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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCBA33 it is the complementary color #0345CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCBA33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCBA33 shade: #FFBA2E, #FFCC41, #FFDE54, #FFF067 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCBA33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCBA33 shade: #FCBA33, #EBA820, #DA960D, #C98400 and #B87200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCBA33 shade: #FCB931, #FC8331, #FC4C31 and #FC3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCBA33 shade: #FCB931, #FCF031, #D1FC31, #9AFC31 and #64FC31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCBA33 shade matches the following richer shades: #FCB931

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCBA33 shade: #FCB931, #EBB342, #DAAE53, #C9A864 and #B8A275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCBA33 shade: #FC4C31, #FC8231, #FCB831, #FCEE31 and #D3FC31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCBA33 shade: #D79203, #FBAC08, #FCB931, #FCC75A and #FDD582

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCBA33 shade: #FCBA33, #4CFC31 and #6731FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCBA33 shade: #FCBA33, #31FCB8 and #B831FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCBA33 shade: #FCBA33, #4CFC31, #3175FC and #E131FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCBA33 shade: #FCBA33, #31FC53, #3175FC and #FC31DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

Complementary color

CMYK 99 / 66 / 0 / 20

HEX #0345CC

RGB 3 69 204

HSL 220.3, 0.97%, 0.41%

LAB 35.27, 37.04, -73.82

 

CMYK 0 / 27 / 82 / 0

HEX #FFBA2E

RGB 255 186 46

HSL 40.19, 1%, 0.59%

LAB 79.94, 13.69, 74.05

 

CMYK 0 / 20 / 75 / 0

HEX #FFCC41

RGB 255 204 65

HSL 43.89, 1%, 0.63%

LAB 84.39, 5.02, 71.78

 

CMYK 0 / 13 / 67 / 0

HEX #FFDE54

RGB 255 222 84

HSL 48.42, 1%, 0.66%

LAB 88.99, -3.25, 69.13

 

CMYK 0 / 6 / 60 / 0

HEX #FFF067

RGB 255 240 103

HSL 54.08, 1%, 0.7%

LAB 93.69, -11.09, 66.32

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

CMYK 0 / 29 / 86 / 8

HEX #EBA820

RGB 235 168 32

HSL 40.2, 0.84%, 0.52%

LAB 73.4, 14.28, 71.63

 

CMYK 0 / 31 / 94 / 15

HEX #DA960D

RGB 218 150 13

HSL 40.1, 0.89%, 0.45%

LAB 67.09, 16.22, 69.9

 

CMYK 0 / 34 / 100 / 21

HEX #C98400

RGB 201 132 0

HSL 39.4, 1%, 0.39%

LAB 60.71, 18.41, 66.46

 

CMYK 0 / 38 / 100 / 28

HEX #B87200

RGB 184 114 0

HSL 37.17, 1%, 0.36%

LAB 54.26, 20.81, 61.21

 

CMYK 0 / 27 / 81 / 1

HEX #FCB931

RGB 252 185 49

HSL 40.2, 0.97%, 0.59%

LAB 79.39, 13.03, 72.52

 

CMYK 0 / 48 / 81 / 1

HEX #FC8331

RGB 252 131 49

HSL 24.24, 0.97%, 0.59%

LAB 67.39, 40.98, 61.78

 

CMYK 0 / 70 / 81 / 1

HEX #FC4C31

RGB 252 76 49

HSL 7.98, 0.97%, 0.59%

LAB 58.12, 65.2, 53.15

 

CMYK 0 / 81 / 81 / 1

HEX #FC3131

RGB 252 49 49

HSL 0, 0.97%, 0.59%

LAB 55.19, 73.37, 50.35

 

CMYK 0 / 27 / 81 / 1

HEX #FCB931

RGB 252 185 49

HSL 40.2, 0.97%, 0.59%

LAB 79.39, 13.03, 72.52

 

CMYK 0 / 5 / 81 / 1

HEX #FCF031

RGB 252 240 49

HSL 56.45, 0.97%, 0.59%

LAB 93.12, -14.84, 84.42

 

CMYK 17 / 0 / 81 / 1

HEX #D1FC31

RGB 209 252 49

HSL 72.71, 0.97%, 0.59%

LAB 93.19, -37.8, 83.26

 

CMYK 39 / 0 / 81 / 1

HEX #9AFC31

RGB 154 252 49

HSL 88.97, 0.97%, 0.59%

LAB 90.19, -57.64, 79.46

 

CMYK 60 / 0 / 81 / 1

HEX #64FC31

RGB 100 252 49

HSL 104.93, 0.97%, 0.59%

LAB 88.23, -72.66, 76.95

 

CMYK 0 / 27 / 81 / 1

HEX #FCB931

RGB 252 185 49

HSL 40.2, 0.97%, 0.59%

LAB 79.39, 13.03, 72.52

 

CMYK 0 / 27 / 81 / 1

HEX #FCB931

RGB 252 185 49

HSL 40.2, 0.97%, 0.59%

LAB 79.39, 13.03, 72.52

 

CMYK 0 / 24 / 72 / 8

HEX #EBB342

RGB 235 179 66

HSL 40.12, 0.81%, 0.59%

LAB 76.25, 9.63, 62.75

 

CMYK 0 / 20 / 62 / 15

HEX #DAAE53

RGB 218 174 83

HSL 40.44, 0.65%, 0.59%

LAB 73.42, 6.04, 51.75

 

CMYK 0 / 16 / 50 / 21

HEX #C9A864

RGB 201 168 100

HSL 40.4, 0.48%, 0.59%

LAB 70.42, 3.43, 39.41

 

CMYK 0 / 12 / 36 / 28

HEX #B8A275

RGB 184 162 117

HSL 40.3, 0.32%, 0.59%

LAB 67.51, 1.45, 26.38

 

CMYK 0 / 70 / 81 / 1

HEX #FC4C31

RGB 252 76 49

HSL 7.98, 0.97%, 0.59%

LAB 58.12, 65.2, 53.15

 

CMYK 0 / 48 / 81 / 1

HEX #FC8231

RGB 252 130 49

HSL 23.94, 0.97%, 0.59%

LAB 67.19, 41.48, 61.59

 

CMYK 0 / 27 / 81 / 1

HEX #FCB831

RGB 252 184 49

HSL 39.9, 0.97%, 0.59%

LAB 79.16, 13.56, 72.31

 

CMYK 0 / 6 / 81 / 1

HEX #FCEE31

RGB 252 238 49

HSL 55.86, 0.97%, 0.59%

LAB 92.6, -13.87, 83.98

 

CMYK 16 / 0 / 81 / 1

HEX #D3FC31

RGB 211 252 49

HSL 72.12, 0.97%, 0.59%

LAB 93.32, -37.03, 83.42

 

CMYK 0 / 32 / 99 / 16

HEX #D79203

RGB 215 146 3

HSL 40.47, 0.97%, 0.43%

LAB 65.76, 16.97, 70.19

 

CMYK 0 / 31 / 97 / 2

HEX #FBAC08

RGB 251 172 8

HSL 40.49, 0.97%, 0.51%

LAB 76.09, 18.66, 78.61

 

CMYK 0 / 27 / 81 / 1

HEX #FCB931

RGB 252 185 49

HSL 40.2, 0.97%, 0.59%

LAB 79.39, 13.03, 72.52

 

CMYK 0 / 21 / 64 / 1

HEX #FCC75A

RGB 252 199 90

HSL 40.37, 0.96%, 0.67%

LAB 83.06, 7.6, 60.21

 

CMYK 0 / 16 / 49 / 1

HEX #FDD582

RGB 253 213 130

HSL 40.49, 0.97%, 0.75%

LAB 87.04, 3.79, 46.02

 

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

CMYK 70 / 0 / 81 / 1

HEX #4CFC31

RGB 76 252 49

HSL 112.02, 0.97%, 0.59%

LAB 87.67, -77.39, 76.23

 

CMYK 59 / 81 / 0 / 1

HEX #6731FC

RGB 103 49 252

HSL 255.96, 0.97%, 0.59%

LAB 41.39, 69.82, -90.92

 

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

CMYK 81 / 0 / 27 / 1

HEX #31FCB8

RGB 49 252 184

HSL 159.9, 0.97%, 0.59%

LAB 88.8, -62.8, 19.29

 

CMYK 27 / 81 / 0 / 1

HEX #B831FC

RGB 184 49 252

HSL 279.9, 0.97%, 0.59%

LAB 51.17, 80.22, -74.5

 

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

CMYK 70 / 0 / 81 / 1

HEX #4CFC31

RGB 76 252 49

HSL 112.02, 0.97%, 0.59%

LAB 87.67, -77.39, 76.23

 

CMYK 81 / 54 / 0 / 1

HEX #3175FC

RGB 49 117 252

HSL 219.9, 0.97%, 0.59%

LAB 52.29, 26.85, -73.17

 

CMYK 11 / 81 / 0 / 1

HEX #E131FC

RGB 225 49 252

HSL 292.02, 0.97%, 0.59%

LAB 57.3, 86.92, -64.29

 

CMYK 0 / 26 / 80 / 1

HEX #FCBA33

RGB 252 186 51

HSL 40.3, 0.97%, 0.59%

LAB 79.64, 12.57, 72.1

 

CMYK 81 / 0 / 67 / 1

HEX #31FC53

RGB 49 252 83

HSL 130.05, 0.97%, 0.59%

LAB 87.44, -78.67, 64.87

 

CMYK 81 / 54 / 0 / 1

HEX #3175FC

RGB 49 117 252

HSL 219.9, 0.97%, 0.59%

LAB 52.29, 26.85, -73.17

 

CMYK 0 / 81 / 13 / 1

HEX #FC31DA

RGB 252 49 218

HSL 310.05, 0.97%, 0.59%

LAB 59.85, 86.93, -40.92

 

Description

Color code: HEX #FCBA33 | qconv.com Color code: HEX #FCBA33 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 186 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 186 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 80% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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