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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCAC0F it is the complementary color #0353F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCAC0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCAC0F shade: #FFAC0A, #FFBE1D, #FFD030, #FFE243 and #FFF456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCAC0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCAC0F shade: #FCAC0F, #EB9A00, #DA8800, #C97600 and #B86400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCAC0F shade: #FDAC0D, #FD6B0D, #FD2A0D and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCAC0F shade: #FDAC0D, #FDEC0D, #CCFD0D, #8BFD0D and #4BFD0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCAC0F shade matches the following richer shades: #FDAC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCAC0F shade: #FDAC0D, #E9A520, #D59F34, #C19848 and #AD925C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCAC0F shade: #FD290D, #FD690D, #FDA90D, #FDE90D and #D1FD0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCAC0F shade: #B57802, #DE9402, #FDAC0D, #FDBA35 and #FDC85E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCAC0F shade: #FCAC0F, #31FD0D and #490DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCAC0F shade: #FCAC0F, #0DFDA9 and #A90DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCAC0F shade: #FCAC0F, #31FD0D, #0D61FD and #D90DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCAC0F shade: #FCAC0F, #0DFD31, #0D61FD and #FD0DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

Complementary color

CMYK 99 / 65 / 0 / 6

HEX #0353F0

RGB 3 83 240

HSL 219.75, 0.98%, 0.48%

LAB 42, 41.65, -83.33

 

CMYK 0 / 33 / 96 / 0

HEX #FFAC0A

RGB 255 172 10

HSL 39.67, 1%, 0.52%

LAB 76.55, 20.36, 78.93

HEX #FFAC0A

CMYK 0 / 25 / 89 / 0

HEX #FFBE1D

RGB 255 190 29

HSL 42.74, 1%, 0.56%

LAB 80.84, 11.22, 79.08

HEX #FFBE1D

CMYK 0 / 18 / 81 / 0

HEX #FFD030

RGB 255 208 48

HSL 46.38, 1%, 0.59%

LAB 85.29, 2.38, 78.07

HEX #FFD030

CMYK 0 / 11 / 74 / 0

HEX #FFE243

RGB 255 226 67

HSL 50.74, 1%, 0.63%

LAB 89.89, -6.06, 76.3

HEX #FFE243

CMYK 0 / 4 / 66 / 0

HEX #FFF456

RGB 255 244 86

HSL 56.09, 1%, 0.67%

LAB 94.58, -14.06, 74.09

HEX #FFF456

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

CMYK 0 / 34 / 100 / 8

HEX #EB9A00

RGB 235 154 0

HSL 39.32, 1%, 0.46%

LAB 70.02, 21.28, 74.57

 

CMYK 0 / 38 / 100 / 15

HEX #DA8800

RGB 218 136 0

HSL 37.43, 1%, 0.43%

LAB 63.77, 23.61, 69.48

 

CMYK 0 / 41 / 100 / 21

HEX #C97600

RGB 201 118 0

HSL 35.22, 1%, 0.39%

LAB 57.44, 26.01, 64.35

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 32 / 95 / 1

HEX #FDAC0D

RGB 253 172 13

HSL 39.75, 0.98%, 0.52%

LAB 76.32, 19.55, 78.32

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 83 / 95 / 1

HEX #FD2A0D

RGB 253 42 13

HSL 7.25, 0.98%, 0.52%

LAB 54.62, 74.63, 64.51

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 32 / 95 / 1

HEX #FDAC0D

RGB 253 172 13

HSL 39.75, 0.98%, 0.52%

LAB 76.32, 19.55, 78.32

 

CMYK 0 / 7 / 95 / 1

HEX #FDEC0D

RGB 253 236 13

HSL 55.75, 0.98%, 0.52%

LAB 92.09, -13.13, 89.74

 

CMYK 19 / 0 / 95 / 1

HEX #CCFD0D

RGB 204 253 13

HSL 72.25, 0.98%, 0.52%

LAB 93.07, -40.95, 88.92

 

CMYK 45 / 0 / 95 / 1

HEX #8BFD0D

RGB 139 253 13

HSL 88.5, 0.98%, 0.52%

LAB 89.75, -63.7, 84.9

 

CMYK 70 / 0 / 95 / 1

HEX #4BFD0D

RGB 75 253 13

HSL 104.5, 0.98%, 0.52%

LAB 87.86, -79.01, 82.58

 

CMYK 0 / 32 / 95 / 1

HEX #FDAC0D

RGB 253 172 13

HSL 39.75, 0.98%, 0.52%

LAB 76.32, 19.55, 78.32

 

CMYK 0 / 32 / 95 / 1

HEX #FDAC0D

RGB 253 172 13

HSL 39.75, 0.98%, 0.52%

LAB 76.32, 19.55, 78.32

 

CMYK 0 / 29 / 86 / 9

HEX #E9A520

RGB 233 165 32

HSL 39.7, 0.82%, 0.52%

LAB 72.45, 15.02, 70.78

 

CMYK 0 / 25 / 76 / 16

HEX #D59F34

RGB 213 159 52

HSL 39.88, 0.66%, 0.52%

LAB 68.89, 10.22, 60.28

 

CMYK 0 / 21 / 63 / 24

HEX #C19848

RGB 193 152 72

HSL 39.67, 0.49%, 0.52%

LAB 65.17, 6.42, 46.99

 

CMYK 0 / 16 / 47 / 32

HEX #AD925C

RGB 173 146 92

HSL 40, 0.33%, 0.52%

LAB 61.84, 2.8, 32.29

 

CMYK 0 / 84 / 95 / 1

HEX #FD290D

RGB 253 41 13

HSL 7, 0.98%, 0.52%

LAB 54.55, 74.84, 64.47

 

CMYK 0 / 58 / 95 / 1

HEX #FD690D

RGB 253 105 13

HSL 23, 0.98%, 0.52%

LAB 62.52, 53.07, 69.1

 

CMYK 0 / 33 / 95 / 1

HEX #FDA90D

RGB 253 169 13

HSL 39, 0.98%, 0.52%

LAB 75.63, 21.11, 77.83

 

CMYK 0 / 8 / 95 / 1

HEX #FDE90D

RGB 253 233 13

HSL 55, 0.98%, 0.52%

LAB 91.32, -11.66, 89.17

 

CMYK 17 / 0 / 95 / 1

HEX #D1FD0D

RGB 209 253 13

HSL 71, 0.98%, 0.52%

LAB 93.38, -39.01, 89.3

 

CMYK 0 / 34 / 99 / 29

HEX #B57802

RGB 181 120 2

HSL 39.55, 0.98%, 0.36%

LAB 55.34, 16.17, 61.36

 

CMYK 0 / 33 / 99 / 13

HEX #DE9402

RGB 222 148 2

HSL 39.82, 0.98%, 0.44%

LAB 67.06, 18.92, 71.6

 

CMYK 0 / 32 / 95 / 1

HEX #FDAC0D

RGB 253 172 13

HSL 39.75, 0.98%, 0.52%

LAB 76.32, 19.55, 78.32

 

CMYK 0 / 26 / 79 / 1

HEX #FDBA35

RGB 253 186 53

HSL 39.9, 0.98%, 0.6%

LAB 79.76, 13.06, 71.58

 

CMYK 0 / 21 / 63 / 1

HEX #FDC85E

RGB 253 200 94

HSL 40, 0.98%, 0.68%

LAB 83.44, 7.74, 58.87

 

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

CMYK 81 / 0 / 95 / 1

HEX #31FD0D

RGB 49 253 13

HSL 111, 0.98%, 0.52%

LAB 87.45, -82.6, 82.08

 

CMYK 71 / 95 / 0 / 1

HEX #490DFD

RGB 73 13 253

HSL 255, 0.98%, 0.52%

LAB 35.59, 78.08, -101.18

 

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

CMYK 95 / 0 / 33 / 1

HEX #0DFDA9

RGB 13 253 169

HSL 159, 0.98%, 0.52%

LAB 88.54, -68.42, 26.54

 

CMYK 33 / 95 / 0 / 1

HEX #A90DFD

RGB 169 13 253

HSL 279, 0.98%, 0.52%

LAB 46.73, 85.36, -82.4

 

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

CMYK 81 / 0 / 95 / 1

HEX #31FD0D

RGB 49 253 13

HSL 111, 0.98%, 0.52%

LAB 87.45, -82.6, 82.08

 

CMYK 95 / 62 / 0 / 1

HEX #0D61FD

RGB 13 97 253

HSL 219, 0.98%, 0.52%

LAB 46.61, 37.9, -83.02

 

CMYK 14 / 95 / 0 / 1

HEX #D90DFD

RGB 217 13 253

HSL 291, 0.98%, 0.52%

LAB 54.17, 91.51, -69.97

 

CMYK 0 / 32 / 94 / 1

HEX #FCAC0F

RGB 252 172 15

HSL 39.75, 0.98%, 0.52%

LAB 76.21, 19.14, 77.92

 

CMYK 95 / 0 / 81 / 1

HEX #0DFD31

RGB 13 253 49

HSL 129, 0.98%, 0.52%

LAB 87.27, -83.88, 75.6

 

CMYK 95 / 62 / 0 / 1

HEX #0D61FD

RGB 13 97 253

HSL 219, 0.98%, 0.52%

LAB 46.61, 37.9, -83.02

 

CMYK 0 / 95 / 14 / 1

HEX #FD0DD9

RGB 253 13 217

HSL 309, 0.98%, 0.52%

LAB 58.21, 92.14, -42.92

 

Description

Color code: HEX #FCAC0F | qconv.com Color code: HEX #FCAC0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 172 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 172 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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