, 0.95%, 0.71%

LAB 80.77, 13.83, 47.67

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF97

RGB 252 207 151

HSL 33.27, 0.94%, 0.79%

LAB 85.78, 8.56, 33.78

 

CMYK 0 / 11 / 25 / 1

HEX #FDE2BF

RGB 253 226 191

HSL 33.87, 0.94%, 0.87%

LAB 91.25, 4.04, 20.51

 

CMYK 0 / 4 / 9 / 0

HEX #FEF4E7

RGB 254 244 231

HSL 33.91, 0.92%, 0.95%

LAB 96.63, 1.19, 7.44

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF96

RGB 252 207 150

HSL 33.53, 0.94%, 0.79%

LAB 85.77, 8.46, 34.27

 

CMYK 30 / 0 / 40 / 1

HEX #B0FC97

RGB 176 252 151

HSL 105.15, 0.94%, 0.79%

LAB 92.17, -41.42, 41.08

 

CMYK 34 / 40 / 0 / 1

HEX #A697FC

RGB 166 151 252

HSL 248.91, 0.94%, 0.79%

LAB 67.48, 28.03, -48.48

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF96

RGB 252 207 150

HSL 33.53, 0.94%, 0.79%

LAB 85.77, 8.46, 34.27

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 18 / 40 / 0 / 1

HEX #CE97FC

RGB 206 151 252

HSL 272.67, 0.94%, 0.79%

LAB 71.07, 39.06, -42.6

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF96

RGB 252 207 150

HSL 33.53, 0.94%, 0.79%

LAB 85.77, 8.46, 34.27

 

CMYK 30 / 0 / 40 / 1

HEX #B0FC97

RGB 176 252 151

HSL 105.15, 0.94%, 0.79%

LAB 92.17, -41.42, 41.08

 

CMYK 40 / 22 / 0 / 1

HEX #97C4FC

RGB 151 196 252

HSL 213.27, 0.94%, 0.79%

LAB 77.93, -1.03, -32.27

 

CMYK 10 / 40 / 0 / 1

HEX #E397FC

RGB 227 151 252

HSL 285.15, 0.94%, 0.79%

LAB 73.21, 45.12, -39.08

 

CMYK 0 / 18 / 40 / 1

HEX #FCCF96

RGB 252 207 150

HSL 33.53, 0.94%, 0.79%

LAB 85.77, 8.46, 34.27

 

CMYK 40 / 0 / 38 / 1

HEX #97FC9C

RGB 151 252 156

HSL 122.97, 0.94%, 0.79%

LAB 91.05, -48.41, 36.94

 

CMYK 40 / 22 / 0 / 1

HEX #97C4FC

RGB 151 196 252

HSL 213.27, 0.94%, 0.79%

LAB 77.93, -1.03, -32.27

 

CMYK 0 / 40 / 2 / 1

HEX #FC97F7

RGB 252 151 247

HSL 302.97, 0.94%, 0.79%

LAB 75.79, 51.55, -32.16

 

Description

Color code: HEX #FCCF963F | qconv.com Color code: HEX #FCCF963F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 207 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 207 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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