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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCB5E0 it is the complementary color #034A1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCB5E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCB5E0 shade: #FFB5DB, #FFC7EE, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCB5E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCB5E0 shade: #FCB5E0, #EBA3CD, #DA91BA, #C97FA7 and #B86D94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCB5E0 shade: #FBB5E0, #FBB5CD, #FBB5BA and #FBB5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCB5E0 shade: #FBB5E0, #FBB5F3, #F1B5FB, #DEB5FB and #CBB5FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCB5E0 shade matches the following richer shades: #FBB5E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCB5E0 shade: #FBB5E0, #F5BBDE, #EFC1DD, #E9C8DC and #E3CEDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCB5E0 shade: #F1B5FB, #FBB5F3, #FBB5E0, #FBB5CE and #FBB5BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCB5E0 shade: #F866BE, #FA8DCF, #FBB5E0 and #FDDDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCB5E0 shade: #FCB5E0, #FBDEB5 and #B5FBFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCB5E0 shade: #FCB5E0, #E0FBB5 and #B5E0FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCB5E0 shade: #FCB5E0, #FBDEB5, #B5FBD0 and #B5D2FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCB5E0 shade: #FCB5E0, #FBF3B5, #B5FBD0 and #B5BDFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

Complementary color

CMYK 96 / 0 / 58 / 71

HEX #034A1F

RGB 3 74 31

HSL 143.66, 0.92%, 0.15%

LAB 26.78, -31.2, 19.95

 

CMYK 0 / 29 / 14 / 0

HEX #FFB5DB

RGB 255 181 219

HSL 329.19, 1%, 0.85%

LAB 81.52, 32.35, -8.3

 

CMYK 0 / 22 / 7 / 0

HEX #FFC7EE

RGB 255 199 238

HSL 318.21, 1%, 0.89%

LAB 86.15, 26.02, -11.59

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

CMYK 0 / 31 / 13 / 8

HEX #EBA3CD

RGB 235 163 205

HSL 325, 0.64%, 0.78%

LAB 74.99, 32.81, -10.65

 

CMYK 0 / 33 / 15 / 15

HEX #DA91BA

RGB 218 145 186

HSL 326.3, 0.5%, 0.71%

LAB 68.53, 33.53, -9.98

 

CMYK 0 / 37 / 17 / 21

HEX #C97FA7

RGB 201 127 167

HSL 327.57, 0.41%, 0.64%

LAB 61.99, 34.29, -9.24

 

CMYK 0 / 41 / 20 / 28

HEX #B86D94

RGB 184 109 148

HSL 328.8, 0.35%, 0.57%

LAB 55.35, 35.09, -8.42

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 28 / 18 / 2

HEX #FBB5CD

RGB 251 181 205

HSL 339.43, 0.9%, 0.85%

LAB 80.72, 28.82, -1.99

 

CMYK 0 / 28 / 26 / 2

HEX #FBB5BA

RGB 251 181 186

HSL 355.71, 0.9%, 0.85%

LAB 80.24, 26.09, 7.58

 

CMYK 0 / 28 / 28 / 2

HEX #FBB5B5

RGB 251 181 181

HSL 0, 0.9%, 0.85%

LAB 80.12, 25.41, 10.11

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 28 / 3 / 2

HEX #FBB5F3

RGB 251 181 243

HSL 306.86, 0.9%, 0.85%

LAB 81.85, 35.03, -20.75

 

CMYK 4 / 28 / 0 / 2

HEX #F1B5FB

RGB 241 181 251

HSL 291.43, 0.9%, 0.85%

LAB 81.13, 33.31, -26.22

 

CMYK 12 / 28 / 0 / 2

HEX #DEB5FB

RGB 222 181 251

HSL 275.14, 0.9%, 0.85%

LAB 79.35, 27.38, -29.1

 

CMYK 19 / 28 / 0 / 2

HEX #CBB5FB

RGB 203 181 251

HSL 258.86, 0.9%, 0.85%

LAB 77.7, 21.58, -31.78

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 24 / 9 / 4

HEX #F5BBDE

RGB 245 187 222

HSL 323.79, 0.74%, 0.85%

LAB 81.96, 26.28, -9.38

 

CMYK 0 / 19 / 8 / 6

HEX #EFC1DD

RGB 239 193 221

HSL 323.48, 0.59%, 0.85%

LAB 82.76, 20.88, -7.72

 

CMYK 0 / 14 / 6 / 9

HEX #E9C8DC

RGB 233 200 220

HSL 323.64, 0.43%, 0.85%

LAB 83.86, 14.94, -5.61

 

CMYK 0 / 9 / 4 / 11

HEX #E3CEDA

RGB 227 206 218

HSL 325.71, 0.27%, 0.85%

LAB 84.76, 9.36, -3.28

 

CMYK 4 / 28 / 0 / 2

HEX #F1B5FB

RGB 241 181 251

HSL 291.43, 0.9%, 0.85%

LAB 81.13, 33.31, -26.22

 

CMYK 0 / 28 / 3 / 2

HEX #FBB5F3

RGB 251 181 243

HSL 306.86, 0.9%, 0.85%

LAB 81.85, 35.03, -20.75

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 28 / 18 / 2

HEX #FBB5CE

RGB 251 181 206

HSL 338.57, 0.9%, 0.85%

LAB 80.75, 28.97, -2.49

 

CMYK 0 / 28 / 25 / 2

HEX #FBB5BB

RGB 251 181 187

HSL 354.86, 0.9%, 0.85%

LAB 80.26, 26.22, 7.07

 

CMYK 0 / 59 / 23 / 3

HEX #F866BE

RGB 248 102 190

HSL 323.84, 0.91%, 0.69%

LAB 64.3, 64.78, -18.21

 

CMYK 0 / 44 / 17 / 2

HEX #FA8DCF

RGB 250 141 207

HSL 323.67, 0.92%, 0.77%

LAB 72.15, 49.48, -15.84

 

CMYK 0 / 28 / 11 / 2

HEX #FBB5E0

RGB 251 181 224

HSL 323.14, 0.9%, 0.85%

LAB 81.26, 31.81, -11.44

 

CMYK 0 / 13 / 5 / 1

HEX #FDDDF0

RGB 253 221 240

HSL 324.38, 0.89%, 0.93%

LAB 91.18, 14.17, -5.19

 

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

CMYK 0 / 12 / 28 / 2

HEX #FBDEB5

RGB 251 222 181

HSL 35.14, 0.9%, 0.85%

LAB 89.9, 4.02, 23.8

 

CMYK 28 / 0 / 0 / 2

HEX #B5FBFA

RGB 181 251 250

HSL 179.14, 0.9%, 0.85%

LAB 94.19, -21.7, -6.51

 

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

CMYK 11 / 0 / 28 / 2

HEX #E0FBB5

RGB 224 251 181

HSL 83.14, 0.9%, 0.85%

LAB 95.24, -20.37, 30.73

 

CMYK 28 / 11 / 0 / 2

HEX #B5E0FB

RGB 181 224 251

HSL 203.14, 0.9%, 0.85%

LAB 87.05, -7.93, -17.69

 

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

CMYK 0 / 12 / 28 / 2

HEX #FBDEB5

RGB 251 222 181

HSL 35.14, 0.9%, 0.85%

LAB 89.9, 4.02, 23.8

 

CMYK 28 / 0 / 17 / 2

HEX #B5FBD0

RGB 181 251 208

HSL 143.14, 0.9%, 0.85%

LAB 93.18, -30.21, 13.72

 

CMYK 28 / 16 / 0 / 2

HEX #B5D2FB

RGB 181 210 251

HSL 215.14, 0.9%, 0.85%

LAB 83.38, -0.6, -23.23

 

CMYK 0 / 28 / 11 / 1

HEX #FCB5E0

RGB 252 181 224

HSL 323.66, 0.92%, 0.85%

LAB 81.36, 32.14, -11.27

 

CMYK 0 / 3 / 28 / 2

HEX #FBF3B5

RGB 251 243 181

HSL 53.14, 0.9%, 0.85%

LAB 95.14, -6.62, 30.93

 

CMYK 28 / 0 / 17 / 2

HEX #B5FBD0

RGB 181 251 208

HSL 143.14, 0.9%, 0.85%

LAB 93.18, -30.21, 13.72

 

CMYK 28 / 25 / 0 / 2

HEX #B5BDFB

RGB 181 189 251

HSL 233.14, 0.9%, 0.85%

LAB 77.98, 10.71, -31.49

 

Description

Color code: HEX #FCB5E0 | qconv.com Color code: HEX #FCB5E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 181 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 181 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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