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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCAC7B it is the complementary color #035384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCAC7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCAC7B shade: #FFAC76, #FFBE89, #FFD09C, #FFE2AF and #FFF4C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCAC7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCAC7B shade: #FCAC7B, #EB9A68, #DA8855, #C97642 and #B8642F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCAC7B shade: #FCAD7D, #FC8B7D and #FC7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCAC7B shade: #FCAD7D, #FCD07D, #FCF27D, #E4FC7D and #C2FC7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCAC7B shade matches the following richer shades: #FCAD7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCAC7B shade: #FCAD7D, #F2B088, #E7B393, #DCB59D and #D1B8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCAC7B shade: #FC7D92, #FC8A7D, #FCAC7D, #FCCE7D and #FCF07D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCAC7B shade: #FB7B2C, #FC9455, #FCAD7D, #FDC7A5 and #FEE0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCAC7B shade: #FCAC7B, #B4FC7D and #7D81FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCAC7B shade: #FCAC7B, #7DFCAC and #AC7DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCAC7B shade: #FCAC7B, #B4FC7D, #7DCEFC and #C57DFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCAC7B shade: #FCAC7B, #8EFC7D, #7DCEFC and #EB7DFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

Complementary color

CMYK 98 / 37 / 0 / 48

HEX #035384

RGB 3 83 132

HSL 202.79, 0.96%, 0.26%

LAB 33.71, -1.79, -33.34

 

CMYK 0 / 33 / 54 / 0

HEX #FFAC76

RGB 255 172 118

HSL 23.65, 1%, 0.73%

LAB 77.32, 24.89, 39.98

 

CMYK 0 / 25 / 46 / 0

HEX #FFBE89

RGB 255 190 137

HSL 26.95, 1%, 0.77%

LAB 81.78, 17.16, 35.83

 

CMYK 0 / 18 / 39 / 0

HEX #FFD09C

RGB 255 208 156

HSL 31.52, 1%, 0.81%

LAB 86.39, 9.75, 32.06

 

CMYK 0 / 11 / 31 / 0

HEX #FFE2AF

RGB 255 226 175

HSL 38.25, 1%, 0.84%

LAB 91.12, 2.71, 28.62

 

CMYK 0 / 4 / 24 / 0

HEX #FFF4C2

RGB 255 244 194

HSL 49.18, 1%, 0.88%

LAB 95.94, -3.94, 25.47

 

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

CMYK 0 / 34 / 56 / 8

HEX #EB9A68

RGB 235 154 104

HSL 22.9, 0.77%, 0.66%

LAB 70.71, 25.27, 38.51

 

CMYK 0 / 38 / 61 / 15

HEX #DA8855

RGB 218 136 85

HSL 23.01, 0.64%, 0.59%

LAB 64.3, 26.56, 40.16

 

CMYK 0 / 41 / 67 / 21

HEX #C97642

RGB 201 118 66

HSL 23.11, 0.56%, 0.52%

LAB 57.82, 28.02, 41.91

 

CMYK 0 / 46 / 74 / 28

HEX #B8642F

RGB 184 100 47

HSL 23.21, 0.59%, 0.45%

LAB 51.28, 29.67, 43.69

 

CMYK 0 / 31 / 50 / 1

HEX #FCAD7D

RGB 252 173 125

HSL 22.68, 0.95%, 0.74%

LAB 77.32, 23.78, 36.26

 

CMYK 0 / 45 / 50 / 1

HEX #FC8B7D

RGB 252 139 125

HSL 6.61, 0.95%, 0.74%

LAB 69.92, 41.39, 26.58

 

CMYK 0 / 50 / 50 / 1

HEX #FC7D7D

RGB 252 125 125

HSL 0, 0.95%, 0.74%

LAB 67.16, 48.33, 22.87

 

CMYK 0 / 31 / 50 / 1

HEX #FCAD7D

RGB 252 173 125

HSL 22.68, 0.95%, 0.74%

LAB 77.32, 23.78, 36.26

 

CMYK 0 / 17 / 50 / 1

HEX #FCD07D

RGB 252 208 125

HSL 39.21, 0.95%, 0.74%

LAB 85.65, 5.52, 46.74

 

CMYK 0 / 4 / 50 / 1

HEX #FCF27D

RGB 252 242 125

HSL 55.28, 0.95%, 0.74%

LAB 94.18, -11.63, 57.05

 

CMYK 10 / 0 / 50 / 1

HEX #E4FC7D

RGB 228 252 125

HSL 71.34, 0.95%, 0.74%

LAB 94.99, -25.79, 57.57

 

CMYK 23 / 0 / 50 / 1

HEX #C2FC7D

RGB 194 252 125

HSL 87.4, 0.95%, 0.74%

LAB 92.83, -38.36, 54.47

 

CMYK 0 / 31 / 50 / 1

HEX #FCAD7D

RGB 252 173 125

HSL 22.68, 0.95%, 0.74%

LAB 77.32, 23.78, 36.26

 

CMYK 0 / 31 / 50 / 1

HEX #FCAD7D

RGB 252 173 125

HSL 22.68, 0.95%, 0.74%

LAB 77.32, 23.78, 36.26

 

CMYK 0 / 27 / 44 / 5

HEX #F2B088

RGB 242 176 136

HSL 22.64, 0.8%, 0.74%

LAB 77.1, 19.31, 29.96

 

CMYK 0 / 23 / 36 / 9

HEX #E7B393

RGB 231 179 147

HSL 22.86, 0.64%, 0.74%

LAB 76.88, 14.63, 23.6

 

CMYK 0 / 18 / 29 / 14

HEX #DCB59D

RGB 220 181 157

HSL 22.86, 0.47%, 0.74%

LAB 76.5, 10.58, 17.52

 

CMYK 0 / 12 / 20 / 18

HEX #D1B8A8

RGB 209 184 168

HSL 23.41, 0.31%, 0.74%

LAB 76.47, 6.38, 11.39

 

CMYK 0 / 50 / 42 / 1

HEX #FC7D92

RGB 252 125 146

HSL 350.08, 0.95%, 0.74%

LAB 67.6, 50.32, 11.67

 

CMYK 0 / 45 / 50 / 1

HEX #FC8A7D

RGB 252 138 125

HSL 6.14, 0.95%, 0.74%

LAB 69.72, 41.89, 26.31

 

CMYK 0 / 32 / 50 / 1

HEX #FCAC7D

RGB 252 172 125

HSL 22.2, 0.95%, 0.74%

LAB 77.09, 24.3, 35.96

 

CMYK 0 / 18 / 50 / 1

HEX #FCCE7D

RGB 252 206 125

HSL 38.27, 0.95%, 0.74%

LAB 85.16, 6.55, 46.13

 

CMYK 0 / 5 / 50 / 1

HEX #FCF07D

RGB 252 240 125

HSL 54.33, 0.95%, 0.74%

LAB 93.67, -10.65, 56.44

 

CMYK 0 / 51 / 82 / 2

HEX #FB7B2C

RGB 251 123 44

HSL 22.9, 0.96%, 0.58%

LAB 65.64, 44.4, 62.12

 

CMYK 0 / 41 / 66 / 1

HEX #FC9455

RGB 252 148 85

HSL 22.63, 0.97%, 0.66%

LAB 71.24, 33.9, 49.36

 

CMYK 0 / 31 / 50 / 1

HEX #FCAD7D

RGB 252 173 125

HSL 22.68, 0.95%, 0.74%

LAB 77.32, 23.78, 36.26

 

CMYK 0 / 21 / 35 / 1

HEX #FDC7A5

RGB 253 199 165

HSL 23.18, 0.96%, 0.82%

LAB 84.2, 14.7, 24.37

 

CMYK 0 / 12 / 19 / 0

HEX #FEE0CE

RGB 254 224 206

HSL 22.5, 0.96%, 0.9%

LAB 91.16, 7.55, 12.59

 

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

CMYK 29 / 0 / 50 / 1

HEX #B4FC7D

RGB 180 252 125

HSL 94.02, 0.95%, 0.74%

LAB 92.04, -43.24, 53.34

 

CMYK 50 / 49 / 0 / 1

HEX #7D81FC

RGB 125 129 252

HSL 238.11, 0.95%, 0.74%

LAB 59.06, 30.99, -62.06

 

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

CMYK 50 / 0 / 32 / 1

HEX #7DFCAC

RGB 125 252 172

HSL 142.2, 0.95%, 0.74%

LAB 90.3, -52.66, 27.74

 

CMYK 32 / 50 / 0 / 1

HEX #AC7DFC

RGB 172 125 252

HSL 262.2, 0.95%, 0.74%

LAB 62.05, 44.15, -57.05

 

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

CMYK 29 / 0 / 50 / 1

HEX #B4FC7D

RGB 180 252 125

HSL 94.02, 0.95%, 0.74%

LAB 92.04, -43.24, 53.34

 

CMYK 50 / 18 / 0 / 1

HEX #7DCEFC

RGB 125 206 252

HSL 201.73, 0.95%, 0.74%

LAB 79.35, -12.53, -30.2

 

CMYK 22 / 50 / 0 / 1

HEX #C57DFC

RGB 197 125 252

HSL 274.02, 0.95%, 0.74%

LAB 64.62, 50.49, -52.82

 

CMYK 0 / 32 / 51 / 1

HEX #FCAC7B

RGB 252 172 123

HSL 22.79, 0.96%, 0.74%

LAB 77.06, 24.13, 36.97

 

CMYK 44 / 0 / 50 / 1

HEX #8EFC7D

RGB 142 252 125

HSL 111.97, 0.95%, 0.74%

LAB 90.25, -55.26, 50.75

 

CMYK 50 / 18 / 0 / 1

HEX #7DCEFC

RGB 125 206 252

HSL 201.73, 0.95%, 0.74%

LAB 79.35, -12.53, -30.2

 

CMYK 7 / 50 / 0 / 1

HEX #EB7DFC

RGB 235 125 252

HSL 291.97, 0.95%, 0.74%

LAB 69.01, 60.5, -45.59

 

Description

Color code: HEX #FCAC7B | qconv.com Color code: HEX #FCAC7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 172 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 172 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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