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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCB9C64C it is the complementary color #0346394C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCB9C64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCB9C64C shade: #FFB9C14C, #FFCBD44C, #FFDDE74C, #FFEFFA4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCB9C64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCB9C64C shade: #FCB9C64C, #EBA7B34C, #DA95A04C, #C9838D4C and #B8717A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCB9C64C shade: #FCBAC7 and #FCBABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCB9C64C shade: #FCBAC7, #FCBAD9, #FCBAEB, #FCBAFC and #EABAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCB9C64C shade matches the following richer shades: #FCBAC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCB9C64C shade: #FCBAC7, #F6C0CB, #F1C6CE, #EBCCD2 and #E5D2D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCB9C64C shade: #FCBAEB, #FCBAD9, #FCBAC8, #FCBFBA and #FCD0BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCB9C64C shade: #F96B87, #FA93A7, #FCBAC7, #FEE2E7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCB9C64C shade: #FCB9C6, #FCFCBA and #BAE2FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCB9C64C shade: #FCB9C6, #C8FCBA and #BAC8FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCB9C64C shade: #FCB9C6, #FCFCBA, #BAFCEF and #BABAFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCB9C64C shade: #FCB9C6, #E8FCBA, #BAFCEF and #CEBAFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 6 / 0

HEX #FCB9C64C

RGBA 252 185 198 0.3

HSLA 348.36, 0.92%, 0.86%, 0.3

LABA 81.55, 26.03, 3.01, 0.3

 

Complementary color

CMYK 29 / 0 / 6 / 22

HEX #0346394C

RGBA 3 70 57 0.3

HSLA 168.36, 0.92%, 0.14%, 0.3

LABA 25.85, -22.96, 2.39, 0.3

 

CMYK 0 / 8 / 7 / 0

HEX #FFB9C14C

RGBA 255 185 193 0.3

HSLA 353.14, 1%, 0.86%, 0.3

LABA 81.73, 26.39, 6.01, 0.3

 

CMYK 0 / 6 / 5 / 0

HEX #FFCBD44C

RGBA 255 203 212 0.3

HSLA 349.62, 1%, 0.9%, 0.3

LABA 86.37, 19.73, 2.56, 0.3

 

CMYK 0 / 4 / 3 / 0

HEX #FFDDE74C

RGBA 255 221 231 0.3

HSLA 342.35, 1%, 0.93%, 0.3

LABA 91.12, 13.34, -0.55, 0.3

 

CMYK 0 / 2 / 1 / 0

HEX #FFEFFA4C

RGBA 255 239 250 0.3

HSLA 318.75, 1%, 0.97%, 0.3

LABA 95.95, 7.27, -3.36, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 8 / 6 / 0

HEX #FCB9C64C

RGBA 252 185 198 0.3

HSLA 348.36, 0.92%, 0.86%, 0.3

LABA 81.55, 26.03, 3.01, 0.3

 

CMYK 0 / 9 / 7 / 2

HEX #EBA7B34C

RGBA 235 167 179 0.3

HSLA 349.41, 0.63%, 0.79%, 0.3

LABA 75.17, 26.72, 3.87, 0.3

 

CMYK 0 / 9 / 8 / 4

HEX #DA95A04C

RGBA 218 149 160 0.3

HSLA 350.43, 0.48%, 0.72%, 0.3

LABA 68.71, 27.47, 4.8, 0.3

 

CMYK 0 / 10 / 9 / 6

HEX #C9838D4C

RGBA 201 131 141 0.3

HSLA 351.43, 0.39%, 0.65%, 0.3

LABA 62.15, 28.29, 5.83, 0.3

 

CMYK 0 / 12 / 10 / 8

HEX #B8717A4C

RGBA 184 113 122 0.3

HSLA 352.39, 0.33%, 0.58%, 0.3

LABA 55.49, 29.18, 6.99, 0.3

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC7

RGB 252 186 199

HSL 348.18, 0.92%, 0.86%

LAB 81.8, 25.65, 2.84

 

CMYK 0 / 26 / 26 / 1

HEX #FCBABA

RGB 252 186 186

HSL 0, 0.92%, 0.86%

LAB 81.49, 23.82, 9.38

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC7

RGB 252 186 199

HSL 348.18, 0.92%, 0.86%

LAB 81.8, 25.65, 2.84

 

CMYK 0 / 26 / 14 / 1

HEX #FCBAD9

RGB 252 186 217

HSL 331.82, 0.92%, 0.86%

LAB 82.28, 28.39, -6.14

 

CMYK 0 / 26 / 7 / 1

HEX #FCBAEB

RGB 252 186 235

HSL 315.45, 0.92%, 0.86%

LAB 82.81, 31.35, -15

 

CMYK 0 / 26 / 0 / 1

HEX #FCBAFC

RGB 252 186 252

HSL 300, 0.92%, 0.86%

LAB 83.36, 34.33, -23.26

 

CMYK 7 / 26 / 0 / 1

HEX #EABAFC

RGB 234 186 252

HSL 283.64, 0.92%, 0.86%

LAB 81.64, 28.64, -26.04

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC7

RGB 252 186 199

HSL 348.18, 0.92%, 0.86%

LAB 81.8, 25.65, 2.84

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC7

RGB 252 186 199

HSL 348.18, 0.92%, 0.86%

LAB 81.8, 25.65, 2.84

 

CMYK 0 / 22 / 17 / 4

HEX #F6C0CB

RGB 246 192 203

HSL 347.78, 0.75%, 0.86%

LAB 82.7, 20.95, 1.92

 

CMYK 0 / 18 / 15 / 5

HEX #F1C6CE

RGB 241 198 206

HSL 348.84, 0.61%, 0.86%

LAB 83.73, 16.47, 1.75

 

CMYK 0 / 13 / 11 / 8

HEX #EBCCD2

RGB 235 204 210

HSL 348.39, 0.44%, 0.86%

LAB 84.74, 11.83, 1.03

 

CMYK 0 / 8 / 7 / 10

HEX #E5D2D5

RGB 229 210 213

HSL 350.53, 0.27%, 0.86%

LAB 85.78, 7.08, 0.89

 

CMYK 0 / 26 / 7 / 1

HEX #FCBAEB

RGB 252 186 235

HSL 315.45, 0.92%, 0.86%

LAB 82.81, 31.35, -15

 

CMYK 0 / 26 / 14 / 1

HEX #FCBAD9

RGB 252 186 217

HSL 331.82, 0.92%, 0.86%

LAB 82.28, 28.39, -6.14

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC8

RGB 252 186 200

HSL 347.27, 0.92%, 0.86%

LAB 81.83, 25.8, 2.34

 

CMYK 0 / 24 / 26 / 1

HEX #FCBFBA

RGB 252 191 186

HSL 4.55, 0.92%, 0.86%

LAB 82.65, 21.19, 11.03

 

CMYK 0 / 17 / 26 / 1

HEX #FCD0BA

RGB 252 208 186

HSL 20, 0.92%, 0.86%

LAB 86.68, 12.29, 16.73

 

CMYK 0 / 57 / 46 / 2

HEX #F96B87

RGB 249 107 135

HSL 348.17, 0.92%, 0.7%

LAB 63.68, 56.66, 12.33

 

CMYK 0 / 41 / 33 / 2

HEX #FA93A7

RGB 250 147 167

HSL 348.35, 0.91%, 0.78%

LAB 72.22, 40.99, 6.45

 

CMYK 0 / 26 / 21 / 1

HEX #FCBAC7

RGB 252 186 199

HSL 348.18, 0.92%, 0.86%

LAB 81.8, 25.65, 2.84

 

CMYK 0 / 11 / 9 / 0

HEX #FEE2E7

RGB 254 226 231

HSL 349.29, 0.93%, 0.94%

LAB 92.24, 10.41, 1.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 27 / 21 / 1

HEX #FCB9C6

RGB 252 185 198

HSL 348.36, 0.92%, 0.86%

LAB 81.55, 26.03, 3.01

 

CMYK 0 / 0 / 26 / 1

HEX #FCFCBA

RGB 252 252 186

HSL 60, 0.92%, 0.86%

LAB 97.58, -10.07, 31.71

 

CMYK 26 / 10 / 0 / 1

HEX #BAE2FC

RGB 186 226 252

HSL 203.64, 0.92%, 0.86%

LAB 87.9, -7.3, -16.9

 

CMYK 0 / 27 / 21 / 1

HEX #FCB9C6

RGB 252 185 198

HSL 348.36, 0.92%, 0.86%

LAB 81.55, 26.03, 3.01

 

CMYK 21 / 0 / 26 / 1

HEX #C8FCBA

RGB 200 252 186

HSL 107.27, 0.92%, 0.86%

LAB 94.07, -28.38, 26.37

 

CMYK 26 / 21 / 0 / 1

HEX #BAC8FC

RGB 186 200 252

HSL 227.27, 0.92%, 0.86%

LAB 81.17, 6.42, -27.11

 

CMYK 0 / 27 / 21 / 1

HEX #FCB9C6

RGB 252 185 198

HSL 348.36, 0.92%, 0.86%

LAB 81.55, 26.03, 3.01

 

CMYK 0 / 0 / 26 / 1

HEX #FCFCBA

RGB 252 252 186

HSL 60, 0.92%, 0.86%

LAB 97.58, -10.07, 31.71

 

CMYK 26 / 0 / 5 / 1

HEX #BAFCEF

RGB 186 252 239

HSL 168.18, 0.92%, 0.86%

LAB 94.44, -23.12, -0.43

 

CMYK 26 / 26 / 0 / 1

HEX #BABAFC

RGB 186 186 252

HSL 240, 0.92%, 0.86%

LAB 77.63, 14.04, -32.54

 

CMYK 0 / 27 / 21 / 1

HEX #FCB9C6

RGB 252 185 198

HSL 348.36, 0.92%, 0.86%

LAB 81.55, 26.03, 3.01

 

CMYK 8 / 0 / 26 / 1

HEX #E8FCBA

RGB 232 252 186

HSL 78.18, 0.92%, 0.86%

LAB 96.13, -17.31, 29.51

 

CMYK 26 / 0 / 5 / 1

HEX #BAFCEF

RGB 186 252 239

HSL 168.18, 0.92%, 0.86%

LAB 94.44, -23.12, -0.43

 

CMYK 18 / 26 / 0 / 1

HEX #CEBAFC

RGB 206 186 252

HSL 258.18, 0.92%, 0.86%

LAB 79.2, 19.98, -30

 

Description

Color code: HEX #FCB9C64C | qconv.com Color code: HEX #FCB9C64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 185 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 185 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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