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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC07C3F it is the complementary color #033F833F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC07C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCC07C3F shade: #FFC0773F, #FFD28A3F, #FFE49D3F, #FFF6B03F and #FFFFC33F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC07C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCC07C3F shade: #FCC07C3F, #EBAE693F, #DA9C563F, #C98A433F and #B878303F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCC07C3F shade: #FCC17D, #FC9E7D and #FC7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCC07C3F shade: #FCC17D, #FCE37D, #F3FC7D, #D1FC7D and #AFFC7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCC07C3F shade matches the following richer shades: #FCC17D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCC07C3F shade: #FCC17D, #F2C088, #E7BF93, #DCBF9D and #D1BEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCC07C3F shade: #FC7D7F, #FC9D7D, #FCBF7D, #FCE17D and #F6FC7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCC07C3F shade: #FB9A2C, #FCAD55, #FCC17D, #FDD4A5 and #FEE7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCC07C3F shade: #FCC07C, #A1FC7D and #8C7DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCC07C3F shade: #FCC07C, #7DFCBF and #BF7DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCC07C3F shade: #FCC07C, #A1FC7D, #7DBBFC and #D87DFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCC07C3F shade: #FCC07C, #7DFC7F, #7DBBFC and #FC7DFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 13 / 0

HEX #FCC07C3F

RGBA 252 192 124 0.25

HSLA 31.88, 0.96%, 0.74%, 0.25

LABA 81.76, 13.74, 42.4, 0.25

 

Complementary color

CMYK 24 / 13 / 0 / 12

HEX #033F833F

RGBA 3 63 131 0.25

HSLA 211.88, 0.96%, 0.26%, 0.25

LABA 27.33, 11.32, -42.94, 0.25

 

CMYK 0 / 6 / 13 / 0

HEX #FFC0773F

RGBA 255 192 119 0.25

HSLA 32.21, 1%, 0.73%, 0.25

LABA 82, 14.52, 45.28, 0.25

HEX #FFC0773F

CMYK 0 / 4 / 11 / 0

HEX #FFD28A3F

RGBA 255 210 138 0.25

HSLA 36.92, 1%, 0.77%, 0.25

LABA 86.6, 6.87, 41.51, 0.25

HEX #FFD28A3F

CMYK 0 / 3 / 10 / 0

HEX #FFE49D3F

RGBA 255 228 157 0.25

HSLA 43.47, 1%, 0.81%, 0.25

LABA 91.32, -0.39, 38.04, 0.25

HEX #FFE49D3F

CMYK 0 / 1 / 8 / 0

HEX #FFF6B03F

RGBA 255 246 176 0.25

HSLA 53.16, 1%, 0.85%, 0.25

LABA 96.12, -7.24, 34.83, 0.25

HEX #FFF6B03F

CMYK 0 / 0 / 6 / 0

HEX #FFFFC33F

RGBA 255 255 195 0.25

HSLA 60, 1%, 0.88%, 0.25

LABA 98.72, -9.28, 28.77, 0.25

HEX #FFFFC33F

CMYK 0 / 6 / 13 / 0

HEX #FCC07C3F

RGBA 252 192 124 0.25

HSLA 31.88, 0.96%, 0.74%, 0.25

LABA 81.76, 13.74, 42.4, 0.25

 

CMYK 0 / 6 / 14 / 2

HEX #EBAE693F

RGBA 235 174 105 0.25

HSLA 31.85, 0.76%, 0.67%, 0.25

LABA 75.42, 14.74, 43.79, 0.25

 

CMYK 0 / 7 / 15 / 4

HEX #DA9C563F

RGBA 218 156 86 0.25

HSLA 31.82, 0.64%, 0.6%, 0.25

LABA 69.01, 15.88, 45.23, 0.25

 

CMYK 0 / 8 / 17 / 5

HEX #C98A433F

RGBA 201 138 67 0.25

HSLA 31.79, 0.55%, 0.53%, 0.25

LABA 62.51, 17.2, 46.68, 0.25

 

CMYK 0 / 9 / 18 / 7

HEX #B878303F

RGBA 184 120 48 0.25

HSLA 31.76, 0.59%, 0.45%, 0.25

LABA 55.92, 18.74, 48.01, 0.25

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17D

RGB 252 193 125

HSL 32.13, 0.95%, 0.74%

LAB 82.01, 13.3, 42.21

 

CMYK 0 / 37 / 50 / 1

HEX #FC9E7D

RGB 252 158 125

HSL 15.59, 0.95%, 0.74%

LAB 73.95, 31.62, 31.9

 

CMYK 0 / 50 / 50 / 1

HEX #FC7D7D

RGB 252 125 125

HSL 0, 0.95%, 0.74%

LAB 67.16, 48.33, 22.87

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17D

RGB 252 193 125

HSL 32.13, 0.95%, 0.74%

LAB 82.01, 13.3, 42.21

 

CMYK 0 / 10 / 50 / 1

HEX #FCE37D

RGB 252 227 125

HSL 48.19, 0.95%, 0.74%

LAB 90.37, -4.16, 52.5

 

CMYK 4 / 0 / 50 / 1

HEX #F3FC7D

RGB 243 252 125

HSL 64.25, 0.95%, 0.74%

LAB 96.06, -20.01, 59.1

 

CMYK 17 / 0 / 50 / 1

HEX #D1FC7D

RGB 209 252 125

HSL 80.31, 0.95%, 0.74%

LAB 93.74, -32.92, 55.78

 

CMYK 31 / 0 / 50 / 1

HEX #AFFC7D

RGB 175 252 125

HSL 96.38, 0.95%, 0.74%

LAB 91.78, -44.93, 52.96

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17D

RGB 252 193 125

HSL 32.13, 0.95%, 0.74%

LAB 82.01, 13.3, 42.21

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17D

RGB 252 193 125

HSL 32.13, 0.95%, 0.74%

LAB 82.01, 13.3, 42.21

 

CMYK 0 / 21 / 44 / 5

HEX #F2C088

RGB 242 192 136

HSL 31.7, 0.8%, 0.74%

LAB 80.94, 10.88, 35

 

CMYK 0 / 17 / 36 / 9

HEX #E7BF93

RGB 231 191 147

HSL 31.43, 0.64%, 0.74%

LAB 79.82, 8.28, 27.57

 

CMYK 0 / 13 / 29 / 14

HEX #DCBF9D

RGB 220 191 157

HSL 32.38, 0.47%, 0.74%

LAB 78.99, 5.27, 20.97

 

CMYK 0 / 9 / 20 / 18

HEX #D1BEA8

RGB 209 190 168

HSL 32.2, 0.31%, 0.74%

LAB 78, 3.18, 13.55

 

CMYK 0 / 50 / 50 / 1

HEX #FC7D7F

RGB 252 125 127

HSL 359.06, 0.95%, 0.74%

LAB 67.2, 48.51, 21.81

 

CMYK 0 / 38 / 50 / 1

HEX #FC9D7D

RGB 252 157 125

HSL 15.12, 0.95%, 0.74%

LAB 73.73, 32.14, 31.61

 

CMYK 0 / 24 / 50 / 1

HEX #FCBF7D

RGB 252 191 125

HSL 31.18, 0.95%, 0.74%

LAB 81.53, 14.35, 41.61

 

CMYK 0 / 11 / 50 / 1

HEX #FCE17D

RGB 252 225 125

HSL 47.24, 0.95%, 0.74%

LAB 89.87, -3.16, 51.9

 

CMYK 2 / 0 / 50 / 1

HEX #F6FC7D

RGB 246 252 125

HSL 62.83, 0.95%, 0.74%

LAB 96.28, -18.85, 59.42

 

CMYK 0 / 39 / 82 / 2

HEX #FB9A2C

RGB 251 154 44

HSL 31.88, 0.96%, 0.58%

LAB 72.1, 28.67, 67.75

 

CMYK 0 / 31 / 66 / 1

HEX #FCAD55

RGB 252 173 85

HSL 31.62, 0.97%, 0.66%

LAB 76.82, 20.88, 55.62

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17D

RGB 252 193 125

HSL 32.13, 0.95%, 0.74%

LAB 82.01, 13.3, 42.21

 

CMYK 0 / 16 / 35 / 1

HEX #FDD4A5

RGB 253 212 165

HSL 32.05, 0.96%, 0.82%

LAB 87.33, 7.94, 28.63

 

CMYK 0 / 9 / 19 / 0

HEX #FEE7CE

RGB 254 231 206

HSL 31.25, 0.96%, 0.9%

LAB 92.87, 3.96, 15.01

 

CMYK 0 / 24 / 51 / 1

HEX #FCC07C

RGB 252 192 124

HSL 31.88, 0.96%, 0.74%

LAB 81.76, 13.74, 42.4

 

CMYK 36 / 0 / 50 / 1

HEX #A1FC7D

RGB 161 252 125

HSL 102.99, 0.95%, 0.74%

LAB 91.09, -49.5, 51.96

 

CMYK 44 / 50 / 0 / 1

HEX #8C7DFC

RGB 140 125 252

HSL 247.09, 0.95%, 0.74%

LAB 59.22, 36.58, -61.73

 

CMYK 0 / 24 / 51 / 1

HEX #FCC07C

RGB 252 192 124

HSL 31.88, 0.96%, 0.74%

LAB 81.76, 13.74, 42.4

 

CMYK 50 / 0 / 24 / 1

HEX #7DFCBF

RGB 125 252 191

HSL 151.18, 0.95%, 0.74%

LAB 90.66, -49.06, 18.56

 

CMYK 24 / 50 / 0 / 1

HEX #BF7DFC

RGB 191 125 252

HSL 271.18, 0.95%, 0.74%

LAB 63.98, 48.95, -53.87

 

CMYK 0 / 24 / 51 / 1

HEX #FCC07C

RGB 252 192 124

HSL 31.88, 0.96%, 0.74%

LAB 81.76, 13.74, 42.4

 

CMYK 36 / 0 / 50 / 1

HEX #A1FC7D

RGB 161 252 125

HSL 102.99, 0.95%, 0.74%

LAB 91.09, -49.5, 51.96

 

CMYK 50 / 26 / 0 / 1

HEX #7DBBFC

RGB 125 187 252

HSL 210.71, 0.95%, 0.74%

LAB 74.14, -2.35, -38.23

 

CMYK 14 / 50 / 0 / 1

HEX #D87DFC

RGB 216 125 252

HSL 282.99, 0.95%, 0.74%

LAB 66.74, 55.46, -49.31

 

CMYK 0 / 24 / 51 / 1

HEX #FCC07C

RGB 252 192 124

HSL 31.88, 0.96%, 0.74%

LAB 81.76, 13.74, 42.4

 

CMYK 50 / 0 / 50 / 1

HEX #7DFC7F

RGB 125 252 127

HSL 120.94, 0.95%, 0.74%

LAB 89.63, -59.65, 48.92

 

CMYK 50 / 26 / 0 / 1

HEX #7DBBFC

RGB 125 187 252

HSL 210.71, 0.95%, 0.74%

LAB 74.14, -2.35, -38.23

 

CMYK 0 / 50 / 1 / 1

HEX #FC7DFA

RGB 252 125 250

HSL 300.94, 0.95%, 0.74%

LAB 71.05, 64.68, -41.15

 

Description

Color code: HEX #FCC07C3F | qconv.com Color code: HEX #FCC07C3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 192 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 192 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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