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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC366 it is the complementary color #033C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCC366 shade: #FFC361, #FFD574, #FFE787, #FFF99A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCC366 shade: #FCC366, #EBB153, #DA9F40, #C98D2D and #B87B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCC366 shade: #FCC264, #FC9964, #FC7064 and #FC6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCC366 shade: #FCC264, #FCEB64, #E4FC64, #BBFC64 and #92FC64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCC366 shade matches the following richer shades: #FCC264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCC366 shade: #FCC264, #EFBF71, #E2BC7E, #D5B98A and #C9B697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCC366 shade: #FC7164, #FC9964, #FCC264, #FCEA64 and #E5FC64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCC366 shade: #FAA213, #FBB23C, #FCC264, #FDD28C and #FDE2B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCC366 shade: #FCC366, #80FC64 and #8564FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCC366 shade: #FCC366, #64FCC2 and #C264FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCC366 shade: #FCC366, #80FC64, #649EFC and #E064FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCC366 shade: #FCC366, #64FC76, #649EFC and #FC64EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

Complementary color

CMYK 98 / 61 / 0 / 40

HEX #033C99

RGB 3 60 153

HSL 217.2, 0.96%, 0.31%

LAB 28.25, 22.8, -55.02

 

CMYK 0 / 24 / 62 / 0

HEX #FFC361

RGB 255 195 97

HSL 37.22, 1%, 0.69%

LAB 82.46, 11.35, 56.46

 

CMYK 0 / 16 / 55 / 0

HEX #FFD574

RGB 255 213 116

HSL 41.87, 1%, 0.73%

LAB 87.05, 3.42, 52.86

 

CMYK 0 / 9 / 47 / 0

HEX #FFE787

RGB 255 231 135

HSL 48, 1%, 0.76%

LAB 91.76, -4.1, 49.46

 

CMYK 0 / 2 / 40 / 0

HEX #FFF99A

RGB 255 249 154

HSL 56.44, 1%, 0.8%

LAB 96.55, -11.19, 46.26

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

CMYK 0 / 25 / 65 / 8

HEX #EBB153

RGB 235 177 83

HSL 37.11, 0.79%, 0.62%

LAB 75.9, 11.6, 55.01

 

CMYK 0 / 27 / 71 / 15

HEX #DA9F40

RGB 218 159 64

HSL 37.01, 0.68%, 0.55%

LAB 69.52, 12.93, 56.15

 

CMYK 0 / 30 / 78 / 21

HEX #C98D2D

RGB 201 141 45

HSL 36.92, 0.63%, 0.48%

LAB 63.06, 14.47, 56.97

 

CMYK 0 / 33 / 86 / 28

HEX #B87B1A

RGB 184 123 26

HSL 36.84, 0.75%, 0.41%

LAB 56.52, 16.26, 57.09

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 39 / 60 / 1

HEX #FC9964

RGB 252 153 100

HSL 20.92, 0.96%, 0.69%

LAB 72.49, 32.26, 43.24

 

CMYK 0 / 56 / 60 / 1

HEX #FC7064

RGB 252 112 100

HSL 4.74, 0.96%, 0.69%

LAB 64.33, 52.6, 33.12

 

CMYK 0 / 60 / 60 / 1

HEX #FC6464

RGB 252 100 100

HSL 0, 0.96%, 0.69%

LAB 62.28, 57.98, 30.51

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 7 / 60 / 1

HEX #FCEB64

RGB 252 235 100

HSL 53.29, 0.96%, 0.69%

LAB 92.15, -10.03, 65.82

 

CMYK 10 / 0 / 60 / 1

HEX #E4FC64

RGB 228 252 100

HSL 69.47, 0.96%, 0.69%

LAB 94.75, -27.78, 68.14

 

CMYK 26 / 0 / 60 / 1

HEX #BBFC64

RGB 187 252 100

HSL 85.66, 0.96%, 0.69%

LAB 92.18, -43.16, 64.58

 

CMYK 42 / 0 / 60 / 1

HEX #92FC64

RGB 146 252 100

HSL 101.84, 0.96%, 0.69%

LAB 90.16, -56.77, 61.77

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 20 / 53 / 6

HEX #EFBF71

RGB 239 191 113

HSL 37.14, 0.8%, 0.69%

LAB 80.07, 8.07, 45.55

 

CMYK 0 / 17 / 44 / 11

HEX #E2BC7E

RGB 226 188 126

HSL 37.2, 0.63%, 0.69%

LAB 78.25, 5.58, 36.4

 

CMYK 0 / 13 / 35 / 16

HEX #D5B98A

RGB 213 185 138

HSL 37.6, 0.47%, 0.69%

LAB 76.48, 3.31, 27.57

 

CMYK 0 / 9 / 25 / 21

HEX #C9B697

RGB 201 182 151

HSL 37.2, 0.32%, 0.69%

LAB 74.89, 1.92, 18.26

 

CMYK 0 / 55 / 60 / 1

HEX #FC7164

RGB 252 113 100

HSL 5.13, 0.96%, 0.69%

LAB 64.5, 52.14, 33.35

 

CMYK 0 / 39 / 60 / 1

HEX #FC9964

RGB 252 153 100

HSL 20.92, 0.96%, 0.69%

LAB 72.49, 32.26, 43.24

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 7 / 60 / 1

HEX #FCEA64

RGB 252 234 100

HSL 52.89, 0.96%, 0.69%

LAB 91.89, -9.53, 65.54

 

CMYK 9 / 0 / 60 / 1

HEX #E5FC64

RGB 229 252 100

HSL 69.08, 0.96%, 0.69%

LAB 94.82, -27.39, 68.23

 

CMYK 0 / 35 / 92 / 2

HEX #FAA213

RGB 250 162 19

HSL 37.14, 0.96%, 0.53%

LAB 73.68, 23.58, 75.39

 

CMYK 0 / 29 / 76 / 2

HEX #FBB23C

RGB 251 178 60

HSL 37.07, 0.96%, 0.61%

LAB 77.68, 16.65, 67.08

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 17 / 45 / 1

HEX #FDD28C

RGB 253 210 140

HSL 37.17, 0.97%, 0.77%

LAB 86.44, 6.27, 40.26

 

CMYK 0 / 11 / 28 / 1

HEX #FDE2B5

RGB 253 226 181

HSL 37.5, 0.95%, 0.85%

LAB 91.06, 2.72, 25.42

 

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

CMYK 49 / 0 / 60 / 1

HEX #80FC64

RGB 128 252 100

HSL 108.95, 0.96%, 0.69%

LAB 89.45, -61.94, 60.78

 

CMYK 47 / 60 / 0 / 1

HEX #8564FC

RGB 133 100 252

HSL 253.03, 0.96%, 0.69%

LAB 53.09, 49.31, -71.65

 

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

CMYK 60 / 0 / 23 / 1

HEX #64FCC2

RGB 100 252 194

HSL 157.11, 0.96%, 0.69%

LAB 89.96, -53.64, 15.93

 

CMYK 23 / 60 / 0 / 1

HEX #C264FC

RGB 194 100 252

HSL 277.11, 0.96%, 0.69%

LAB 59.54, 62.3, -60.93

 

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

CMYK 49 / 0 / 60 / 1

HEX #80FC64

RGB 128 252 100

HSL 108.95, 0.96%, 0.69%

LAB 89.45, -61.94, 60.78

 

CMYK 60 / 37 / 0 / 1

HEX #649EFC

RGB 100 158 252

HSL 217.11, 0.96%, 0.69%

LAB 65.11, 8.93, -52.49

 

CMYK 11 / 60 / 0 / 1

HEX #E064FC

RGB 224 100 252

HSL 288.95, 0.96%, 0.69%

LAB 63.33, 69.24, -54.65

 

CMYK 0 / 23 / 60 / 1

HEX #FCC366

RGB 252 195 102

HSL 37.2, 0.96%, 0.69%

LAB 82.21, 10.45, 53.75

 

CMYK 60 / 0 / 53 / 1

HEX #64FC76

RGB 100 252 118

HSL 127.11, 0.96%, 0.69%

LAB 88.75, -66.68, 51.82

 

CMYK 60 / 37 / 0 / 1

HEX #649EFC

RGB 100 158 252

HSL 217.11, 0.96%, 0.69%

LAB 65.11, 8.93, -52.49

 

CMYK 0 / 60 / 7 / 1

HEX #FC64EA

RGB 252 100 234

HSL 307.11, 0.96%, 0.69%

LAB 66.33, 72.99, -39.72

 

Description

Color code: HEX #FCC366 | qconv.com Color code: HEX #FCC366 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 195 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 195 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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