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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC080 it is the complementary color #033F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCC080 shade: #FFC07B, #FFD28E, #FFE4A1, #FFF6B4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCC080 shade: #FCC080, #EBAE6D, #DA9C5A, #C98A47 and #B87834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCC080 shade: #FCC183, #FCA183 and #FC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCC080 shade: #FCC183, #FCE283, #F5FC83, #D4FC83 and #B4FC83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCC080 shade matches the following richer shades: #FCC183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCC080 shade: #FCC183, #F1C18D, #E7C197, #DDC0A2 and #D3C0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCC080 shade: #FC8387, #FC9F83, #FCBF83, #FCE083 and #F8FC83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCC080 shade: #FA9932, #FBAD5A, #FCC183, #FDD5AB and #FEE9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCC080 shade: #FCC080, #A7FC83 and #8F83FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCC080 shade: #FCC080, #83FCBF and #BF83FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCC080 shade: #FCC080, #A7FC83, #83BFFC and #D783FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCC080 shade: #FCC080, #83FC83, #83BFFC and #FC83FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

Complementary color

CMYK 98 / 50 / 0 / 50

HEX #033F7F

RGB 3 63 127

HSL 210.97, 0.95%, 0.25%

LAB 27.04, 9.59, -40.92

 

CMYK 0 / 25 / 52 / 0

HEX #FFC07B

RGB 255 192 123

HSL 31.36, 1%, 0.74%

LAB 82.05, 14.85, 43.34

 

CMYK 0 / 18 / 44 / 0

HEX #FFD28E

RGB 255 210 142

HSL 36.11, 1%, 0.78%

LAB 86.66, 7.26, 39.57

 

CMYK 0 / 11 / 37 / 0

HEX #FFE4A1

RGB 255 228 161

HSL 42.77, 1%, 0.82%

LAB 91.38, 0.05, 36.1

 

CMYK 0 / 4 / 29 / 0

HEX #FFF6B4

RGB 255 246 180

HSL 52.8, 1%, 0.85%

LAB 96.19, -6.75, 32.91

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

CMYK 0 / 26 / 54 / 8

HEX #EBAE6D

RGB 235 174 109

HSL 30.95, 0.76%, 0.67%

LAB 75.48, 15.06, 41.83

 

CMYK 0 / 28 / 59 / 15

HEX #DA9C5A

RGB 218 156 90

HSL 30.94, 0.63%, 0.6%

LAB 69.05, 16.17, 43.27

 

CMYK 0 / 31 / 65 / 21

HEX #C98A47

RGB 201 138 71

HSL 30.92, 0.55%, 0.53%

LAB 62.55, 17.45, 44.76

 

CMYK 0 / 35 / 72 / 28

HEX #B87834

RGB 184 120 52

HSL 30.91, 0.56%, 0.46%

LAB 55.96, 18.94, 46.19

 

CMYK 0 / 23 / 48 / 1

HEX #FCC183

RGB 252 193 131

HSL 30.74, 0.95%, 0.75%

LAB 82.1, 13.84, 39.27

 

CMYK 0 / 36 / 48 / 1

HEX #FCA183

RGB 252 161 131

HSL 14.88, 0.95%, 0.75%

LAB 74.71, 30.61, 29.68

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 0 / 23 / 48 / 1

HEX #FCC183

RGB 252 193 131

HSL 30.74, 0.95%, 0.75%

LAB 82.1, 13.84, 39.27

 

CMYK 0 / 10 / 48 / 1

HEX #FCE283

RGB 252 226 131

HSL 47.11, 0.95%, 0.75%

LAB 90.2, -3.14, 49.41

 

CMYK 3 / 0 / 48 / 1

HEX #F5FC83

RGB 245 252 131

HSL 63.47, 0.95%, 0.75%

LAB 96.27, -18.72, 56.65

 

CMYK 16 / 0 / 48 / 1

HEX #D4FC83

RGB 212 252 131

HSL 79.83, 0.95%, 0.75%

LAB 93.99, -31.22, 53.37

 

CMYK 29 / 0 / 48 / 1

HEX #B4FC83

RGB 180 252 131

HSL 95.7, 0.95%, 0.75%

LAB 92.12, -42.58, 50.64

 

CMYK 0 / 23 / 48 / 1

HEX #FCC183

RGB 252 193 131

HSL 30.74, 0.95%, 0.75%

LAB 82.1, 13.84, 39.27

 

CMYK 0 / 23 / 48 / 1

HEX #FCC183

RGB 252 193 131

HSL 30.74, 0.95%, 0.75%

LAB 82.1, 13.84, 39.27

 

CMYK 0 / 20 / 41 / 5

HEX #F1C18D

RGB 241 193 141

HSL 31.2, 0.78%, 0.75%

LAB 81.16, 10.48, 32.67

 

CMYK 0 / 16 / 35 / 9

HEX #E7C197

RGB 231 193 151

HSL 31.5, 0.63%, 0.75%

LAB 80.38, 7.7, 26.22

 

CMYK 0 / 13 / 27 / 13

HEX #DDC0A2

RGB 221 192 162

HSL 30.51, 0.46%, 0.75%

LAB 79.43, 5.79, 18.92

 

CMYK 0 / 9 / 18 / 17

HEX #D3C0AC

RGB 211 192 172

HSL 30.77, 0.31%, 0.75%

LAB 78.77, 3.48, 12.51

 

CMYK 0 / 48 / 46 / 1

HEX #FC8387

RGB 252 131 135

HSL 358.02, 0.95%, 0.75%

LAB 68.52, 46.3, 19.12

 

CMYK 0 / 37 / 48 / 1

HEX #FC9F83

RGB 252 159 131

HSL 13.88, 0.95%, 0.75%

LAB 74.27, 31.65, 29.09

 

CMYK 0 / 24 / 48 / 1

HEX #FCBF83

RGB 252 191 131

HSL 29.75, 0.95%, 0.75%

LAB 81.62, 14.89, 38.66

 

CMYK 0 / 11 / 48 / 1

HEX #FCE083

RGB 252 224 131

HSL 46.12, 0.95%, 0.75%

LAB 89.69, -2.13, 48.79

 

CMYK 2 / 0 / 48 / 1

HEX #F8FC83

RGB 248 252 131

HSL 61.98, 0.95%, 0.75%

LAB 96.5, -17.56, 56.98

 

CMYK 0 / 39 / 80 / 2

HEX #FA9932

RGB 250 153 50

HSL 30.9, 0.95%, 0.59%

LAB 71.78, 28.96, 65.29

 

CMYK 0 / 31 / 64 / 2

HEX #FBAD5A

RGB 251 173 90

HSL 30.93, 0.95%, 0.67%

LAB 76.76, 20.76, 53.17

 

CMYK 0 / 23 / 48 / 1

HEX #FCC183

RGB 252 193 131

HSL 30.74, 0.95%, 0.75%

LAB 82.1, 13.84, 39.27

 

CMYK 0 / 16 / 32 / 1

HEX #FDD5AB

RGB 253 213 171

HSL 30.73, 0.95%, 0.83%

LAB 87.68, 8.14, 25.99

 

CMYK 0 / 8 / 17 / 0

HEX #FEE9D3

RGB 254 233 211

HSL 30.7, 0.96%, 0.91%

LAB 93.47, 3.67, 13.27

 

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

CMYK 34 / 0 / 48 / 1

HEX #A7FC83

RGB 167 252 131

HSL 102.15, 0.95%, 0.75%

LAB 91.45, -46.88, 49.67

 

CMYK 43 / 48 / 0 / 1

HEX #8F83FC

RGB 143 131 252

HSL 245.95, 0.95%, 0.75%

LAB 60.87, 33.79, -59.08

 

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

CMYK 48 / 0 / 24 / 1

HEX #83FCBF

RGB 131 252 191

HSL 149.75, 0.95%, 0.75%

LAB 90.87, -47.64, 18.89

 

CMYK 24 / 48 / 0 / 1

HEX #BF83FC

RGB 191 131 252

HSL 269.75, 0.95%, 0.75%

LAB 65.23, 45.75, -51.89

 

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

CMYK 34 / 0 / 48 / 1

HEX #A7FC83

RGB 167 252 131

HSL 102.15, 0.95%, 0.75%

LAB 91.45, -46.88, 49.67

 

CMYK 48 / 24 / 0 / 1

HEX #83BFFC

RGB 131 191 252

HSL 210.25, 0.95%, 0.75%

LAB 75.52, -3.18, -36.07

 

CMYK 15 / 48 / 0 / 1

HEX #D783FC

RGB 215 131 252

HSL 281.65, 0.95%, 0.75%

LAB 67.8, 52.15, -47.65

 

CMYK 0 / 24 / 49 / 1

HEX #FCC080

RGB 252 192 128

HSL 30.97, 0.95%, 0.75%

LAB 81.81, 14.09, 40.44

 

CMYK 48 / 0 / 48 / 1

HEX #83FC83

RGB 131 252 131

HSL 120, 0.95%, 0.75%

LAB 89.9, -57.55, 47.41

 

CMYK 48 / 24 / 0 / 1

HEX #83BFFC

RGB 131 191 252

HSL 210.25, 0.95%, 0.75%

LAB 75.52, -3.18, -36.07

 

CMYK 0 / 48 / 0 / 1

HEX #FC83FC

RGB 252 131 252

HSL 300, 0.95%, 0.75%

LAB 72.2, 62.22, -40.45

 

Description

Color code: HEX #FCC080 | qconv.com Color code: HEX #FCC080 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 192 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 192 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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