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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCBA83 it is the complementary color #03457C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCBA83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCBA83 shade: #FFBA7E, #FFCC91, #FFDEA4, #FFF0B7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCBA83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCBA83 shade: #FCBA83, #EBA870, #DA965D, #C9844A and #B87237

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCBA83 shade: #FCBA83, #FC9983 and #FC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCBA83 shade: #FCBA83, #FCDA83, #FCFB83, #DCFC83 and #BBFC83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCBA83 shade matches the following richer shades: #FCBA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCBA83 shade: #FCBA83, #F1BB8D, #E7BC97, #DDBDA2 and #D3BDAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCBA83 shade: #FC838D, #FC9983, #FCB983, #FCD983 and #FCFA83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCBA83 shade: #FA8D32, #FBA35A, #FCBA83, #FDD0AB and #FEE7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCBA83 shade: #FCBA83, #ADFC83 and #8983FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCBA83 shade: #FCBA83, #83FCB9 and #B983FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCBA83 shade: #FCBA83, #ADFC83, #83C5FC and #D183FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCBA83 shade: #FCBA83, #89FC83, #83C5FC and #F683FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

Complementary color

CMYK 98 / 44 / 0 / 51

HEX #03457C

RGB 3 69 124

HSL 207.27, 0.95%, 0.25%

LAB 28.72, 4.12, -36.33

 

CMYK 0 / 27 / 51 / 0

HEX #FFBA7E

RGB 255 186 126

HSL 27.91, 1%, 0.75%

LAB 80.67, 18.24, 40.08

 

CMYK 0 / 20 / 43 / 0

HEX #FFCC91

RGB 255 204 145

HSL 32.18, 1%, 0.78%

LAB 85.25, 10.66, 36.21

 

CMYK 0 / 13 / 36 / 0

HEX #FFDEA4

RGB 255 222 164

HSL 38.24, 1%, 0.82%

LAB 89.94, 3.45, 32.68

 

CMYK 0 / 6 / 28 / 0

HEX #FFF0B7

RGB 255 240 183

HSL 47.5, 1%, 0.86%

LAB 94.74, -3.38, 29.43

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 29 / 52 / 8

HEX #EBA870

RGB 235 168 112

HSL 27.32, 0.75%, 0.68%

LAB 74.09, 18.5, 38.55

 

CMYK 0 / 31 / 57 / 15

HEX #DA965D

RGB 218 150 93

HSL 27.36, 0.63%, 0.61%

LAB 67.66, 19.63, 40.05

 

CMYK 0 / 34 / 63 / 21

HEX #C9844A

RGB 201 132 74

HSL 27.4, 0.54%, 0.54%

LAB 61.15, 20.93, 41.63

 

CMYK 0 / 38 / 70 / 28

HEX #B87237

RGB 184 114 55

HSL 27.44, 0.54%, 0.47%

LAB 54.55, 22.42, 43.23

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 39 / 48 / 1

HEX #FC9983

RGB 252 153 131

HSL 10.91, 0.95%, 0.75%

LAB 72.97, 34.76, 27.36

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 13 / 48 / 1

HEX #FCDA83

RGB 252 218 131

HSL 43.14, 0.95%, 0.75%

LAB 88.2, 0.92, 46.94

 

CMYK 0 / 0 / 48 / 1

HEX #FCFB83

RGB 252 251 131

HSL 59.5, 0.95%, 0.75%

LAB 96.55, -15.52, 57.1

 

CMYK 13 / 0 / 48 / 1

HEX #DCFC83

RGB 220 252 131

HSL 75.87, 0.95%, 0.75%

LAB 94.52, -28.24, 54.12

 

CMYK 26 / 0 / 48 / 1

HEX #BBFC83

RGB 187 252 131

HSL 92.23, 0.95%, 0.75%

LAB 92.5, -40.18, 51.2

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 22 / 41 / 5

HEX #F1BB8D

RGB 241 187 141

HSL 27.6, 0.78%, 0.75%

LAB 79.71, 13.64, 30.75

 

CMYK 0 / 19 / 35 / 9

HEX #E7BC97

RGB 231 188 151

HSL 27.75, 0.63%, 0.75%

LAB 79.15, 10.34, 24.55

 

CMYK 0 / 14 / 27 / 13

HEX #DDBDA2

RGB 221 189 162

HSL 27.46, 0.46%, 0.75%

LAB 78.68, 7.38, 17.88

 

CMYK 0 / 10 / 18 / 17

HEX #D3BDAC

RGB 211 189 172

HSL 26.15, 0.31%, 0.75%

LAB 78.01, 5.07, 11.43

 

CMYK 0 / 48 / 44 / 1

HEX #FC838D

RGB 252 131 141

HSL 355.04, 0.95%, 0.75%

LAB 68.64, 46.88, 15.94

 

CMYK 0 / 39 / 48 / 1

HEX #FC9983

RGB 252 153 131

HSL 10.91, 0.95%, 0.75%

LAB 72.97, 34.76, 27.36

 

CMYK 0 / 27 / 48 / 1

HEX #FCB983

RGB 252 185 131

HSL 26.78, 0.95%, 0.75%

LAB 80.2, 18.03, 36.83

 

CMYK 0 / 14 / 48 / 1

HEX #FCD983

RGB 252 217 131

HSL 42.64, 0.95%, 0.75%

LAB 87.95, 1.43, 46.64

 

CMYK 0 / 1 / 48 / 1

HEX #FCFA83

RGB 252 250 131

HSL 59.01, 0.95%, 0.75%

LAB 96.29, -15.03, 56.8

 

CMYK 0 / 44 / 80 / 2

HEX #FA8D32

RGB 250 141 50

HSL 27.3, 0.95%, 0.59%

LAB 69.19, 35.16, 62.93

 

CMYK 0 / 35 / 64 / 2

HEX #FBA35A

RGB 251 163 90

HSL 27.2, 0.95%, 0.67%

LAB 74.47, 26, 50.57

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 0 / 18 / 32 / 1

HEX #FDD0AB

RGB 253 208 171

HSL 27.07, 0.95%, 0.83%

LAB 86.47, 10.73, 24.33

 

CMYK 0 / 9 / 17 / 0

HEX #FEE7D3

RGB 254 231 211

HSL 27.91, 0.96%, 0.91%

LAB 92.98, 4.7, 12.57

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 31 / 0 / 48 / 1

HEX #ADFC83

RGB 173 252 131

HSL 99.17, 0.95%, 0.75%

LAB 91.75, -44.92, 50.11

 

CMYK 46 / 48 / 0 / 1

HEX #8983FC

RGB 137 131 252

HSL 242.98, 0.95%, 0.75%

LAB 60.41, 32.43, -59.85

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 48 / 0 / 27 / 1

HEX #83FCB9

RGB 131 252 185

HSL 146.78, 0.95%, 0.75%

LAB 90.76, -48.8, 21.79

 

CMYK 27 / 48 / 0 / 1

HEX #B983FC

RGB 185 131 252

HSL 266.78, 0.95%, 0.75%

LAB 64.62, 44.18, -52.88

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 31 / 0 / 48 / 1

HEX #ADFC83

RGB 173 252 131

HSL 99.17, 0.95%, 0.75%

LAB 91.75, -44.92, 50.11

 

CMYK 48 / 22 / 0 / 1

HEX #83C5FC

RGB 131 197 252

HSL 207.27, 0.95%, 0.75%

LAB 77.15, -6.42, -33.55

 

CMYK 17 / 48 / 0 / 1

HEX #D183FC

RGB 209 131 252

HSL 278.68, 0.95%, 0.75%

LAB 67.14, 50.53, -48.74

 

CMYK 0 / 26 / 48 / 1

HEX #FCBA83

RGB 252 186 131

HSL 27.27, 0.95%, 0.75%

LAB 80.43, 17.51, 37.14

 

CMYK 46 / 0 / 48 / 1

HEX #89FC83

RGB 137 252 131

HSL 117.02, 0.95%, 0.75%

LAB 90.13, -55.92, 47.75

 

CMYK 48 / 22 / 0 / 1

HEX #83C5FC

RGB 131 197 252

HSL 207.27, 0.95%, 0.75%

LAB 77.15, -6.42, -33.55

 

CMYK 2 / 48 / 0 / 1

HEX #F683FC

RGB 246 131 252

HSL 297.02, 0.95%, 0.75%

LAB 71.46, 60.58, -41.66

 

Description

Color code: HEX #FCBA83 | qconv.com Color code: HEX #FCBA83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 186 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 186 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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