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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCCC95 it is the complementary color #03336A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCCC95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCCC95 shade: #FFCC90, #FFDEA3, #FFF0B6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCCC95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCCC95 shade: #FCCC95, #EBBA82, #DAA86F, #C9965C and #B88449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCCC95 shade: #FCCD97, #FCB297 and #FC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCCC95 shade: #FCCD97, #FCE897, #F4FC97, #D9FC97 and #BEFC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCCC95 shade matches the following richer shades: #FCCD97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCCC95 shade: #FCCD97, #F3CCA0, #EACCA8, #E2CBB1 and #D9CBBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCCC95 shade: #FC9797, #FCB297, #FCCD97, #FCE897 and #F5FC97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCCC95 shade: #F9A647, #FBBA6F, #FCCD97, #FDE0BF and #FEF3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCCC95 shade: #FCCC95, #B2FC97 and #A597FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCCC95 shade: #FCCC95, #97FCCD and #CD97FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCCC95 shade: #FCCC95, #B2FC97, #97C6FC and #E197FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCCC95 shade: #FCCC95, #97FC9A, #97C6FC and #FC97F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

Complementary color

CMYK 97 / 52 / 0 / 58

HEX #03336A

RGB 3 51 106

HSL 212.04, 0.94%, 0.21%

LAB 21.68, 8.89, -36.21

 

CMYK 0 / 20 / 44 / 0

HEX #FFCC90

RGB 255 204 144

HSL 32.43, 1%, 0.78%

LAB 85.23, 10.56, 36.71

 

CMYK 0 / 13 / 36 / 0

HEX #FFDEA3

RGB 255 222 163

HSL 38.48, 1%, 0.82%

LAB 89.93, 3.33, 33.16

 

CMYK 0 / 6 / 29 / 0

HEX #FFF0B6

RGB 255 240 182

HSL 47.67, 1%, 0.86%

LAB 94.72, -3.5, 29.92

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

CMYK 0 / 21 / 45 / 8

HEX #EBBA82

RGB 235 186 130

HSL 32, 0.72%, 0.72%

LAB 78.69, 10.64, 35.06

 

CMYK 0 / 23 / 49 / 15

HEX #DAA86F

RGB 218 168 111

HSL 31.96, 0.59%, 0.65%

LAB 72.27, 11.49, 36.39

 

CMYK 0 / 25 / 54 / 21

HEX #C9965C

RGB 201 150 92

HSL 31.93, 0.5%, 0.57%

LAB 65.75, 12.46, 37.81

 

CMYK 0 / 28 / 60 / 28

HEX #B88449

RGB 184 132 73

HSL 31.89, 0.44%, 0.5%

LAB 59.13, 13.6, 39.28

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 29 / 40 / 1

HEX #FCB297

RGB 252 178 151

HSL 16.04, 0.94%, 0.79%

LAB 78.91, 23.73, 24.57

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 8 / 40 / 1

HEX #FCE897

RGB 252 232 151

HSL 48.12, 0.94%, 0.79%

LAB 91.97, -4.21, 41.84

 

CMYK 3 / 0 / 40 / 1

HEX #F4FC97

RGB 244 252 151

HSL 64.75, 0.94%, 0.79%

LAB 96.45, -17.16, 47.41

 

CMYK 14 / 0 / 40 / 1

HEX #D9FC97

RGB 217 252 151

HSL 80.79, 0.94%, 0.79%

LAB 94.57, -27.2, 44.64

 

CMYK 25 / 0 / 40 / 1

HEX #BEFC97

RGB 190 252 151

HSL 96.83, 0.94%, 0.79%

LAB 92.93, -36.75, 42.2

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 16 / 34 / 5

HEX #F3CCA0

RGB 243 204 160

HSL 31.81, 0.78%, 0.79%

LAB 84.37, 7.66, 27.07

 

CMYK 0 / 13 / 28 / 8

HEX #EACCA8

RGB 234 204 168

HSL 32.73, 0.61%, 0.79%

LAB 83.71, 5.23, 21.83

 

CMYK 0 / 10 / 22 / 11

HEX #E2CBB1

RGB 226 203 177

HSL 31.84, 0.46%, 0.79%

LAB 82.94, 4, 15.9

 

CMYK 0 / 6 / 14 / 15

HEX #D9CBBA

RGB 217 203 186

HSL 32.9, 0.29%, 0.79%

LAB 82.38, 2.06, 10.22

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 29 / 40 / 1

HEX #FCB297

RGB 252 178 151

HSL 16.04, 0.94%, 0.79%

LAB 78.91, 23.73, 24.57

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 8 / 40 / 1

HEX #FCE897

RGB 252 232 151

HSL 48.12, 0.94%, 0.79%

LAB 91.97, -4.21, 41.84

 

CMYK 3 / 0 / 40 / 1

HEX #F5FC97

RGB 245 252 151

HSL 64.16, 0.94%, 0.79%

LAB 96.52, -16.78, 47.52

 

CMYK 0 / 33 / 71 / 2

HEX #F9A647

RGB 249 166 71

HSL 32.02, 0.94%, 0.63%

LAB 74.74, 22.58, 59.6

 

CMYK 0 / 26 / 56 / 2

HEX #FBBA6F

RGB 251 186 111

HSL 32.14, 0.95%, 0.71%

LAB 80.05, 15.4, 46.8

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 0 / 11 / 25 / 1

HEX #FDE0BF

RGB 253 224 191

HSL 31.94, 0.94%, 0.87%

LAB 90.76, 5.06, 19.83

 

CMYK 0 / 4 / 9 / 0

HEX #FEF3E7

RGB 254 243 231

HSL 31.3, 0.92%, 0.95%

LAB 96.39, 1.69, 7.08

 

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

CMYK 29 / 0 / 40 / 1

HEX #B2FC97

RGB 178 252 151

HSL 103.96, 0.94%, 0.79%

LAB 92.27, -40.76, 41.23

 

CMYK 35 / 40 / 0 / 1

HEX #A597FC

RGB 165 151 252

HSL 248.32, 0.94%, 0.79%

LAB 67.4, 27.77, -48.61

 

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

CMYK 40 / 0 / 19 / 1

HEX #97FCCD

RGB 151 252 205

HSL 152.08, 0.94%, 0.79%

LAB 91.96, -39.79, 13.33

 

CMYK 19 / 40 / 0 / 1

HEX #CD97FC

RGB 205 151 252

HSL 272.08, 0.94%, 0.79%

LAB 70.97, 38.78, -42.76

 

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

CMYK 29 / 0 / 40 / 1

HEX #B2FC97

RGB 178 252 151

HSL 103.96, 0.94%, 0.79%

LAB 92.27, -40.76, 41.23

 

CMYK 40 / 21 / 0 / 1

HEX #97C6FC

RGB 151 198 252

HSL 212.08, 0.94%, 0.79%

LAB 78.46, -2.11, -31.45

 

CMYK 11 / 40 / 0 / 1

HEX #E197FC

RGB 225 151 252

HSL 283.96, 0.94%, 0.79%

LAB 73, 44.54, -39.43

 

CMYK 0 / 19 / 41 / 1

HEX #FCCC95

RGB 252 204 149

HSL 32.04, 0.94%, 0.79%

LAB 85.02, 9.91, 33.81

 

CMYK 40 / 0 / 39 / 1

HEX #97FC9A

RGB 151 252 154

HSL 121.78, 0.94%, 0.79%

LAB 91.02, -48.71, 37.88

 

CMYK 40 / 21 / 0 / 1

HEX #97C6FC

RGB 151 198 252

HSL 212.08, 0.94%, 0.79%

LAB 78.46, -2.11, -31.45

 

CMYK 0 / 40 / 2 / 1

HEX #FC97F8

RGB 252 151 248

HSL 302.38, 0.94%, 0.79%

LAB 75.83, 51.73, -32.65

 

Description

Color code: HEX #FCCC95 | qconv.com Color code: HEX #FCCC95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 204 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 204 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 41% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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