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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCB056 it is the complementary color #034FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCB056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCB056 shade: #FFB051, #FFC264, #FFD477, #FFE68A and #FFF89D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCB056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCB056 shade: #FCB056, #EB9E43, #DA8C30, #C97A1D and #B8680A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCB056 shade: #FCAF54, #FC8254, #FC5554 and #FC5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCB056 shade: #FCAF54, #FCDD54, #EFFC54, #C1FC54 and #94FC54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCB056 shade matches the following richer shades: #FCAF54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCB056 shade: #FCAF54, #EEAE62, #E0AD70, #D2AC7E and #C4AB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCB056 shade: #FC5454, #FC8154, #FCAE54, #FCDB54 and #F1FC54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCB056 shade: #FA8904, #FC9C2C, #FCAF54, #FDC27D and #FED5A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCB056 shade: #FCB056, #81FC54 and #6B54FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCB056 shade: #FCB056, #54FCAE and #AE54FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCB056 shade: #FCB056, #81FC54, #54A3FC and #D054FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCB056 shade: #FCB056, #54FC5A, #54A3FC and #FC54F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

Complementary color

CMYK 98 / 53 / 0 / 34

HEX #034FA9

RGB 3 79 169

HSL 212.53, 0.97%, 0.34%

LAB 34.95, 16.37, -53.75

 

CMYK 0 / 31 / 68 / 0

HEX #FFB051

RGB 255 176 81

HSL 32.76, 1%, 0.66%

LAB 77.82, 20.32, 58.63

 

CMYK 0 / 24 / 61 / 0

HEX #FFC264

RGB 255 194 100

HSL 36.39, 1%, 0.7%

LAB 82.25, 12.06, 54.82

 

CMYK 0 / 17 / 53 / 0

HEX #FFD477

RGB 255 212 119

HSL 41.03, 1%, 0.73%

LAB 86.84, 4.17, 51.18

 

CMYK 0 / 10 / 46 / 0

HEX #FFE68A

RGB 255 230 138

HSL 47.18, 1%, 0.77%

LAB 91.54, -3.32, 47.74

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89D

RGB 255 248 157

HSL 55.71, 1%, 0.81%

LAB 96.34, -10.39, 44.53

 

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

CMYK 0 / 33 / 71 / 8

HEX #EB9E43

RGB 235 158 67

HSL 32.5, 0.81%, 0.59%

LAB 71.23, 20.8, 57.21

 

CMYK 0 / 36 / 78 / 15

HEX #DA8C30

RGB 218 140 48

HSL 32.47, 0.7%, 0.52%

LAB 64.86, 22.44, 58.21

 

CMYK 0 / 39 / 86 / 21

HEX #C97A1D

RGB 201 122 29

HSL 32.44, 0.75%, 0.45%

LAB 58.44, 24.31, 58.61

 

CMYK 0 / 43 / 95 / 28

HEX #B8680A

RGB 184 104 10

HSL 32.41, 0.9%, 0.38%

LAB 51.96, 26.43, 57.7

 

CMYK 0 / 31 / 67 / 1

HEX #FCAF54

RGB 252 175 84

HSL 32.5, 0.97%, 0.66%

LAB 77.28, 19.77, 56.59

 

CMYK 0 / 48 / 67 / 1

HEX #FC8254

RGB 252 130 84

HSL 16.43, 0.97%, 0.66%

LAB 67.5, 42.97, 45.57

 

CMYK 0 / 66 / 67 / 1

HEX #FC5554

RGB 252 85 84

HSL 0.36, 0.97%, 0.66%

LAB 59.74, 63.23, 36.35

 

CMYK 0 / 67 / 67 / 1

HEX #FC5454

RGB 252 84 84

HSL 0, 0.97%, 0.66%

LAB 59.6, 63.61, 36.18

 

CMYK 0 / 31 / 67 / 1

HEX #FCAF54

RGB 252 175 84

HSL 32.5, 0.97%, 0.66%

LAB 77.28, 19.77, 56.59

 

CMYK 0 / 12 / 67 / 1

HEX #FCDD54

RGB 252 221 84

HSL 48.93, 0.97%, 0.66%

LAB 88.47, -3.99, 68.51

 

CMYK 5 / 0 / 67 / 1

HEX #EFFC54

RGB 239 252 84

HSL 64.64, 0.97%, 0.66%

LAB 95.42, -24.44, 75.28

 

CMYK 23 / 0 / 67 / 1

HEX #C1FC54

RGB 193 252 84

HSL 81.07, 0.97%, 0.66%

LAB 92.4, -42.15, 71.23

 

CMYK 41 / 0 / 67 / 1

HEX #94FC54

RGB 148 252 84

HSL 97.14, 0.97%, 0.66%

LAB 90.12, -57.51, 68.14

 

CMYK 0 / 31 / 67 / 1

HEX #FCAF54

RGB 252 175 84

HSL 32.5, 0.97%, 0.66%

LAB 77.28, 19.77, 56.59

 

CMYK 0 / 31 / 67 / 1

HEX #FCAF54

RGB 252 175 84

HSL 32.5, 0.97%, 0.66%

LAB 77.28, 19.77, 56.59

 

CMYK 0 / 27 / 59 / 7

HEX #EEAE62

RGB 238 174 98

HSL 32.57, 0.8%, 0.66%

LAB 75.66, 15.43, 47.65

 

CMYK 0 / 23 / 50 / 12

HEX #E0AD70

RGB 224 173 112

HSL 32.68, 0.64%, 0.66%

LAB 74.13, 11.36, 38.35

 

CMYK 0 / 18 / 40 / 18

HEX #D2AC7E

RGB 210 172 126

HSL 32.86, 0.48%, 0.66%

LAB 72.7, 7.64, 28.87

 

CMYK 0 / 13 / 29 / 23

HEX #C4AB8C

RGB 196 171 140

HSL 33.21, 0.32%, 0.66%

LAB 71.39, 4.35, 19.31

 

CMYK 0 / 67 / 67 / 1

HEX #FC5454

RGB 252 84 84

HSL 0, 0.97%, 0.66%

LAB 59.6, 63.61, 36.18

 

CMYK 0 / 49 / 67 / 1

HEX #FC8154

RGB 252 129 84

HSL 16.07, 0.97%, 0.66%

LAB 67.3, 43.47, 45.34

 

CMYK 0 / 31 / 67 / 1

HEX #FCAE54

RGB 252 174 84

HSL 32.14, 0.97%, 0.66%

LAB 77.05, 20.29, 56.33

 

CMYK 0 / 13 / 67 / 1

HEX #FCDB54

RGB 252 219 84

HSL 48.21, 0.97%, 0.66%

LAB 87.97, -2.98, 67.99

 

CMYK 4 / 0 / 67 / 1

HEX #F1FC54

RGB 241 252 84

HSL 63.93, 0.97%, 0.66%

LAB 95.56, -23.64, 75.48

 

CMYK 0 / 45 / 98 / 2

HEX #FA8904

RGB 250 137 4

HSL 32.44, 0.97%, 0.5%

LAB 68.19, 36.38, 73.8

 

CMYK 0 / 38 / 83 / 1

HEX #FC9C2C

RGB 252 156 44

HSL 32.31, 0.97%, 0.58%

LAB 72.66, 28.04, 68.29

 

CMYK 0 / 31 / 67 / 1

HEX #FCAF54

RGB 252 175 84

HSL 32.5, 0.97%, 0.66%

LAB 77.28, 19.77, 56.59

 

CMYK 0 / 23 / 51 / 1

HEX #FDC27D

RGB 253 194 125

HSL 32.34, 0.97%, 0.74%

LAB 82.35, 13.18, 42.66

 

CMYK 0 / 16 / 35 / 0

HEX #FED5A5

RGB 254 213 165

HSL 32.36, 0.98%, 0.82%

LAB 87.67, 7.81, 29.09

 

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

CMYK 49 / 0 / 67 / 1

HEX #81FC54

RGB 129 252 84

HSL 103.93, 0.97%, 0.66%

LAB 89.36, -63.1, 67.11

 

CMYK 58 / 67 / 0 / 1

HEX #6B54FC

RGB 107 84 252

HSL 248.21, 0.97%, 0.66%

LAB 47.62, 53.68, -80.66

 

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

CMYK 67 / 0 / 31 / 1

HEX #54FCAE

RGB 84 252 174

HSL 152.14, 0.97%, 0.66%

LAB 89.19, -60.53, 25.02

 

CMYK 31 / 67 / 0 / 1

HEX #AE54FC

RGB 174 84 252

HSL 272.14, 0.97%, 0.66%

LAB 54.41, 65.46, -69.3

 

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

CMYK 49 / 0 / 67 / 1

HEX #81FC54

RGB 129 252 84

HSL 103.93, 0.97%, 0.66%

LAB 89.36, -63.1, 67.11

 

CMYK 67 / 35 / 0 / 1

HEX #54A3FC

RGB 84 163 252

HSL 211.79, 0.97%, 0.66%

LAB 65.83, 3.33, -51.39

 

CMYK 17 / 67 / 0 / 1

HEX #D054FC

RGB 208 84 252

HSL 284.29, 0.97%, 0.66%

LAB 58.77, 72.41, -62.06

 

CMYK 0 / 30 / 66 / 1

HEX #FCB056

RGB 252 176 86

HSL 32.53, 0.97%, 0.66%

LAB 77.53, 19.36, 55.94

 

CMYK 67 / 0 / 64 / 1

HEX #54FC5A

RGB 84 252 90

HSL 122.14, 0.97%, 0.66%

LAB 88.09, -72.98, 63.01

 

CMYK 67 / 35 / 0 / 1

HEX #54A3FC

RGB 84 163 252

HSL 211.79, 0.97%, 0.66%

LAB 65.83, 3.33, -51.39

 

CMYK 0 / 67 / 2 / 1

HEX #FC54F7

RGB 252 84 247

HSL 301.79, 0.97%, 0.66%

LAB 64.76, 81.04, -49.38

 

Description

Color code: HEX #FCB056 | qconv.com Color code: HEX #FCB056 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 176 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 176 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 66 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 66% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Mainostoimisto Eerop...
Link: http://eeroplan.fi

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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